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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6180 it is the complementary color #539E7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6180 shade: #B1617B, #C2738E, #D385A1, #E497B4 and #F5A9C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6180 shade: #AC6180, #9B4F6D, #8A3D5A, #792B47 and #681934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6180 shade: #AC6180, #AC616C and #AC6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6180 shade: #AC6180, #AC6194, #AC61A8, #9B61AC and #8761AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6180 shade matches the following richer shades: #AC6180, #BF4E7D, #D33B79, #E62776 and #F91473

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6180 shade: #AC6180, #987584, #858887, #729C8A and #5EAF8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6180 shade: #AC61A8, #AC6194, #AC6180, #AC616D and #AC6A61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6180 shade: #7A4058, #964F6C, #AC6180, #BA7D96 and #C898AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6180 shade: #AC6180, #AC9C61 and #619EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6180 shade: #AC6180, #80AC61 and #6180AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6180 shade: #AC6180, #AC9C61, #61AC8D and #6172AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6180 shade: #AC6180, #A6AC61, #61AC8D and #6861AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

Complementary color

CMYK 47 / 0 / 20 / 38

HEX #539E7F

RGB 83 158 127

HSL 155.2, 0.31%, 0.47%

LAB 59.73, -30.9, 9.06

 

CMYK 0 / 45 / 31 / 31

HEX #B1617B

RGB 177 97 123

HSL 340.5, 0.34%, 0.54%

LAB 51.07, 35.41, -0.1

 

CMYK 0 / 41 / 27 / 24

HEX #C2738E

RGB 194 115 142

HSL 339.49, 0.39%, 0.61%

LAB 57.74, 34.52, -1.25

 

CMYK 0 / 37 / 24 / 17

HEX #D385A1

RGB 211 133 161

HSL 338.46, 0.47%, 0.67%

LAB 64.32, 33.67, -2.24

 

CMYK 0 / 34 / 21 / 11

HEX #E497B4

RGB 228 151 180

HSL 337.4, 0.59%, 0.74%

LAB 70.82, 32.88, -3.13

 

CMYK 0 / 31 / 19 / 4

HEX #F5A9C7

RGB 245 169 199

HSL 336.32, 0.79%, 0.81%

LAB 77.23, 32.14, -3.94

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 49 / 30 / 39

HEX #9B4F6D

RGB 155 79 109

HSL 336.32, 0.32%, 0.46%

LAB 43.75, 35.2, -2.75

 

CMYK 0 / 56 / 35 / 46

HEX #8A3D5A

RGB 138 61 90

HSL 337.4, 0.39%, 0.39%

LAB 36.89, 36.05, -1.29

 

CMYK 0 / 64 / 41 / 53

HEX #792B47

RGB 121 43 71

HSL 338.46, 0.48%, 0.32%

LAB 30.03, 36.75, 0.61

 

CMYK 0 / 76 / 50 / 59

HEX #681934

RGB 104 25 52

HSL 339.49, 0.61%, 0.25%

LAB 23.29, 36.94, 3.27

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 44 / 37 / 33

HEX #AC616C

RGB 172 97 108

HSL 351.2, 0.31%, 0.53%

LAB 49.98, 31.61, 7.19

 

CMYK 0 / 44 / 44 / 33

HEX #AC6161

RGB 172 97 97

HSL 0, 0.31%, 0.53%

LAB 49.72, 30.31, 13.37

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 44 / 14 / 33

HEX #AC6194

RGB 172 97 148

HSL 319.2, 0.31%, 0.53%

LAB 51.22, 37.45, -14.78

 

CMYK 0 / 44 / 2 / 33

HEX #AC61A8

RGB 172 97 168

HSL 303.2, 0.31%, 0.53%

LAB 52, 40.98, -25.32

 

CMYK 10 / 44 / 0 / 33

HEX #9B61AC

RGB 155 97 172

HSL 286.4, 0.31%, 0.53%

LAB 50.09, 36.49, -30.79

 

CMYK 22 / 44 / 0 / 33

HEX #8761AC

RGB 135 97 172

HSL 270.4, 0.31%, 0.53%

LAB 47.85, 30.43, -34.46

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 59 / 35 / 25

HEX #BF4E7D

RGB 191 78 125

HSL 335.04, 0.47%, 0.53%

LAB 49.5, 50, -3.36

 

CMYK 0 / 72 / 43 / 17

HEX #D33B79

RGB 211 59 121

HSL 335.53, 0.63%, 0.53%

LAB 49.93, 63.23, 0.07

 

CMYK 0 / 83 / 49 / 10

HEX #E62776

RGB 230 39 118

HSL 335.18, 0.79%, 0.53%

LAB 51.36, 73.51, 4.4

 

CMYK 0 / 92 / 54 / 2

HEX #F91473

RGB 249 20 115

HSL 335.11, 0.95%, 0.53%

LAB 53.9, 80.8, 10.33

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 23 / 13 / 40

HEX #987584

RGB 152 117 132

HSL 334.29, 0.15%, 0.53%

LAB 53.02, 16.21, -2.91

 

CMYK 2 / 0 / 1 / 47

HEX #858887

RGB 133 136 135

HSL 160, 0.01%, 0.53%

LAB 56.43, -1.3, 0.14

 

CMYK 27 / 0 / 12 / 39

HEX #729C8A

RGB 114 156 138

HSL 154.29, 0.18%, 0.53%

LAB 60.95, -18.23, 4.82

 

CMYK 46 / 0 / 19 / 31

HEX #5EAF8E

RGB 94 175 142

HSL 155.56, 0.34%, 0.53%

LAB 65.74, -32.71, 9.31

 

CMYK 0 / 44 / 2 / 33

HEX #AC61A8

RGB 172 97 168

HSL 303.2, 0.31%, 0.53%

LAB 52, 40.98, -25.32

 

CMYK 0 / 44 / 14 / 33

HEX #AC6194

RGB 172 97 148

HSL 319.2, 0.31%, 0.53%

LAB 51.22, 37.45, -14.78

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 44 / 37 / 33

HEX #AC616D

RGB 172 97 109

HSL 350.4, 0.31%, 0.53%

LAB 50.01, 31.73, 6.63

 

CMYK 0 / 38 / 44 / 33

HEX #AC6A61

RGB 172 106 97

HSL 7.2, 0.31%, 0.53%

LAB 51.77, 25.33, 16.2

 

CMYK 0 / 48 / 28 / 52

HEX #7A4058

RGB 122 64 88

HSL 335.17, 0.31%, 0.36%

LAB 35.02, 28.24, -3.05

 

CMYK 0 / 47 / 28 / 41

HEX #964F6C

RGB 150 79 108

HSL 335.49, 0.31%, 0.45%

LAB 43, 33.24, -3.31

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 33 / 19 / 27

HEX #BA7D96

RGB 186 125 150

HSL 335.41, 0.31%, 0.61%

LAB 59.26, 27.34, -3.74

 

CMYK 0 / 24 / 14 / 22

HEX #C898AC

RGB 200 152 172

HSL 335, 0.3%, 0.69%

LAB 67.81, 21.08, -3.44

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 9 / 44 / 33

HEX #AC9C61

RGB 172 156 97

HSL 47.2, 0.31%, 0.53%

LAB 64.49, -2.56, 32.97

 

CMYK 44 / 8 / 0 / 33

HEX #619EAC

RGB 97 158 172

HSL 191.2, 0.31%, 0.53%

LAB 61.63, -15.96, -13.47

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 26 / 0 / 44 / 33

HEX #80AC61

RGB 128 172 97

HSL 95.2, 0.31%, 0.53%

LAB 65.72, -28.43, 33.84

 

CMYK 44 / 26 / 0 / 33

HEX #6180AC

RGB 97 128 172

HSL 215.2, 0.31%, 0.53%

LAB 52.9, 0.87, -26.81

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 0 / 9 / 44 / 33

HEX #AC9C61

RGB 172 156 97

HSL 47.2, 0.31%, 0.53%

LAB 64.49, -2.56, 32.97

 

CMYK 44 / 0 / 18 / 33

HEX #61AC8D

RGB 97 172 141

HSL 155.2, 0.31%, 0.53%

LAB 64.94, -30.71, 8.74

 

CMYK 44 / 34 / 0 / 33

HEX #6172AC

RGB 97 114 172

HSL 226.4, 0.31%, 0.53%

LAB 48.95, 9.25, -32.96

 

CMYK 0 / 44 / 26 / 33

HEX #AC6180

RGB 172 97 128

HSL 335.2, 0.31%, 0.53%

LAB 50.54, 34.31, -3.93

 

CMYK 3 / 0 / 44 / 33

HEX #A6AC61

RGB 166 172 97

HSL 64.8, 0.31%, 0.53%

LAB 68.37, -13.54, 37.74

 

CMYK 44 / 0 / 18 / 33

HEX #61AC8D

RGB 97 172 141

HSL 155.2, 0.31%, 0.53%

LAB 64.94, -30.71, 8.74

 

CMYK 40 / 44 / 0 / 33

HEX #6861AC

RGB 104 97 172

HSL 245.6, 0.31%, 0.53%

LAB 44.9, 21.56, -39.31

 

Description

Color code: HEX #AC6180 | qconv.com Color code: HEX #AC6180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 97 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 97 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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