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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC63D9 it is the complementary color #539C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC63D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC63D9 shade: #B163D4, #C275E7, #D387FA, #E499FF and #F5ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC63D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC63D9 shade: #AC63D9, #9B51C6, #8A3FB3, #792DA0 and #681B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC63D9 shade: #AC62D9, #CC62D9, #D962C6, #D962A6 and #D96286

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC63D9 shade: #AC62D9, #8C62D9, #6C62D9 and #6262D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC63D9 shade matches the following richer shades: #AC62D9, #AF53E8 and #B343F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC63D9 shade: #AC62D9, #A872C9, #A482B9, #A092AA and #9DA19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC63D9 shade: #6C62D9, #8C62D9, #AB62D9, #CB62D9 and #D962C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC63D9 shade: #852DBC, #9A41D1, #AC62D9, #BD84E1 and #CFA5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC63D9 shade: #AC63D9, #D96278 and #62D97C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC63D9 shade: #AC63D9, #D9AB62 and #62D9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC63D9 shade: #AC63D9, #D96278, #90D962 and #62D9C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC63D9 shade: #AC63D9, #D97062, #90D962 and #62CBD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

Complementary color

CMYK 47 / 0 / 76 / 39

HEX #539C26

RGB 83 156 38

HSL 97.12, 0.61%, 0.38%

LAB 57.8, -43.17, 51.26

 

CMYK 17 / 53 / 0 / 17

HEX #B163D4

RGB 177 99 212

HSL 281.42, 0.57%, 0.61%

LAB 55.1, 50.13, -45.75

 

CMYK 16 / 49 / 0 / 9

HEX #C275E7

RGB 194 117 231

HSL 280.53, 0.7%, 0.68%

LAB 61.62, 49.36, -45.97

 

CMYK 16 / 46 / 0 / 2

HEX #D387FA

RGB 211 135 250

HSL 279.65, 0.92%, 0.75%

LAB 68.08, 48.57, -46.15

 

CMYK 11 / 40 / 0 / 0

HEX #E499FF

RGB 228 153 255

HSL 284.12, 1%, 0.8%

LAB 73.87, 44.96, -39.69

 

CMYK 4 / 33 / 0 / 0

HEX #F5ABFF

RGB 245 171 255

HSL 292.86, 1%, 0.84%

LAB 79.48, 40.58, -30.87

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 22 / 59 / 0 / 22

HEX #9B51C6

RGB 155 81 198

HSL 277.95, 0.51%, 0.55%

LAB 48.17, 50.66, -48.92

 

CMYK 23 / 65 / 0 / 30

HEX #8A3FB3

RGB 138 63 179

HSL 278.79, 0.48%, 0.47%

LAB 41.55, 51.27, -48.56

 

CMYK 24 / 72 / 0 / 37

HEX #792DA0

RGB 121 45 160

HSL 279.65, 0.56%, 0.4%

LAB 34.96, 51.54, -47.95

 

CMYK 26 / 81 / 0 / 45

HEX #681B8D

RGB 104 27 141

HSL 280.53, 0.68%, 0.33%

LAB 28.51, 51.12, -46.88

 

CMYK 21 / 55 / 0 / 15

HEX #AC62D9

RGB 172 98 217

HSL 277.31, 0.61%, 0.62%

LAB 54.57, 50.43, -49.45

 

CMYK 6 / 55 / 0 / 15

HEX #CC62D9

RGB 204 98 217

HSL 293.45, 0.61%, 0.62%

LAB 58.59, 58.72, -42.84

 

CMYK 0 / 55 / 9 / 15

HEX #D962C6

RGB 217 98 198

HSL 309.58, 0.61%, 0.62%

LAB 59.49, 58.96, -30.53

 

CMYK 0 / 55 / 24 / 15

HEX #D962A6

RGB 217 98 166

HSL 325.71, 0.61%, 0.62%

LAB 58.26, 54.17, -14.04

 

CMYK 0 / 55 / 38 / 15

HEX #D96286

RGB 217 98 134

HSL 341.85, 0.61%, 0.62%

LAB 57.28, 50.17, 3.13

 

CMYK 21 / 55 / 0 / 15

HEX #AC62D9

RGB 172 98 217

HSL 277.31, 0.61%, 0.62%

LAB 54.57, 50.43, -49.45

 

CMYK 35 / 55 / 0 / 15

HEX #8C62D9

RGB 140 98 217

HSL 261.18, 0.61%, 0.62%

LAB 51.06, 42.48, -55.26

 

CMYK 50 / 55 / 0 / 15

HEX #6C62D9

RGB 108 98 217

HSL 245.04, 0.61%, 0.62%

LAB 48.18, 35.3, -60.05

 

CMYK 55 / 55 / 0 / 15

HEX #6262D9

RGB 98 98 217

HSL 240, 0.61%, 0.62%

LAB 47.42, 33.3, -61.31

 

CMYK 21 / 55 / 0 / 15

HEX #AC62D9

RGB 172 98 217

HSL 277.31, 0.61%, 0.62%

LAB 54.57, 50.43, -49.45

 

CMYK 25 / 64 / 0 / 9

HEX #AF53E8

RGB 175 83 232

HSL 277.05, 0.76%, 0.62%

LAB 53.09, 61.74, -60.26

 

CMYK 28 / 73 / 0 / 3

HEX #B343F8

RGB 179 67 248

HSL 277.13, 0.93%, 0.62%

LAB 52.26, 72.63, -70.54

 

CMYK 21 / 55 / 0 / 15

HEX #AC62D9

RGB 172 98 217

HSL 277.31, 0.61%, 0.62%

LAB 54.57, 50.43, -49.45

 

CMYK 16 / 43 / 0 / 21

HEX #A872C9

RGB 168 114 201

HSL 277.24, 0.45%, 0.62%

LAB 56.66, 37.19, -37.11

 

CMYK 11 / 30 / 0 / 27

HEX #A482B9

RGB 164 130 185

HSL 277.09, 0.28%, 0.62%

LAB 59.31, 23.42, -23.94

 

CMYK 6 / 14 / 0 / 33

HEX #A092AA

RGB 160 146 170

HSL 275, 0.12%, 0.62%

LAB 62.45, 9.8, -10.69

 

CMYK 2 / 0 / 4 / 37

HEX #9DA19A

RGB 157 161 154

HSL 94.29, 0.04%, 0.62%

LAB 65.74, -2.76, 3.13

 

CMYK 50 / 55 / 0 / 15

HEX #6C62D9

RGB 108 98 217

HSL 245.04, 0.61%, 0.62%

LAB 48.18, 35.3, -60.05

 

CMYK 35 / 55 / 0 / 15

HEX #8C62D9

RGB 140 98 217

HSL 261.18, 0.61%, 0.62%

LAB 51.06, 42.48, -55.26

 

CMYK 21 / 55 / 0 / 15

HEX #AB62D9

RGB 171 98 217

HSL 276.81, 0.61%, 0.62%

LAB 54.45, 50.17, -49.65

 

CMYK 6 / 55 / 0 / 15

HEX #CB62D9

RGB 203 98 217

HSL 292.94, 0.61%, 0.62%

LAB 58.45, 58.46, -43.05

 

CMYK 0 / 55 / 8 / 15

HEX #D962C7

RGB 217 98 199

HSL 309.08, 0.61%, 0.62%

LAB 59.54, 59.12, -31.03

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 26 / 69 / 0 / 18

HEX #9A41D1

RGB 154 65 209

HSL 277.08, 0.61%, 0.54%

LAB 45.98, 60.41, -58.78

 

CMYK 21 / 55 / 0 / 15

HEX #AC62D9

RGB 172 98 217

HSL 277.31, 0.61%, 0.62%

LAB 54.57, 50.43, -49.45

 

CMYK 16 / 41 / 0 / 12

HEX #BD84E1

RGB 189 132 225

HSL 276.77, 0.61%, 0.7%

LAB 63.96, 38.65, -39

 

CMYK 11 / 29 / 0 / 9

HEX #CFA5E9

RGB 207 165 233

HSL 277.06, 0.61%, 0.78%

LAB 73.58, 27.71, -28.35

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 0 / 55 / 45 / 15

HEX #D96278

RGB 217 98 120

HSL 348.91, 0.61%, 0.62%

LAB 56.92, 48.69, 10.82

 

CMYK 55 / 0 / 43 / 15

HEX #62D97C

RGB 98 217 124

HSL 133.11, 0.61%, 0.62%

LAB 78.27, -53.21, 35.87

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 0 / 21 / 55 / 15

HEX #D9AB62

RGB 217 171 98

HSL 36.81, 0.61%, 0.62%

LAB 72.73, 8.33, 43.62

 

CMYK 55 / 0 / 21 / 15

HEX #62D9AB

RGB 98 217 171

HSL 156.81, 0.61%, 0.62%

LAB 79.13, -44.32, 12.65

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 0 / 55 / 45 / 15

HEX #D96278

RGB 217 98 120

HSL 348.91, 0.61%, 0.62%

LAB 56.92, 48.69, 10.82

 

CMYK 34 / 0 / 55 / 15

HEX #90D962

RGB 144 217 98

HSL 96.81, 0.61%, 0.62%

LAB 79.86, -43.19, 50.8

 

CMYK 55 / 0 / 10 / 15

HEX #62D9C3

RGB 98 217 195

HSL 168.91, 0.61%, 0.62%

LAB 79.71, -38.77, 0.7

 

CMYK 21 / 54 / 0 / 15

HEX #AC63D9

RGB 172 99 217

HSL 277.12, 0.61%, 0.62%

LAB 54.77, 49.91, -49.14

 

CMYK 0 / 48 / 55 / 15

HEX #D97062

RGB 217 112 98

HSL 7.06, 0.61%, 0.62%

LAB 59.18, 39.76, 26.6

 

CMYK 34 / 0 / 55 / 15

HEX #90D962

RGB 144 217 98

HSL 96.81, 0.61%, 0.62%

LAB 79.86, -43.19, 50.8

 

CMYK 55 / 6 / 0 / 15

HEX #62CBD9

RGB 98 203 217

HSL 187.06, 0.61%, 0.62%

LAB 76.26, -26.41, -16.21

 

Description

Color code: HEX #AC63D9 | qconv.com Color code: HEX #AC63D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 99 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 99 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 54 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 54% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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