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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5779 it is the complementary color #53A886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5779 shade: #B15774, #C26987, #D37B9A, #E48DAD and #F59FC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5779 shade: #AC5779, #9B4566, #8A3353, #792140 and #680F2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5779 shade: #AC5779, #AC5762 and #AC5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5779 shade: #AC5779, #AC5790, #AC57A7, #9A57AC and #8357AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5779 shade matches the following richer shades: #AC5779, #C04375, #D42F71, #E91A6D and #FD0669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5779 shade: #AC5779, #986B7D, #848081, #6F9485 and #5BA889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5779 shade: #AC57A6, #AC5790, #AC5779, #AC5762 and #AC6257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5779 shade: #763A52, #924865, #AC5779, #BA738F and #C78EA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5779 shade: #AC5779, #AC9B57 and #579BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5779 shade: #AC5779, #79AC57 and #5779AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5779 shade: #AC5779, #AC9B57, #57AC8A and #5768AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5779 shade: #AC5779, #A4AC57, #57AC8A and #6057AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

Complementary color

CMYK 51 / 0 / 20 / 34

HEX #53A886

RGB 83 168 134

HSL 156, 0.34%, 0.49%

LAB 62.98, -34.04, 9.76

 

CMYK 0 / 51 / 34 / 31

HEX #B15774

RGB 177 87 116

HSL 340.67, 0.37%, 0.52%

LAB 48.79, 39.77, 0.77

 

CMYK 0 / 46 / 30 / 24

HEX #C26987

RGB 194 105 135

HSL 339.78, 0.42%, 0.59%

LAB 55.4, 38.88, -0.58

 

CMYK 0 / 42 / 27 / 17

HEX #D37B9A

RGB 211 123 154

HSL 338.86, 0.5%, 0.65%

LAB 61.95, 38, -1.73

 

CMYK 0 / 38 / 24 / 11

HEX #E48DAD

RGB 228 141 173

HSL 337.93, 0.62%, 0.72%

LAB 68.43, 37.16, -2.73

 

CMYK 0 / 35 / 22 / 4

HEX #F59FC0

RGB 245 159 192

HSL 336.98, 0.81%, 0.79%

LAB 74.83, 36.36, -3.63

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 55 / 34 / 39

HEX #9B4566

RGB 155 69 102

HSL 336.98, 0.38%, 0.44%

LAB 41.51, 39.49, -1.73

 

CMYK 0 / 63 / 40 / 46

HEX #8A3353

RGB 138 51 83

HSL 337.93, 0.46%, 0.37%

LAB 34.79, 40.17, 0.11

 

CMYK 0 / 73 / 47 / 53

HEX #792140

RGB 121 33 64

HSL 338.86, 0.57%, 0.3%

LAB 28.18, 40.44, 2.58

 

CMYK 0 / 86 / 57 / 59

HEX #680F2D

RGB 104 15 45

HSL 339.78, 0.75%, 0.23%

LAB 21.85, 39.77, 6.1

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 49 / 43 / 33

HEX #AC5762

RGB 172 87 98

HSL 352.24, 0.34%, 0.51%

LAB 47.58, 35.81, 9.8

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 49 / 16 / 33

HEX #AC5790

RGB 172 87 144

HSL 319.76, 0.34%, 0.51%

LAB 49.01, 42.09, -15.76

 

CMYK 0 / 49 / 3 / 33

HEX #AC57A7

RGB 172 87 167

HSL 303.53, 0.34%, 0.51%

LAB 49.95, 46.02, -27.92

 

CMYK 10 / 49 / 0 / 33

HEX #9A57AC

RGB 154 87 172

HSL 287.29, 0.34%, 0.51%

LAB 47.84, 41.67, -34.33

 

CMYK 24 / 49 / 0 / 33

HEX #8357AC

RGB 131 87 172

HSL 271.06, 0.34%, 0.51%

LAB 45.11, 35.05, -38.81

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 65 / 39 / 25

HEX #C04375

RGB 192 67 117

HSL 336, 0.5%, 0.51%

LAB 47.63, 54.24, -1.25

 

CMYK 0 / 78 / 47 / 17

HEX #D42F71

RGB 212 47 113

HSL 336, 0.66%, 0.51%

LAB 48.54, 66.54, 2.94

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6D

RGB 233 26 109

HSL 335.94, 0.82%, 0.51%

LAB 50.88, 75.92, 9.27

 

CMYK 0 / 98 / 58 / 1

HEX #FD0669

RGB 253 6 105

HSL 335.95, 0.98%, 0.51%

LAB 54.06, 82.21, 16.72

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 30 / 18 / 40

HEX #986B7D

RGB 152 107 125

HSL 336, 0.18%, 0.51%

LAB 50.3, 20.79, -2.78

 

CMYK 0 / 3 / 2 / 48

HEX #848081

RGB 132 128 129

HSL 345, 0.02%, 0.51%

LAB 53.95, 1.7, -0.01

 

CMYK 25 / 0 / 10 / 42

HEX #6F9485

RGB 111 148 133

HSL 155.68, 0.15%, 0.51%

LAB 58.28, -16.08, 3.77

 

CMYK 46 / 0 / 18 / 34

HEX #5BA889

RGB 91 168 137

HSL 155.84, 0.31%, 0.51%

LAB 63.37, -31.3, 8.69

 

CMYK 0 / 49 / 3 / 33

HEX #AC57A6

RGB 172 87 166

HSL 304.24, 0.34%, 0.51%

LAB 49.91, 45.84, -27.4

 

CMYK 0 / 49 / 16 / 33

HEX #AC5790

RGB 172 87 144

HSL 319.76, 0.34%, 0.51%

LAB 49.01, 42.09, -15.76

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 49 / 43 / 33

HEX #AC5762

RGB 172 87 98

HSL 352.24, 0.34%, 0.51%

LAB 47.58, 35.81, 9.8

 

CMYK 0 / 43 / 49 / 33

HEX #AC6257

RGB 172 98 87

HSL 7.76, 0.34%, 0.51%

LAB 49.73, 28.71, 19.31

 

CMYK 0 / 51 / 31 / 54

HEX #763A52

RGB 118 58 82

HSL 336, 0.34%, 0.35%

LAB 32.89, 29.23, -2.42

 

CMYK 0 / 51 / 31 / 43

HEX #924865

RGB 146 72 101

HSL 336.49, 0.34%, 0.43%

LAB 40.71, 34.59, -2.43

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 38 / 23 / 27

HEX #BA738F

RGB 186 115 143

HSL 336.34, 0.34%, 0.59%

LAB 56.77, 31.78, -3.37

 

CMYK 0 / 29 / 17 / 22

HEX #C78EA5

RGB 199 142 165

HSL 335.79, 0.34%, 0.67%

LAB 65.12, 25.07, -3.48

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 10 / 49 / 33

HEX #AC9B57

RGB 172 155 87

HSL 48, 0.34%, 0.51%

LAB 64.08, -3.03, 37.7

 

CMYK 49 / 10 / 0 / 33

HEX #579BAC

RGB 87 155 172

HSL 192, 0.34%, 0.51%

LAB 60.29, -16.82, -15.54

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 30 / 0 / 49 / 33

HEX #79AC57

RGB 121 172 87

HSL 96, 0.34%, 0.51%

LAB 65.17, -32.26, 38.17

 

CMYK 49 / 30 / 0 / 33

HEX #5779AC

RGB 87 121 172

HSL 216, 0.34%, 0.51%

LAB 50.31, 2.45, -30.88

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 10 / 49 / 33

HEX #AC9B57

RGB 172 155 87

HSL 48, 0.34%, 0.51%

LAB 64.08, -3.03, 37.7

 

CMYK 49 / 0 / 20 / 33

HEX #57AC8A

RGB 87 172 138

HSL 156, 0.34%, 0.51%

LAB 64.46, -34, 9.66

 

CMYK 49 / 40 / 0 / 33

HEX #5768AC

RGB 87 104 172

HSL 228, 0.34%, 0.51%

LAB 45.5, 12.84, -38.44

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 5 / 0 / 49 / 33

HEX #A4AC57

RGB 164 172 87

HSL 65.65, 0.34%, 0.51%

LAB 68.08, -15.38, 42.39

 

CMYK 49 / 0 / 20 / 33

HEX #57AC8A

RGB 87 172 138

HSL 156, 0.34%, 0.51%

LAB 64.46, -34, 9.66

 

CMYK 44 / 49 / 0 / 33

HEX #6057AC

RGB 96 87 172

HSL 246.35, 0.34%, 0.51%

LAB 41.66, 25.68, -44.51

 

Description

Color code: HEX #AC5779 | qconv.com Color code: HEX #AC5779 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 87 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 87 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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