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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6848 it is the complementary color #5397B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6848 shade: #B16843, #C27A56, #D38C69, #E49E7C and #F5B08F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6848 shade: #AC6848, #9B5635, #8A4422, #79320F and #682000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6848 shade: #AC6848, #AC4D48 and #AC4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6848 shade: #AC6848, #AC8348, #AC9E48, #9FAC48 and #84AC48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6848 shade matches the following richer shades: #AC6848, #C06134, #D45A20 and #E7520C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6848 shade: #AC6848, #986F5C, #84766F, #717D83 and #5D8497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6848 shade: #AC485D, #AC4D48, #AC6748, #AC8248 and #AC9D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6848 shade: #72452F, #8F563C, #AC6848, #BC7E61 and #C9967E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6848 shade: #AC6848, #78AC48 and #4850AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6848 shade: #AC6848, #48AC67 and #6748AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6848 shade: #AC6848, #78AC48, #488CAC and #7C48AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6848 shade: #AC6848, #5AAC48, #488CAC and #9A48AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

Complementary color

CMYK 55 / 17 / 0 / 28

HEX #5397B7

RGB 83 151 183

HSL 199.2, 0.41%, 0.52%

LAB 59.33, -12.32, -23.24

 

CMYK 0 / 41 / 62 / 31

HEX #B16843

RGB 177 104 67

HSL 20.18, 0.45%, 0.48%

LAB 51.44, 25.74, 33.1

 

CMYK 0 / 37 / 56 / 24

HEX #C27A56

RGB 194 122 86

HSL 20, 0.47%, 0.55%

LAB 58.09, 24.38, 31.31

 

CMYK 0 / 34 / 50 / 17

HEX #D38C69

RGB 211 140 105

HSL 19.81, 0.55%, 0.62%

LAB 64.66, 23.19, 29.7

 

CMYK 0 / 31 / 46 / 11

HEX #E49E7C

RGB 228 158 124

HSL 19.62, 0.66%, 0.69%

LAB 71.15, 22.15, 28.23

 

CMYK 0 / 28 / 42 / 4

HEX #F5B08F

RGB 245 176 143

HSL 19.41, 0.84%, 0.76%

LAB 77.55, 21.22, 26.88

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 45 / 66 / 39

HEX #9B5635

RGB 155 86 53

HSL 19.41, 0.49%, 0.41%

LAB 44.06, 25.49, 31.34

 

CMYK 0 / 51 / 75 / 46

HEX #8A4422

RGB 138 68 34

HSL 19.62, 0.6%, 0.34%

LAB 37.21, 27.17, 33.42

 

CMYK 0 / 59 / 88 / 53

HEX #79320F

RGB 121 50 15

HSL 19.81, 0.78%, 0.27%

LAB 30.35, 29.04, 35.37

 

CMYK 0 / 69 / 100 / 59

HEX #682000

RGB 104 32 0

HSL 18.46, 1%, 0.2%

LAB 23.59, 30.89, 34.39

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 55 / 58 / 33

HEX #AC4D48

RGB 172 77 72

HSL 3, 0.41%, 0.48%

LAB 45.01, 38.53, 21.98

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 24 / 58 / 33

HEX #AC8348

RGB 172 131 72

HSL 35.4, 0.41%, 0.48%

LAB 57.53, 8.87, 37.57

 

CMYK 0 / 8 / 58 / 33

HEX #AC9E48

RGB 172 158 72

HSL 51.6, 0.41%, 0.48%

LAB 64.72, -5.94, 45.93

 

CMYK 8 / 0 / 58 / 33

HEX #9FAC48

RGB 159 172 72

HSL 67.8, 0.41%, 0.48%

LAB 67.53, -18.8, 48.82

 

CMYK 23 / 0 / 58 / 33

HEX #84AC48

RGB 132 172 72

HSL 84, 0.41%, 0.48%

LAB 65.65, -29.74, 46.18

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 49 / 73 / 25

HEX #C06134

RGB 192 97 52

HSL 19.29, 0.57%, 0.48%

LAB 51.84, 34.77, 42.12

 

CMYK 0 / 58 / 85 / 17

HEX #D45A20

RGB 212 90 32

HSL 19.33, 0.74%, 0.48%

LAB 53.4, 45.29, 53.94

 

CMYK 0 / 65 / 95 / 9

HEX #E7520C

RGB 231 82 12

HSL 19.18, 0.9%, 0.48%

LAB 55.12, 55.32, 62.92

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 27 / 39 / 40

HEX #986F5C

RGB 152 111 92

HSL 19, 0.25%, 0.48%

LAB 50.47, 13.65, 16.96

 

CMYK 0 / 11 / 16 / 48

HEX #84766F

RGB 132 118 111

HSL 20, 0.09%, 0.48%

LAB 50.7, 4.16, 5.82

 

CMYK 14 / 5 / 0 / 49

HEX #717D83

RGB 113 125 131

HSL 200, 0.07%, 0.48%

LAB 51.63, -3.1, -4.77

 

CMYK 38 / 13 / 0 / 41

HEX #5D8497

RGB 93 132 151

HSL 199.66, 0.24%, 0.48%

LAB 53.02, -8.51, -14.49

 

CMYK 0 / 58 / 46 / 33

HEX #AC485D

RGB 172 72 93

HSL 347.4, 0.41%, 0.48%

LAB 44.51, 42.91, 8.51

 

CMYK 0 / 55 / 58 / 33

HEX #AC4D48

RGB 172 77 72

HSL 3, 0.41%, 0.48%

LAB 45.01, 38.53, 21.98

 

CMYK 0 / 40 / 58 / 33

HEX #AC6748

RGB 172 103 72

HSL 18.6, 0.41%, 0.48%

LAB 50.62, 24.59, 29.14

 

CMYK 0 / 24 / 58 / 33

HEX #AC8248

RGB 172 130 72

HSL 34.8, 0.41%, 0.48%

LAB 57.27, 9.43, 37.27

 

CMYK 0 / 9 / 58 / 33

HEX #AC9D48

RGB 172 157 72

HSL 51, 0.41%, 0.48%

LAB 64.45, -5.41, 45.62

 

CMYK 0 / 39 / 59 / 55

HEX #72452F

RGB 114 69 47

HSL 19.7, 0.42%, 0.32%

LAB 34.06, 16.9, 21.33

 

CMYK 0 / 40 / 58 / 44

HEX #8F563C

RGB 143 86 60

HSL 18.8, 0.41%, 0.4%

LAB 42.49, 20.88, 25.02

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 0 / 33 / 48 / 26

HEX #BC7E61

RGB 188 126 97

HSL 19.12, 0.4%, 0.56%

LAB 58.49, 20.72, 25.55

 

CMYK 0 / 25 / 37 / 21

HEX #C9967E

RGB 201 150 126

HSL 19.2, 0.41%, 0.64%

LAB 66.32, 15.96, 20.13

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 30 / 0 / 58 / 33

HEX #78AC48

RGB 120 172 72

HSL 91.2, 0.41%, 0.48%

LAB 64.94, -34.29, 45.17

 

CMYK 58 / 53 / 0 / 33

HEX #4850AC

RGB 72 80 172

HSL 235.2, 0.41%, 0.48%

LAB 38.01, 24.73, -50.47

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 58 / 0 / 40 / 33

HEX #48AC67

RGB 72 172 103

HSL 138.6, 0.41%, 0.48%

LAB 63.23, -44.74, 26.97

 

CMYK 40 / 58 / 0 / 33

HEX #6748AC

RGB 103 72 172

HSL 258.6, 0.41%, 0.48%

LAB 38.72, 36.47, -49.19

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 30 / 0 / 58 / 33

HEX #78AC48

RGB 120 172 72

HSL 91.2, 0.41%, 0.48%

LAB 64.94, -34.29, 45.17

 

CMYK 58 / 19 / 0 / 33

HEX #488CAC

RGB 72 140 172

HSL 199.2, 0.41%, 0.48%

LAB 55.19, -11.96, -23.38

 

CMYK 28 / 58 / 0 / 33

HEX #7C48AC

RGB 124 72 172

HSL 271.2, 0.41%, 0.48%

LAB 41.05, 41.61, -45.32

 

CMYK 0 / 40 / 58 / 33

HEX #AC6848

RGB 172 104 72

HSL 19.2, 0.41%, 0.48%

LAB 50.85, 24.03, 29.43

 

CMYK 48 / 0 / 58 / 33

HEX #5AAC48

RGB 90 172 72

HSL 109.2, 0.41%, 0.48%

LAB 63.46, -44.44, 43.09

 

CMYK 58 / 19 / 0 / 33

HEX #488CAC

RGB 72 140 172

HSL 199.2, 0.41%, 0.48%

LAB 55.19, -11.96, -23.38

 

CMYK 10 / 58 / 0 / 33

HEX #9A48AC

RGB 154 72 172

HSL 289.2, 0.41%, 0.48%

LAB 44.92, 49.41, -38.93

 

Description

Color code: HEX #AC6848 | qconv.com Color code: HEX #AC6848 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 104 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 104 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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