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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4EC9 it is the complementary color #53B136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4EC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4EC9 shade: #B14EC4, #C260D7, #D372EA, #E484FD and #F596FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4EC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4EC9 shade: #AC4EC9, #9B3CB6, #8A2AA3, #791890 and #68067D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4EC9 shade: #AC4FC9, #C94FC4, #C94FA4, #C94F83 and #C94F62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4EC9 shade: #AC4FC9, #8B4FC9, #6A4FC9 and #4F4FC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4EC9 shade matches the following richer shades: #AC4FC9, #B63CDB and #C02AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4EC9 shade: #AC4FC9, #A261B6, #9874A3, #8E8791 and #85997E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4EC9 shade: #694FC9, #8A4FC9, #AA4FC9, #C94FC7 and #C94FA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4EC9 shade: #7E2E97, #9938B7, #AC4FC9, #BB6ED2 and #CA8EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4EC9 shade: #AC4EC9, #C94F55 and #4FC97A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4EC9 shade: #AC4EC9, #C9AA4F and #4FC9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4EC9 shade: #AC4EC9, #C94F55, #6DC94F and #4FC9C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4EC9 shade: #AC4EC9, #C96D4F, #6DC94F and #4FAAC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

Complementary color

CMYK 53 / 0 / 69 / 31

HEX #53B136

RGB 83 177 54

HSL 105.85, 0.53%, 0.45%

LAB 64.6, -50.26, 52.13

 

CMYK 10 / 60 / 0 / 23

HEX #B14EC4

RGB 177 78 196

HSL 290.34, 0.5%, 0.54%

LAB 50.43, 57.17, -43.99

 

CMYK 10 / 55 / 0 / 16

HEX #C260D7

RGB 194 96 215

HSL 289.41, 0.6%, 0.61%

LAB 56.82, 56.69, -44.58

 

CMYK 10 / 51 / 0 / 8

HEX #D372EA

RGB 211 114 234

HSL 288.5, 0.74%, 0.68%

LAB 63.2, 56.06, -45.02

 

CMYK 10 / 48 / 0 / 1

HEX #E484FD

RGB 228 132 253

HSL 287.6, 0.97%, 0.75%

LAB 69.53, 55.37, -45.38

 

CMYK 4 / 41 / 0 / 0

HEX #F596FF

RGB 245 150 255

HSL 294.29, 1%, 0.79%

LAB 75.1, 51.44, -37.62

 

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

CMYK 15 / 67 / 0 / 29

HEX #9B3CB6

RGB 155 60 182

HSL 286.72, 0.5%, 0.47%

LAB 43.62, 57.17, -46.88

 

CMYK 15 / 74 / 0 / 36

HEX #8A2AA3

RGB 138 42 163

HSL 287.6, 0.59%, 0.4%

LAB 37.31, 56.94, -45.85

 

CMYK 16 / 83 / 0 / 44

HEX #791890

RGB 121 24 144

HSL 288.5, 0.71%, 0.33%

LAB 31.19, 55.83, -44.27

 

CMYK 17 / 95 / 0 / 51

HEX #68067D

RGB 104 6 125

HSL 289.41, 0.91%, 0.26%

LAB 25.42, 53.29, -41.85

 

CMYK 14 / 61 / 0 / 21

HEX #AC4FC9

RGB 172 79 201

HSL 285.74, 0.53%, 0.55%

LAB 50.19, 56.45, -47.3

 

CMYK 0 / 61 / 2 / 21

HEX #C94FC4

RGB 201 79 196

HSL 302.46, 0.53%, 0.55%

LAB 54.02, 62.76, -38.1

 

CMYK 0 / 61 / 18 / 21

HEX #C94FA4

RGB 201 79 164

HSL 318.2, 0.53%, 0.55%

LAB 52.61, 57.76, -21.71

 

CMYK 0 / 61 / 35 / 21

HEX #C94F83

RGB 201 79 131

HSL 334.43, 0.53%, 0.55%

LAB 51.44, 53.42, -3.92

 

CMYK 0 / 61 / 51 / 21

HEX #C94F62

RGB 201 79 98

HSL 350.66, 0.53%, 0.55%

LAB 50.56, 50.05, 14.62

 

CMYK 14 / 61 / 0 / 21

HEX #AC4FC9

RGB 172 79 201

HSL 285.74, 0.53%, 0.55%

LAB 50.19, 56.45, -47.3

 

CMYK 31 / 61 / 0 / 21

HEX #8B4FC9

RGB 139 79 201

HSL 269.51, 0.53%, 0.55%

LAB 46.04, 48.56, -54.17

 

CMYK 47 / 61 / 0 / 21

HEX #6A4FC9

RGB 106 79 201

HSL 253.28, 0.53%, 0.55%

LAB 42.57, 41.33, -59.95

 

CMYK 61 / 61 / 0 / 21

HEX #4F4FC9

RGB 79 79 201

HSL 240, 0.53%, 0.55%

LAB 40.36, 36.33, -63.63

 

CMYK 14 / 61 / 0 / 21

HEX #AC4FC9

RGB 172 79 201

HSL 285.74, 0.53%, 0.55%

LAB 50.19, 56.45, -47.3

 

CMYK 17 / 73 / 0 / 14

HEX #B63CDB

RGB 182 60 219

HSL 286.04, 0.69%, 0.55%

LAB 49.85, 70.04, -58.07

 

CMYK 19 / 82 / 0 / 7

HEX #C02AEE

RGB 192 42 238

HSL 285.92, 0.85%, 0.55%

LAB 50.73, 80.72, -67.33

 

CMYK 14 / 61 / 0 / 21

HEX #AC4FC9

RGB 172 79 201

HSL 285.74, 0.53%, 0.55%

LAB 50.19, 56.45, -47.3

 

CMYK 11 / 47 / 0 / 29

HEX #A261B6

RGB 162 97 182

HSL 285.88, 0.37%, 0.55%

LAB 51.39, 40.7, -34.51

 

CMYK 7 / 29 / 0 / 36

HEX #9874A3

RGB 152 116 163

HSL 285.96, 0.2%, 0.55%

LAB 53.83, 22.79, -19.8

 

CMYK 2 / 7 / 0 / 43

HEX #8E8791

RGB 142 135 145

HSL 282, 0.04%, 0.55%

LAB 57.2, 4.56, -4.41

 

CMYK 13 / 0 / 18 / 40

HEX #85997E

RGB 133 153 126

HSL 104.44, 0.12%, 0.55%

LAB 61.02, -12.37, 11.85

 

CMYK 48 / 61 / 0 / 21

HEX #694FC9

RGB 105 79 201

HSL 252.79, 0.53%, 0.55%

LAB 42.48, 41.13, -60.1

 

CMYK 31 / 61 / 0 / 21

HEX #8A4FC9

RGB 138 79 201

HSL 269.02, 0.53%, 0.55%

LAB 45.92, 48.32, -54.37

 

CMYK 15 / 61 / 0 / 21

HEX #AA4FC9

RGB 170 79 201

HSL 284.75, 0.53%, 0.55%

LAB 49.92, 55.96, -47.74

 

CMYK 0 / 61 / 1 / 21

HEX #C94FC7

RGB 201 79 199

HSL 300.98, 0.53%, 0.55%

LAB 54.17, 63.27, -39.59

 

CMYK 0 / 61 / 17 / 21

HEX #C94FA6

RGB 201 79 166

HSL 317.21, 0.53%, 0.55%

LAB 52.69, 58.05, -22.76

 

CMYK 17 / 70 / 0 / 41

HEX #7E2E97

RGB 126 46 151

HSL 285.71, 0.53%, 0.39%

LAB 35.25, 50.3, -41.99

 

CMYK 16 / 69 / 0 / 28

HEX #9938B7

RGB 153 56 183

HSL 285.83, 0.53%, 0.47%

LAB 42.79, 58.6, -48.81

 

CMYK 14 / 61 / 0 / 21

HEX #AC4FC9

RGB 172 79 201

HSL 285.74, 0.53%, 0.55%

LAB 50.19, 56.45, -47.3

 

CMYK 11 / 48 / 0 / 18

HEX #BB6ED2

RGB 187 110 210

HSL 286.2, 0.53%, 0.63%

LAB 58.39, 46.75, -39.35

 

CMYK 8 / 35 / 0 / 14

HEX #CA8EDC

RGB 202 142 220

HSL 286.15, 0.53%, 0.71%

LAB 67.33, 36.06, -30.89

 

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

CMYK 0 / 61 / 58 / 21

HEX #C94F55

RGB 201 79 85

HSL 357.05, 0.53%, 0.55%

LAB 50.29, 49, 22.02

 

CMYK 61 / 0 / 39 / 21

HEX #4FC97A

RGB 79 201 122

HSL 141.15, 0.53%, 0.55%

LAB 72.79, -51.51, 29.62

 

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

CMYK 0 / 15 / 61 / 21

HEX #C9AA4F

RGB 201 170 79

HSL 44.75, 0.53%, 0.55%

LAB 70.69, 0.65, 50.1

 

CMYK 61 / 0 / 15 / 21

HEX #4FC9AA

RGB 79 201 170

HSL 164.75, 0.53%, 0.55%

LAB 73.76, -41.39, 5.44

 

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

CMYK 0 / 61 / 58 / 21

HEX #C94F55

RGB 201 79 85

HSL 357.05, 0.53%, 0.55%

LAB 50.29, 49, 22.02

 

CMYK 46 / 0 / 61 / 21

HEX #6DC94F

RGB 109 201 79

HSL 105.25, 0.53%, 0.55%

LAB 73.28, -49.75, 51.35

 

CMYK 61 / 0 / 3 / 21

HEX #4FC9C2

RGB 79 201 194

HSL 176.56, 0.53%, 0.55%

LAB 74.4, -35.25, -6.63

 

CMYK 14 / 61 / 0 / 21

HEX #AC4EC9

RGB 172 78 201

HSL 285.85, 0.53%, 0.55%

LAB 50.02, 56.91, -47.57

 

CMYK 0 / 46 / 61 / 21

HEX #C96D4F

RGB 201 109 79

HSL 14.75, 0.53%, 0.55%

LAB 56.01, 33.68, 32.78

 

CMYK 46 / 0 / 61 / 21

HEX #6DC94F

RGB 109 201 79

HSL 105.25, 0.53%, 0.55%

LAB 73.28, -49.75, 51.35

 

CMYK 61 / 15 / 0 / 21

HEX #4FAAC9

RGB 79 170 201

HSL 195.25, 0.53%, 0.55%

LAB 65.46, -17.86, -23.94

 

Description

Color code: HEX #AC4EC9 | qconv.com Color code: HEX #AC4EC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 78 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 78 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 61 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 61% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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