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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4C39 it is the complementary color #53B3C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4C39 shade: #B14C34, #C25E47, #D3705A, #E4826D and #F59480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4C39 shade: #AC4C39, #9B3A26, #8A2813, #791600 and #680400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4C39 shade: #AC4C39 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4C39 shade: #AC4C39, #AC6B39, #AC8A39, #ACA939 and #90AC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4C39 shade matches the following richer shades: #AC4C39, #BE3F26, #D13314 and #E32701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4C39 shade: #AC4C39, #99584B, #86655E, #747171 and #617E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4C39 shade: #AC3965, #AC3946, #AC4A39, #AC6939 and #AC8739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4C39 shade: #6E3024, #8D3E2F, #AC4C39, #C35F4B and #CD7A6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4C39 shade: #AC4C39, #83AC39 and #3956AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4C39 shade: #AC4C39, #39AC4A and #4A39AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4C39 shade: #AC4C39, #83AC39, #399AAC and #6139AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4C39 shade: #AC4C39, #61AC39, #399AAC and #8339AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

Complementary color

CMYK 58 / 10 / 0 / 22

HEX #53B3C6

RGB 83 179 198

HSL 189.91, 0.5%, 0.55%

LAB 68.14, -22.67, -18.19

 

CMYK 0 / 57 / 71 / 31

HEX #B14C34

RGB 177 76 52

HSL 11.52, 0.55%, 0.45%

LAB 45.31, 39.61, 34.21

 

CMYK 0 / 52 / 63 / 24

HEX #C25E47

RGB 194 94 71

HSL 11.22, 0.5%, 0.52%

LAB 51.76, 38.19, 31.8

 

CMYK 0 / 47 / 57 / 17

HEX #D3705A

RGB 211 112 90

HSL 10.91, 0.58%, 0.59%

LAB 58.2, 36.84, 29.69

 

CMYK 0 / 43 / 52 / 11

HEX #E4826D

RGB 228 130 109

HSL 10.59, 0.69%, 0.66%

LAB 64.61, 35.58, 27.83

 

CMYK 0 / 40 / 48 / 4

HEX #F59480

RGB 245 148 128

HSL 10.26, 0.85%, 0.73%

LAB 70.97, 34.42, 26.18

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 63 / 75 / 39

HEX #9B3A26

RGB 155 58 38

HSL 10.26, 0.61%, 0.38%

LAB 38.08, 39.35, 32.98

 

CMYK 0 / 71 / 86 / 46

HEX #8A2813

RGB 138 40 19

HSL 10.59, 0.76%, 0.31%

LAB 31.73, 40.53, 35.87

 

CMYK 0 / 82 / 100 / 53

HEX #791600

RGB 121 22 0

HSL 10.91, 1%, 0.24%

LAB 25.68, 41.03, 37.63

 

CMYK 0 / 96 / 100 / 59

HEX #680400

RGB 104 4 0

HSL 2.31, 1%, 0.2%

LAB 20.16, 40.43, 30.74

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 38 / 67 / 33

HEX #AC6B39

RGB 172 107 57

HSL 26.09, 0.5%, 0.45%

LAB 51.36, 21.27, 38.22

 

CMYK 0 / 20 / 67 / 33

HEX #AC8A39

RGB 172 138 57

HSL 42.26, 0.5%, 0.45%

LAB 59.2, 3.9, 46.89

 

CMYK 0 / 2 / 67 / 33

HEX #ACA939

RGB 172 169 57

HSL 58.43, 0.5%, 0.45%

LAB 67.61, -12.76, 55.71

 

CMYK 16 / 0 / 67 / 33

HEX #90AC39

RGB 144 172 57

HSL 74.61, 0.5%, 0.45%

LAB 66.31, -26.14, 53.7

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 67 / 80 / 25

HEX #BE3F26

RGB 190 63 38

HSL 9.87, 0.67%, 0.45%

LAB 45.14, 49.67, 42.26

 

CMYK 0 / 76 / 90 / 18

HEX #D13314

RGB 209 51 20

HSL 9.84, 0.83%, 0.45%

LAB 46.94, 59.83, 53.31

 

CMYK 0 / 83 / 100 / 11

HEX #E32701

RGB 227 39 1

HSL 10.09, 0.99%, 0.45%

LAB 49.23, 68.14, 61.97

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 42 / 51 / 40

HEX #99584B

RGB 153 88 75

HSL 10, 0.34%, 0.45%

LAB 44.6, 25.36, 19.13

 

CMYK 0 / 25 / 30 / 47

HEX #86655E

RGB 134 101 94

HSL 10.5, 0.18%, 0.45%

LAB 45.88, 12.21, 9.11

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 4 / 0 / 49

HEX #617E83

RGB 97 126 131

HSL 188.82, 0.15%, 0.45%

LAB 50.81, -9.1, -6.12

 

CMYK 0 / 67 / 41 / 33

HEX #AC3965

RGB 172 57 101

HSL 337.04, 0.5%, 0.45%

LAB 42.21, 50.52, 0.26

 

CMYK 0 / 67 / 59 / 33

HEX #AC3946

RGB 172 57 70

HSL 353.22, 0.5%, 0.45%

LAB 41.44, 47.74, 18.51

 

CMYK 0 / 57 / 67 / 33

HEX #AC4A39

RGB 172 74 57

HSL 8.87, 0.5%, 0.45%

LAB 44.18, 38.99, 29.82

 

CMYK 0 / 39 / 67 / 33

HEX #AC6939

RGB 172 105 57

HSL 25.04, 0.5%, 0.45%

LAB 50.88, 22.39, 37.68

 

CMYK 0 / 22 / 67 / 33

HEX #AC8739

RGB 172 135 57

HSL 40.7, 0.5%, 0.45%

LAB 58.41, 5.57, 46.04

 

CMYK 0 / 56 / 67 / 57

HEX #6E3024

RGB 110 48 36

HSL 9.73, 0.51%, 0.29%

LAB 28.26, 26.54, 20.79

 

CMYK 0 / 56 / 67 / 45

HEX #8D3E2F

RGB 141 62 47

HSL 9.57, 0.5%, 0.37%

LAB 36.58, 32.42, 25.35

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 0 / 51 / 62 / 24

HEX #C35F4B

RGB 195 95 75

HSL 10, 0.5%, 0.53%

LAB 52.17, 38.34, 30.07

 

CMYK 0 / 40 / 48 / 20

HEX #CD7A6A

RGB 205 122 106

HSL 9.7, 0.5%, 0.61%

LAB 59.83, 30.62, 22.64

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 24 / 0 / 67 / 33

HEX #83AC39

RGB 131 172 57

HSL 81.39, 0.5%, 0.45%

LAB 65.46, -31.38, 52.54

 

CMYK 67 / 50 / 0 / 33

HEX #3956AC

RGB 57 86 172

HSL 224.87, 0.5%, 0.45%

LAB 38.73, 18.09, -49.35

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 67 / 0 / 57 / 33

HEX #39AC4A

RGB 57 172 74

HSL 128.87, 0.5%, 0.45%

LAB 62.4, -52.52, 40.61

 

CMYK 57 / 67 / 0 / 33

HEX #4A39AC

RGB 74 57 172

HSL 248.87, 0.5%, 0.45%

LAB 32.61, 39.42, -59.22

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 24 / 0 / 67 / 33

HEX #83AC39

RGB 131 172 57

HSL 81.39, 0.5%, 0.45%

LAB 65.46, -31.38, 52.54

 

CMYK 67 / 10 / 0 / 33

HEX #399AAC

RGB 57 154 172

HSL 189.39, 0.5%, 0.45%

LAB 58.94, -22.23, -17.7

 

CMYK 44 / 67 / 0 / 33

HEX #6139AC

RGB 97 57 172

HSL 260.87, 0.5%, 0.45%

LAB 34.9, 43.67, -55.41

 

CMYK 0 / 56 / 67 / 33

HEX #AC4C39

RGB 172 76 57

HSL 9.91, 0.5%, 0.45%

LAB 44.57, 37.98, 30.29

 

CMYK 44 / 0 / 67 / 33

HEX #61AC39

RGB 97 172 57

HSL 99.13, 0.5%, 0.45%

LAB 63.62, -43.74, 50.04

 

CMYK 67 / 10 / 0 / 33

HEX #399AAC

RGB 57 154 172

HSL 189.39, 0.5%, 0.45%

LAB 58.94, -22.23, -17.7

 

CMYK 24 / 67 / 0 / 33

HEX #8339AC

RGB 131 57 172

HSL 278.61, 0.5%, 0.45%

LAB 39.12, 50.96, -48.37

 

Description

Color code: HEX #AC4C39 | qconv.com Color code: HEX #AC4C39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 76 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 76 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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