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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC578C it is the complementary color #53A873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC578C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC578C shade: #B15787, #C2699A, #D37BAD, #E48DC0 and #F59FD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC578C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC578C shade: #AC578C, #9B4579, #8A3366, #792153 and #680F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC578C shade: #AC578C, #AC5775, #AC575E and #AC5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC578C shade: #AC578C, #AC57A3, #9E57AC, #8757AC and #7057AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC578C shade matches the following richer shades: #AC578C, #C04391, #D42F96, #E91A9B and #FD06A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC578C shade: #AC578C, #986B87, #848082, #6F947D and #5BA878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC578C shade: #9E57AC, #AC57A4, #AC578D, #AC5776 and #AC5760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC578C shade: #763A60, #924876, #AC578C, #BA739F and #C78EB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC578C shade: #AC578C, #AC8757 and #57ACA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC578C shade: #AC578C, #8DAC57 and #578DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC578C shade: #AC578C, #AC8757, #57AC76 and #577CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC578C shade: #AC578C, #ACA157, #57AC76 and #5762AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

Complementary color

CMYK 51 / 0 / 32 / 34

HEX #53A873

RGB 83 168 115

HSL 142.59, 0.34%, 0.49%

LAB 62.58, -38.04, 19.69

 

CMYK 0 / 51 / 24 / 31

HEX #B15787

RGB 177 87 135

HSL 328, 0.37%, 0.52%

LAB 49.39, 42.36, -9.75

 

CMYK 0 / 46 / 21 / 24

HEX #C2699A

RGB 194 105 154

HSL 326.97, 0.42%, 0.59%

LAB 55.99, 41.58, -10.81

 

CMYK 0 / 42 / 18 / 17

HEX #D37BAD

RGB 211 123 173

HSL 325.91, 0.5%, 0.65%

LAB 62.53, 40.78, -11.71

 

CMYK 0 / 38 / 16 / 11

HEX #E48DC0

RGB 228 141 192

HSL 324.83, 0.62%, 0.72%

LAB 69, 40, -12.51

 

CMYK 0 / 35 / 14 / 4

HEX #F59FD3

RGB 245 159 211

HSL 323.72, 0.81%, 0.79%

LAB 75.4, 39.24, -13.22

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 55 / 22 / 39

HEX #9B4579

RGB 155 69 121

HSL 323.72, 0.38%, 0.44%

LAB 42.16, 42.15, -12.48

 

CMYK 0 / 63 / 26 / 46

HEX #8A3366

RGB 138 51 102

HSL 324.83, 0.46%, 0.37%

LAB 35.46, 42.65, -11.04

 

CMYK 0 / 73 / 31 / 53

HEX #792153

RGB 121 33 83

HSL 325.91, 0.57%, 0.3%

LAB 28.84, 42.68, -9.06

 

CMYK 0 / 86 / 38 / 59

HEX #680F40

RGB 104 15 64

HSL 326.97, 0.75%, 0.23%

LAB 22.5, 41.69, -6.18

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 49 / 32 / 33

HEX #AC5775

RGB 172 87 117

HSL 338.82, 0.34%, 0.51%

LAB 48.1, 38.12, -0.94

 

CMYK 0 / 49 / 45 / 33

HEX #AC575E

RGB 172 87 94

HSL 355.06, 0.34%, 0.51%

LAB 47.49, 35.38, 12.08

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 49 / 5 / 33

HEX #AC57A3

RGB 172 87 163

HSL 306.35, 0.34%, 0.51%

LAB 49.78, 45.3, -25.84

 

CMYK 8 / 49 / 0 / 33

HEX #9E57AC

RGB 158 87 172

HSL 290.12, 0.34%, 0.51%

LAB 48.34, 42.84, -33.5

 

CMYK 22 / 49 / 0 / 33

HEX #8757AC

RGB 135 87 172

HSL 273.88, 0.34%, 0.51%

LAB 45.56, 36.19, -38.07

 

CMYK 35 / 49 / 0 / 33

HEX #7057AC

RGB 112 87 172

HSL 257.65, 0.34%, 0.51%

LAB 43.12, 29.81, -42.09

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 65 / 24 / 25

HEX #C04391

RGB 192 67 145

HSL 322.56, 0.5%, 0.51%

LAB 48.59, 57.63, -16.72

 

CMYK 0 / 78 / 29 / 17

HEX #D42F96

RGB 212 47 150

HSL 322.55, 0.66%, 0.51%

LAB 49.78, 70.28, -17.59

 

CMYK 0 / 89 / 33 / 9

HEX #E91A9B

RGB 233 26 155

HSL 322.61, 0.82%, 0.51%

LAB 52.32, 79.87, -16.35

 

CMYK 0 / 98 / 37 / 1

HEX #FD06A0

RGB 253 6 160

HSL 322.59, 0.98%, 0.51%

LAB 55.64, 86.39, -13.92

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 30 / 11 / 40

HEX #986B87

RGB 152 107 135

HSL 322.67, 0.18%, 0.51%

LAB 50.62, 22.53, -8.24

 

CMYK 0 / 3 / 2 / 48

HEX #848082

RGB 132 128 130

HSL 330, 0.02%, 0.51%

LAB 53.98, 1.9, -0.55

 

CMYK 25 / 0 / 16 / 42

HEX #6F947D

RGB 111 148 125

HSL 142.7, 0.15%, 0.51%

LAB 58.07, -17.75, 8.04

 

CMYK 46 / 0 / 29 / 34

HEX #5BA878

RGB 91 168 120

HSL 142.6, 0.31%, 0.51%

LAB 63, -34.89, 17.58

 

CMYK 8 / 49 / 0 / 33

HEX #9E57AC

RGB 158 87 172

HSL 290.12, 0.34%, 0.51%

LAB 48.34, 42.84, -33.5

 

CMYK 0 / 49 / 5 / 33

HEX #AC57A4

RGB 172 87 164

HSL 305.65, 0.34%, 0.51%

LAB 49.82, 45.48, -26.36

 

CMYK 0 / 49 / 18 / 33

HEX #AC578D

RGB 172 87 141

HSL 321.88, 0.34%, 0.51%

LAB 48.9, 41.61, -14.15

 

CMYK 0 / 49 / 31 / 33

HEX #AC5776

RGB 172 87 118

HSL 338.12, 0.34%, 0.51%

LAB 48.13, 38.26, -1.49

 

CMYK 0 / 49 / 44 / 33

HEX #AC5760

RGB 172 87 96

HSL 353.65, 0.34%, 0.51%

LAB 47.54, 35.59, 10.94

 

CMYK 0 / 51 / 19 / 54

HEX #763A60

RGB 118 58 96

HSL 322, 0.34%, 0.35%

LAB 33.4, 31.45, -10.65

 

CMYK 0 / 51 / 19 / 43

HEX #924876

RGB 146 72 118

HSL 322.7, 0.34%, 0.43%

LAB 41.3, 37.14, -12.07

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 38 / 15 / 27

HEX #BA739F

RGB 186 115 159

HSL 322.82, 0.34%, 0.59%

LAB 57.27, 34.3, -11.89

 

CMYK 0 / 29 / 11 / 22

HEX #C78EB2

RGB 199 142 178

HSL 322.11, 0.34%, 0.67%

LAB 65.52, 27.23, -10.22

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 22 / 49 / 33

HEX #AC8757

RGB 172 135 87

HSL 33.88, 0.34%, 0.51%

LAB 58.78, 7.98, 31.1

 

CMYK 49 / 0 / 2 / 33

HEX #57ACA9

RGB 87 172 169

HSL 177.88, 0.34%, 0.51%

LAB 65.28, -26.4, -6.39

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 18 / 0 / 49 / 33

HEX #8DAC57

RGB 141 172 87

HSL 81.88, 0.34%, 0.51%

LAB 66.41, -24.68, 39.97

 

CMYK 49 / 18 / 0 / 33

HEX #578DAC

RGB 87 141 172

HSL 201.88, 0.34%, 0.51%

LAB 56.14, -9.16, -21.86

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 22 / 49 / 33

HEX #AC8757

RGB 172 135 87

HSL 33.88, 0.34%, 0.51%

LAB 58.78, 7.98, 31.1

 

CMYK 49 / 0 / 31 / 33

HEX #57AC76

RGB 87 172 118

HSL 141.88, 0.34%, 0.51%

LAB 64.03, -38.18, 20.06

 

CMYK 49 / 28 / 0 / 33

HEX #577CAC

RGB 87 124 172

HSL 213.88, 0.34%, 0.51%

LAB 51.18, 0.66, -29.54

 

CMYK 0 / 49 / 19 / 33

HEX #AC578C

RGB 172 87 140

HSL 322.59, 0.34%, 0.51%

LAB 48.86, 41.45, -13.6

 

CMYK 0 / 6 / 49 / 33

HEX #ACA157

RGB 172 161 87

HSL 52.24, 0.34%, 0.51%

LAB 65.71, -6.26, 39.68

 

CMYK 49 / 0 / 31 / 33

HEX #57AC76

RGB 87 172 118

HSL 141.88, 0.34%, 0.51%

LAB 64.03, -38.18, 20.06

 

CMYK 49 / 43 / 0 / 33

HEX #5762AC

RGB 87 98 172

HSL 232.24, 0.34%, 0.51%

LAB 43.86, 16.59, -41.05

 

Description

Color code: HEX #AC578C | qconv.com Color code: HEX #AC578C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 87 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 87 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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