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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6B66 it is the complementary color #539499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6B66 shade: #B16B61, #C27D74, #D38F87, #E4A19A and #F5B3AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6B66 shade: #AC6B66, #9B5953, #8A4740, #79352D and #68231A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6B66 shade: #AC6B66 and #AC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6B66 shade: #AC6B66, #AC7E66, #AC9166, #ACA466 and #A2AC66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6B66 shade matches the following richer shades: #AC6B66, #BF5B53, #D24B40, #E53A2D and #F82A1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6B66 shade: #AC6B66, #997B79, #868C8C, #739C9F and #60ACB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6B66 shade: #AC6687, #AC6674, #AC6B66, #AC7D66 and #AC9066

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6B66 shade: #7D4743, #985651, #AC6B66, #BB8581 and #C99F9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6B66 shade: #AC6B66, #9AAC66 and #667DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6B66 shade: #AC6B66, #66AC6B and #6B66AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6B66 shade: #AC6B66, #9AAC66, #66A8AC and #7966AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6B66 shade: #AC6B66, #85AC66, #66A8AC and #8E66AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

Complementary color

CMYK 46 / 3 / 0 / 40

HEX #539499

RGB 83 148 153

HSL 184.29, 0.3%, 0.46%

LAB 57.38, -19.38, -9.13

 

CMYK 0 / 40 / 45 / 31

HEX #B16B61

RGB 177 107 97

HSL 7.5, 0.34%, 0.54%

LAB 52.65, 26.78, 17.5

 

CMYK 0 / 36 / 40 / 24

HEX #C27D74

RGB 194 125 116

HSL 6.92, 0.39%, 0.61%

LAB 59.34, 25.73, 16.05

 

CMYK 0 / 32 / 36 / 17

HEX #D38F87

RGB 211 143 135

HSL 6.32, 0.46%, 0.68%

LAB 65.94, 24.8, 14.76

 

CMYK 0 / 29 / 32 / 11

HEX #E4A19A

RGB 228 161 154

HSL 5.68, 0.58%, 0.75%

LAB 72.44, 23.96, 13.6

 

CMYK 0 / 27 / 29 / 4

HEX #F5B3AD

RGB 245 179 173

HSL 5, 0.78%, 0.82%

LAB 78.85, 23.2, 12.54

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 43 / 46 / 39

HEX #9B5953

RGB 155 89 83

HSL 5, 0.3%, 0.47%

LAB 45.27, 26.45, 15.27

 

CMYK 0 / 49 / 54 / 46

HEX #8A4740

RGB 138 71 64

HSL 5.68, 0.37%, 0.4%

LAB 38.34, 27.68, 17.1

 

CMYK 0 / 56 / 63 / 53

HEX #79352D

RGB 121 53 45

HSL 6.32, 0.46%, 0.33%

LAB 31.35, 29.02, 19.36

 

CMYK 0 / 66 / 75 / 59

HEX #68231A

RGB 104 35 26

HSL 6.92, 0.6%, 0.25%

LAB 24.38, 30.36, 22.23

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 27 / 41 / 33

HEX #AC7E66

RGB 172 126 102

HSL 20.57, 0.3%, 0.54%

LAB 56.73, 14.65, 20.06

 

CMYK 0 / 16 / 41 / 33

HEX #AC9166

RGB 172 145 102

HSL 36.86, 0.3%, 0.54%

LAB 61.64, 4.03, 26.59

 

CMYK 0 / 5 / 41 / 33

HEX #ACA466

RGB 172 164 102

HSL 53.14, 0.3%, 0.54%

LAB 66.73, -6.3, 33.18

 

CMYK 6 / 0 / 41 / 33

HEX #A2AC66

RGB 162 172 102

HSL 68.57, 0.3%, 0.54%

LAB 68.13, -14.6, 34.79

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 52 / 57 / 25

HEX #BF5B53

RGB 191 91 83

HSL 4.44, 0.46%, 0.54%

LAB 50.9, 39.46, 23.71

 

CMYK 0 / 64 / 70 / 18

HEX #D24B40

RGB 210 75 64

HSL 4.52, 0.62%, 0.54%

LAB 50.81, 52.54, 35.24

 

CMYK 0 / 75 / 80 / 10

HEX #E53A2D

RGB 229 58 45

HSL 4.24, 0.78%, 0.54%

LAB 51.69, 64.19, 47.51

 

CMYK 0 / 83 / 90 / 3

HEX #F82A1A

RGB 248 42 26

HSL 4.32, 0.94%, 0.54%

LAB 53.69, 73.43, 59.29

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 20 / 21 / 40

HEX #997B79

RGB 153 123 121

HSL 3.75, 0.14%, 0.54%

LAB 54.36, 11.29, 5.49

 

CMYK 4 / 0 / 0 / 45

HEX #868C8C

RGB 134 140 140

HSL 180, 0.03%, 0.54%

LAB 57.77, -2.19, -0.77

 

CMYK 28 / 2 / 0 / 38

HEX #739C9F

RGB 115 156 159

HSL 184.09, 0.19%, 0.54%

LAB 61.59, -13.16, -6.1

 

CMYK 46 / 3 / 0 / 30

HEX #60ACB2

RGB 96 172 178

HSL 184.39, 0.35%, 0.54%

LAB 65.91, -21.91, -10.42

 

CMYK 0 / 41 / 22 / 33

HEX #AC6687

RGB 172 102 135

HSL 331.71, 0.3%, 0.54%

LAB 51.86, 32.64, -6.13

 

CMYK 0 / 41 / 33 / 33

HEX #AC6674

RGB 172 102 116

HSL 348, 0.3%, 0.54%

LAB 51.31, 29.89, 4.32

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 16 / 41 / 33

HEX #AC9066

RGB 172 144 102

HSL 36, 0.3%, 0.54%

LAB 61.37, 4.58, 26.24

 

CMYK 0 / 43 / 46 / 51

HEX #7D4743

RGB 125 71 67

HSL 4.14, 0.3%, 0.38%

LAB 36.5, 22.59, 12.43

 

CMYK 0 / 43 / 47 / 40

HEX #985651

RGB 152 86 81

HSL 4.23, 0.3%, 0.46%

LAB 44.13, 26.7, 14.85

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 0 / 29 / 31 / 27

HEX #BB8581

RGB 187 133 129

HSL 4.14, 0.3%, 0.62%

LAB 60.72, 20.2, 10.42

 

CMYK 0 / 21 / 22 / 21

HEX #C99F9C

RGB 201 159 156

HSL 4, 0.29%, 0.7%

LAB 69.19, 15.09, 7.5

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 10 / 0 / 41 / 33

HEX #9AAC66

RGB 154 172 102

HSL 75.43, 0.3%, 0.54%

LAB 67.53, -17.8, 33.9

 

CMYK 41 / 27 / 0 / 33

HEX #667DAC

RGB 102 125 172

HSL 220.29, 0.3%, 0.54%

LAB 52.37, 4, -27.62

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 41 / 0 / 38 / 33

HEX #66AC6B

RGB 102 172 107

HSL 124.29, 0.3%, 0.54%

LAB 64.48, -35.82, 26.7

 

CMYK 38 / 41 / 0 / 33

HEX #6B66AC

RGB 107 102 172

HSL 244.29, 0.3%, 0.54%

LAB 46.45, 19.31, -36.84

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 10 / 0 / 41 / 33

HEX #9AAC66

RGB 154 172 102

HSL 75.43, 0.3%, 0.54%

LAB 67.53, -17.8, 33.9

 

CMYK 41 / 2 / 0 / 33

HEX #66A8AC

RGB 102 168 172

HSL 183.43, 0.3%, 0.54%

LAB 64.81, -19.93, -8.69

 

CMYK 30 / 41 / 0 / 33

HEX #7966AC

RGB 121 102 172

HSL 256.29, 0.3%, 0.54%

LAB 47.68, 23.31, -34.82

 

CMYK 0 / 38 / 41 / 33

HEX #AC6B66

RGB 172 107 102

HSL 4.29, 0.3%, 0.54%

LAB 52.11, 25.35, 13.74

 

CMYK 23 / 0 / 41 / 33

HEX #85AC66

RGB 133 172 102

HSL 93.43, 0.3%, 0.54%

LAB 66.1, -25.9, 31.78

 

CMYK 41 / 2 / 0 / 33

HEX #66A8AC

RGB 102 168 172

HSL 183.43, 0.3%, 0.54%

LAB 64.81, -19.93, -8.69

 

CMYK 17 / 41 / 0 / 33

HEX #8E66AC

RGB 142 102 172

HSL 274.29, 0.3%, 0.54%

LAB 49.78, 29.65, -31.39

 

Description

Color code: HEX #AC6B66 | qconv.com Color code: HEX #AC6B66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 107 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 107 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 41% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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