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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5752 it is the complementary color #53A8AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5752 shade: #B1574D, #C26960, #D37B73, #E48D86 and #F59F99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5752 shade: #AC5752, #9B453F, #8A332C, #792119 and #680F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5752 shade: #AC5752 and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5752 shade: #AC5752, #AC6F52, #AC8752, #ACA052 and #A0AC52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5752 shade matches the following richer shades: #AC5752, #C0453E, #D53329, #EA2014 and #FE0E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5752 shade: #AC5752, #976A67, #827C7C, #6E8E90 and #59A1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5752 shade: #AC527E, #AC5266, #AC5752, #AC6F52 and #AC8652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5752 shade: #743B38, #904945, #AC5752, #B9726E and #C68D8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5752 shade: #AC5752, #95AC52 and #5272AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5752 shade: #AC5752, #52AC57 and #5752AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5752 shade: #AC5752, #95AC52, #52A7AC and #6952AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5752 shade: #AC5752, #7BAC52, #52A7AC and #8352AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

Complementary color

CMYK 52 / 3 / 0 / 32

HEX #53A8AD

RGB 83 168 173

HSL 183.33, 0.35%, 0.5%

LAB 64.05, -24.2, -10.47

 

CMYK 0 / 51 / 56 / 31

HEX #B1574D

RGB 177 87 77

HSL 6, 0.39%, 0.5%

LAB 47.88, 35.69, 22.89

 

CMYK 0 / 46 / 51 / 24

HEX #C26960

RGB 194 105 96

HSL 5.51, 0.45%, 0.57%

LAB 54.47, 34.45, 20.93

 

CMYK 0 / 42 / 45 / 17

HEX #D37B73

RGB 211 123 115

HSL 5, 0.52%, 0.64%

LAB 61, 33.31, 19.24

 

CMYK 0 / 38 / 41 / 11

HEX #E48D86

RGB 228 141 134

HSL 4.47, 0.64%, 0.71%

LAB 67.48, 32.25, 17.76

 

CMYK 0 / 35 / 38 / 4

HEX #F59F99

RGB 245 159 153

HSL 3.91, 0.82%, 0.78%

LAB 73.87, 31.29, 16.44

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 55 / 59 / 39

HEX #9B453F

RGB 155 69 63

HSL 3.91, 0.42%, 0.43%

LAB 40.55, 35.43, 21.11

 

CMYK 0 / 63 / 68 / 46

HEX #8A332C

RGB 138 51 44

HSL 4.47, 0.52%, 0.36%

LAB 33.88, 36.65, 23.78

 

CMYK 0 / 73 / 79 / 53

HEX #792119

RGB 121 33 25

HSL 5, 0.66%, 0.29%

LAB 27.36, 37.61, 27.09

 

CMYK 0 / 86 / 94 / 59

HEX #680F06

RGB 104 15 6

HSL 5.51, 0.89%, 0.22%

LAB 21.2, 37.77, 29.44

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 35 / 52 / 33

HEX #AC6F52

RGB 172 111 82

HSL 19.33, 0.35%, 0.5%

LAB 52.67, 20.99, 26.08

 

CMYK 0 / 22 / 52 / 33

HEX #AC8752

RGB 172 135 82

HSL 35.33, 0.35%, 0.5%

LAB 58.7, 7.5, 33.7

 

CMYK 0 / 7 / 52 / 33

HEX #ACA052

RGB 172 160 82

HSL 52, 0.35%, 0.5%

LAB 65.37, -6.18, 41.8

 

CMYK 7 / 0 / 52 / 33

HEX #A0AC52

RGB 160 172 82

HSL 68, 0.35%, 0.5%

LAB 67.72, -17.51, 44.32

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 64 / 68 / 25

HEX #C0453E

RGB 192 69 62

HSL 3.23, 0.51%, 0.5%

LAB 46.72, 48.86, 30.77

 

CMYK 0 / 76 / 81 / 16

HEX #D53329

RGB 213 51 41

HSL 3.49, 0.68%, 0.5%

LAB 47.85, 61.5, 44.8

 

CMYK 0 / 86 / 91 / 8

HEX #EA2014

RGB 234 32 20

HSL 3.36, 0.84%, 0.5%

LAB 50.19, 71.63, 57.85

 

CMYK 0 / 94 / 100 / 0

HEX #FE0E00

RGB 254 14 0

HSL 3.31, 1%, 0.5%

LAB 53.37, 78.88, 67.14

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 30 / 32 / 41

HEX #976A67

RGB 151 106 103

HSL 3.75, 0.19%, 0.5%

LAB 49.33, 17.58, 8.88

 

CMYK 0 / 5 / 5 / 49

HEX #827C7C

RGB 130 124 124

HSL 0, 0.02%, 0.5%

LAB 52.53, 2.28, 0.81

 

CMYK 24 / 1 / 0 / 44

HEX #6E8E90

RGB 110 142 144

HSL 183.53, 0.13%, 0.5%

LAB 56.76, -10.68, -4.75

 

CMYK 46 / 2 / 0 / 35

HEX #59A1A5

RGB 89 161 165

HSL 183.16, 0.3%, 0.5%

LAB 61.94, -21.43, -9.11

 

CMYK 0 / 52 / 27 / 33

HEX #AC527E

RGB 172 82 126

HSL 330.67, 0.35%, 0.5%

LAB 47.38, 41.94, -7.43

 

CMYK 0 / 52 / 41 / 33

HEX #AC5266

RGB 172 82 102

HSL 346.67, 0.35%, 0.5%

LAB 46.66, 38.87, 6.07

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 35 / 52 / 33

HEX #AC6F52

RGB 172 111 82

HSL 19.33, 0.35%, 0.5%

LAB 52.67, 20.99, 26.08

 

CMYK 0 / 22 / 52 / 33

HEX #AC8652

RGB 172 134 82

HSL 34.67, 0.35%, 0.5%

LAB 58.44, 8.06, 33.38

 

CMYK 0 / 49 / 52 / 55

HEX #743B38

RGB 116 59 56

HSL 3, 0.35%, 0.34%

LAB 32.09, 24.58, 13.18

 

CMYK 0 / 49 / 52 / 44

HEX #904945

RGB 144 73 69

HSL 3.2, 0.35%, 0.42%

LAB 39.79, 29.48, 16.11

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 0 / 38 / 41 / 27

HEX #B9726E

RGB 185 114 110

HSL 3.2, 0.35%, 0.58%

LAB 55.56, 27.54, 14.09

 

CMYK 0 / 29 / 30 / 22

HEX #C68D8A

RGB 198 141 138

HSL 3, 0.34%, 0.66%

LAB 64.07, 21.26, 10.24

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 13 / 0 / 52 / 33

HEX #95AC52

RGB 149 172 82

HSL 75.33, 0.35%, 0.5%

LAB 66.9, -22.02, 43.16

 

CMYK 52 / 34 / 0 / 33

HEX #5272AC

RGB 82 114 172

HSL 218.67, 0.35%, 0.5%

LAB 48.02, 5.47, -34.5

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 52 / 0 / 49 / 33

HEX #52AC57

RGB 82 172 87

HSL 123.33, 0.35%, 0.5%

LAB 63.33, -44.79, 35.5

 

CMYK 49 / 52 / 0 / 33

HEX #5752AC

RGB 87 82 172

HSL 243.33, 0.35%, 0.5%

LAB 39.65, 26.66, -47.78

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 13 / 0 / 52 / 33

HEX #95AC52

RGB 149 172 82

HSL 75.33, 0.35%, 0.5%

LAB 66.9, -22.02, 43.16

 

CMYK 52 / 3 / 0 / 33

HEX #52A7AC

RGB 82 167 172

HSL 183.33, 0.35%, 0.5%

LAB 63.68, -24.18, -10.46

 

CMYK 39 / 52 / 0 / 33

HEX #6952AC

RGB 105 82 172

HSL 255.33, 0.35%, 0.5%

LAB 41.24, 31, -45.13

 

CMYK 0 / 49 / 52 / 33

HEX #AC5752

RGB 172 87 82

HSL 3.33, 0.35%, 0.5%

LAB 47.23, 34.19, 18.93

 

CMYK 28 / 0 / 52 / 33

HEX #7BAC52

RGB 123 172 82

HSL 92.67, 0.35%, 0.5%

LAB 65.22, -32.12, 40.75

 

CMYK 52 / 3 / 0 / 33

HEX #52A7AC

RGB 82 167 172

HSL 183.33, 0.35%, 0.5%

LAB 63.68, -24.18, -10.46

 

CMYK 24 / 52 / 0 / 33

HEX #8352AC

RGB 131 82 172

HSL 272.67, 0.35%, 0.5%

LAB 44, 37.9, -40.57

 

Description

Color code: HEX #AC5752 | qconv.com Color code: HEX #AC5752 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 87 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 87 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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