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Color name
HEX #AC69C9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC69C9 it is the complementary color #539636. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC69C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC69C9 shade: #B169C4, #C27BD7, #D38DEA, #E49FFD and #F5B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC69C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC69C9 shade: #AC69C9, #9B57B6, #8A45A3, #793390 and #68217D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC69C9 shade: #AB69C8, #C569C8, #C869B2, #C86998 and #C8697E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC69C9 shade: #AB69C8, #9269C8, #7869C8 and #6969C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC69C9 shade matches the following richer shades: #AB69C8, #B258D9, #B948E9 and #BF37FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC69C9 shade: #AB69C8, #A579B8, #9E8AA7, #989A97 and #91AB86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC69C9 shade: #7769C8, #9169C8, #AA69C8, #C469C8 and #C869B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC69C9 shade: #843BA4, #9B4ABE, #AB69C8, #BC87D3 and #CDA5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC69C9 shade: #AC69C9, #C86974 and #69C884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC69C9 shade: #AC69C9, #C8AA69 and #69C8AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC69C9 shade: #AC69C9, #C86974, #87C869 and #69C8BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC69C9 shade: #AC69C9, #C87A69, #87C869 and #69B7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

Complementary color

CMYK 45 / 0 / 64 / 41

HEX #539636

RGB 83 150 54

HSL 101.88, 0.47%, 0.4%

LAB 56.01, -39.33, 42.87

 

CMYK 10 / 46 / 0 / 23

HEX #B169C4

RGB 177 105 196

HSL 287.47, 0.44%, 0.59%

LAB 55.52, 43.67, -35.97

 

CMYK 10 / 43 / 0 / 16

HEX #C27BD7

RGB 194 123 215

HSL 286.3, 0.53%, 0.66%

LAB 62.12, 42.9, -36.26

 

CMYK 10 / 40 / 0 / 8

HEX #D38DEA

RGB 211 141 234

HSL 285.16, 0.69%, 0.74%

LAB 68.63, 42.13, -36.51

 

CMYK 10 / 37 / 0 / 1

HEX #E49FFD

RGB 228 159 253

HSL 284.04, 0.96%, 0.81%

LAB 75.07, 41.39, -36.74

 

CMYK 4 / 31 / 0 / 0

HEX #F5B1FF

RGB 245 177 255

HSL 292.31, 1%, 0.85%

LAB 80.78, 37.42, -28.86

 

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

CMYK 15 / 52 / 0 / 29

HEX #9B57B6

RGB 155 87 182

HSL 282.95, 0.39%, 0.53%

LAB 48.46, 44.07, -39.18

 

CMYK 15 / 58 / 0 / 36

HEX #8A45A3

RGB 138 69 163

HSL 284.04, 0.41%, 0.45%

LAB 41.7, 44.79, -38.84

 

CMYK 16 / 65 / 0 / 44

HEX #793390

RGB 121 51 144

HSL 285.16, 0.48%, 0.38%

LAB 34.9, 45.33, -38.32

 

CMYK 17 / 74 / 0 / 51

HEX #68217D

RGB 104 33 125

HSL 286.3, 0.58%, 0.31%

LAB 28.14, 45.4, -37.47

 

CMYK 15 / 48 / 0 / 22

HEX #AB69C8

RGB 171 105 200

HSL 281.68, 0.46%, 0.6%

LAB 55, 42.78, -39.12

 

CMYK 1 / 48 / 0 / 22

HEX #C569C8

RGB 197 105 200

HSL 298.11, 0.46%, 0.6%

LAB 58.17, 50.25, -33.92

 

CMYK 0 / 48 / 11 / 22

HEX #C869B2

RGB 200 105 178

HSL 313.89, 0.46%, 0.6%

LAB 57.65, 47.31, -22.12

 

CMYK 0 / 48 / 24 / 22

HEX #C86998

RGB 200 105 152

HSL 330.32, 0.46%, 0.6%

LAB 56.73, 43.3, -8.46

 

CMYK 0 / 48 / 37 / 22

HEX #C8697E

RGB 200 105 126

HSL 346.74, 0.46%, 0.6%

LAB 55.98, 39.89, 5.63

 

CMYK 15 / 48 / 0 / 22

HEX #AB69C8

RGB 171 105 200

HSL 281.68, 0.46%, 0.6%

LAB 55, 42.78, -39.12

 

CMYK 27 / 48 / 0 / 22

HEX #9269C8

RGB 146 105 200

HSL 265.89, 0.46%, 0.6%

LAB 52.27, 35.76, -43.61

 

CMYK 40 / 48 / 0 / 22

HEX #7869C8

RGB 120 105 200

HSL 249.47, 0.46%, 0.6%

LAB 49.82, 28.88, -47.66

 

CMYK 48 / 48 / 0 / 22

HEX #6969C8

RGB 105 105 200

HSL 240, 0.46%, 0.6%

LAB 48.61, 25.24, -49.66

 

CMYK 15 / 48 / 0 / 22

HEX #AB69C8

RGB 171 105 200

HSL 281.68, 0.46%, 0.6%

LAB 55, 42.78, -39.12

 

CMYK 18 / 59 / 0 / 15

HEX #B258D9

RGB 178 88 217

HSL 281.86, 0.63%, 0.6%

LAB 53.44, 56.91, -51.2

 

CMYK 21 / 69 / 0 / 9

HEX #B948E9

RGB 185 72 233

HSL 282.11, 0.79%, 0.6%

LAB 52.77, 68.79, -61.28

 

CMYK 24 / 78 / 0 / 2

HEX #BF37FA

RGB 191 55 250

HSL 281.85, 0.95%, 0.6%

LAB 52.63, 79.2, -70.97

 

CMYK 15 / 48 / 0 / 22

HEX #AB69C8

RGB 171 105 200

HSL 281.68, 0.46%, 0.6%

LAB 55, 42.78, -39.12

 

CMYK 10 / 34 / 0 / 28

HEX #A579B8

RGB 165 121 184

HSL 281.9, 0.31%, 0.6%

LAB 57.21, 28.65, -26.59

 

CMYK 5 / 17 / 0 / 35

HEX #9E8AA7

RGB 158 138 167

HSL 281.38, 0.14%, 0.6%

LAB 60.1, 13.03, -12.53

 

CMYK 1 / 0 / 2 / 40

HEX #989A97

RGB 152 154 151

HSL 100, 0.01%, 0.6%

LAB 63.36, -1.3, 1.31

 

CMYK 15 / 0 / 22 / 33

HEX #91AB86

RGB 145 171 134

HSL 102.16, 0.18%, 0.6%

LAB 67.18, -16.05, 16.13

 

CMYK 41 / 48 / 0 / 22

HEX #7769C8

RGB 119 105 200

HSL 248.84, 0.46%, 0.6%

LAB 49.73, 28.63, -47.8

 

CMYK 28 / 48 / 0 / 22

HEX #9169C8

RGB 145 105 200

HSL 265.26, 0.46%, 0.6%

LAB 52.17, 35.48, -43.78

 

CMYK 15 / 48 / 0 / 22

HEX #AA69C8

RGB 170 105 200

HSL 281.05, 0.46%, 0.6%

LAB 54.89, 42.49, -39.31

 

CMYK 2 / 48 / 0 / 22

HEX #C469C8

RGB 196 105 200

HSL 297.47, 0.46%, 0.6%

LAB 58.05, 49.96, -34.13

 

CMYK 0 / 48 / 10 / 22

HEX #C869B4

RGB 200 105 180

HSL 312.63, 0.46%, 0.6%

LAB 57.73, 47.64, -23.15

 

CMYK 20 / 64 / 0 / 36

HEX #843BA4

RGB 132 59 164

HSL 281.71, 0.47%, 0.44%

LAB 39.09, 48.49, -43.63

 

CMYK 18 / 61 / 0 / 25

HEX #9B4ABE

RGB 155 74 190

HSL 281.9, 0.47%, 0.52%

LAB 46.42, 52.4, -47.08

 

CMYK 15 / 48 / 0 / 22

HEX #AB69C8

RGB 171 105 200

HSL 281.68, 0.46%, 0.6%

LAB 55, 42.78, -39.12

 

CMYK 11 / 36 / 0 / 17

HEX #BC87D3

RGB 188 135 211

HSL 281.84, 0.46%, 0.68%

LAB 63.94, 33.73, -31.25

 

CMYK 8 / 26 / 0 / 13

HEX #CDA5DE

RGB 205 165 222

HSL 282.11, 0.46%, 0.76%

LAB 73, 24.84, -23.26

 

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

CMYK 0 / 48 / 42 / 22

HEX #C86974

RGB 200 105 116

HSL 353.05, 0.46%, 0.6%

LAB 55.73, 38.74, 11.13

 

CMYK 48 / 0 / 34 / 22

HEX #69C884

RGB 105 200 132

HSL 137.05, 0.46%, 0.6%

LAB 73.53, -43.06, 25.55

 

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

CMYK 0 / 15 / 48 / 22

HEX #C8AA69

RGB 200 170 105

HSL 41.05, 0.46%, 0.6%

LAB 70.9, 2.41, 37.42

 

CMYK 48 / 0 / 15 / 22

HEX #69C8AA

RGB 105 200 170

HSL 161.05, 0.46%, 0.6%

LAB 74.33, -35.32, 6.36

 

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

CMYK 0 / 48 / 42 / 22

HEX #C86974

RGB 200 105 116

HSL 353.05, 0.46%, 0.6%

LAB 55.73, 38.74, 11.13

 

CMYK 33 / 0 / 48 / 22

HEX #87C869

RGB 135 200 105

HSL 101.05, 0.46%, 0.6%

LAB 74.5, -37.95, 40.88

 

CMYK 48 / 0 / 5 / 22

HEX #69C8BD

RGB 105 200 189

HSL 173.05, 0.46%, 0.6%

LAB 74.82, -30.81, -3.21

 

CMYK 14 / 48 / 0 / 21

HEX #AC69C9

RGB 172 105 201

HSL 281.88, 0.47%, 0.6%

LAB 55.17, 43.27, -39.42

 

CMYK 0 / 39 / 48 / 22

HEX #C87A69

RGB 200 122 105

HSL 10.74, 0.46%, 0.6%

LAB 59.18, 28.55, 22.21

 

CMYK 33 / 0 / 48 / 22

HEX #87C869

RGB 135 200 105

HSL 101.05, 0.46%, 0.6%

LAB 74.5, -37.95, 40.88

 

CMYK 48 / 9 / 0 / 22

HEX #69B7C8

RGB 105 183 200

HSL 190.74, 0.46%, 0.6%

LAB 70.2, -19.49, -16.08

 

Description

Color code: HEX #AC69C9 | qconv.com Color code: HEX #AC69C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 105 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 105 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 48 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 48% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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