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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7943 it is the complementary color #5386BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7943 shade: #B1793E, #C28B51, #D39D64, #E4AF77 and #F5C18A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7943 shade: #AC7943, #9B6730, #8A551D, #79430A and #683100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7943 shade: #AC7943, #AC5C43 and #AC4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7943 shade: #AC7943, #AC9543, #A6AC43, #8AAC43 and #6EAC43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7943 shade matches the following richer shades: #AC7943, #BF792F, #D37A1C and #E67B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7943 shade: #AC7943, #997856, #857869, #72777D and #5F7790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7943 shade: #AC4346, #AC5B43, #AC7743, #AC9343 and #A9AC43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7943 shade: #714F2C, #8E6437, #AC7943, #BE8D5A and #CAA277

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7943 shade: #AC7943, #62AC43 and #4D43AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7943 shade: #AC7943, #43AC77 and #7743AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7943 shade: #AC7943, #62AC43, #4377AC and #8C43AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7943 shade: #AC7943, #43AC43, #4377AC and #AC43AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

Complementary color

CMYK 56 / 29 / 0 / 26

HEX #5386BC

RGB 83 134 188

HSL 210.86, 0.44%, 0.53%

LAB 54.57, -1.12, -33.45

 

CMYK 0 / 32 / 65 / 31

HEX #B1793E

RGB 177 121 62

HSL 30.78, 0.48%, 0.47%

LAB 55.45, 15.92, 40.46

 

CMYK 0 / 28 / 58 / 24

HEX #C28B51

RGB 194 139 81

HSL 30.8, 0.48%, 0.54%

LAB 62.11, 14.63, 38.94

 

CMYK 0 / 26 / 53 / 17

HEX #D39D64

RGB 211 157 100

HSL 30.81, 0.56%, 0.61%

LAB 68.67, 13.53, 37.47

 

CMYK 0 / 23 / 48 / 11

HEX #E4AF77

RGB 228 175 119

HSL 30.83, 0.67%, 0.68%

LAB 75.13, 12.58, 36.07

 

CMYK 0 / 21 / 44 / 4

HEX #F5C18A

RGB 245 193 138

HSL 30.84, 0.84%, 0.75%

LAB 81.5, 11.75, 34.76

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 34 / 69 / 39

HEX #9B6730

RGB 155 103 48

HSL 30.84, 0.53%, 0.4%

LAB 48.11, 15.5, 38.64

 

CMYK 0 / 38 / 79 / 46

HEX #8A551D

RGB 138 85 29

HSL 30.83, 0.65%, 0.33%

LAB 41.2, 17.21, 40

 

CMYK 0 / 45 / 92 / 53

HEX #79430A

RGB 121 67 10

HSL 30.81, 0.85%, 0.26%

LAB 34.19, 19.28, 40.52

 

CMYK 0 / 53 / 100 / 59

HEX #683100

RGB 104 49 0

HSL 28.27, 1%, 0.2%

LAB 27.13, 21.74, 37.72

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 47 / 61 / 33

HEX #AC5C43

RGB 172 92 67

HSL 14.29, 0.44%, 0.47%

LAB 48.05, 30.25, 28.78

 

CMYK 0 / 61 / 61 / 33

HEX #AC4343

RGB 172 67 67

HSL 0, 0.44%, 0.47%

LAB 43.05, 43.04, 22.46

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 13 / 61 / 33

HEX #AC9543

RGB 172 149 67

HSL 46.86, 0.44%, 0.47%

LAB 62.23, -1.46, 45.51

 

CMYK 3 / 0 / 61 / 33

HEX #A6AC43

RGB 166 172 67

HSL 63.43, 0.44%, 0.47%

LAB 68.03, -16.23, 51.77

 

CMYK 20 / 0 / 61 / 33

HEX #8AAC43

RGB 138 172 67

HSL 79.43, 0.44%, 0.47%

LAB 65.99, -27.82, 48.95

 

CMYK 36 / 0 / 61 / 33

HEX #6EAC43

RGB 110 172 67

HSL 95.43, 0.44%, 0.47%

LAB 64.34, -38.4, 46.65

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 37 / 75 / 25

HEX #BF792F

RGB 191 121 47

HSL 30.83, 0.61%, 0.47%

LAB 57.03, 21.18, 49.87

 

CMYK 0 / 42 / 87 / 17

HEX #D37A1C

RGB 211 122 28

HSL 30.82, 0.77%, 0.47%

LAB 59.75, 28.52, 60.55

 

CMYK 0 / 47 / 97 / 10

HEX #E67B08

RGB 230 123 8

HSL 31.08, 0.93%, 0.47%

LAB 62.51, 35.52, 68.23

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 22 / 44 / 40

HEX #997856

RGB 153 120 86

HSL 30.45, 0.28%, 0.47%

LAB 52.81, 8.19, 23.57

 

CMYK 0 / 10 / 21 / 48

HEX #857869

RGB 133 120 105

HSL 32.14, 0.12%, 0.47%

LAB 51.2, 2.4, 10.06

 

CMYK 9 / 5 / 0 / 51

HEX #72777D

RGB 114 119 125

HSL 212.73, 0.05%, 0.47%

LAB 49.8, -0.6, -3.94

 

CMYK 34 / 17 / 0 / 44

HEX #5F7790

RGB 95 119 144

HSL 210.61, 0.21%, 0.47%

LAB 49.06, -2.34, -16.41

 

CMYK 0 / 61 / 59 / 33

HEX #AC4346

RGB 172 67 70

HSL 358.29, 0.44%, 0.47%

LAB 43.1, 43.26, 20.7

 

CMYK 0 / 47 / 61 / 33

HEX #AC5B43

RGB 172 91 67

HSL 13.71, 0.44%, 0.47%

LAB 47.83, 30.8, 28.51

 

CMYK 0 / 31 / 61 / 33

HEX #AC7743

RGB 172 119 67

HSL 29.71, 0.44%, 0.47%

LAB 54.42, 15.22, 36.5

 

CMYK 0 / 15 / 61 / 33

HEX #AC9343

RGB 172 147 67

HSL 45.71, 0.44%, 0.47%

LAB 61.69, -0.37, 44.91

 

CMYK 2 / 0 / 61 / 33

HEX #A9AC43

RGB 169 172 67

HSL 61.71, 0.44%, 0.47%

LAB 68.27, -14.95, 52.1

 

CMYK 0 / 30 / 61 / 56

HEX #714F2C

RGB 113 79 44

HSL 30.43, 0.44%, 0.31%

LAB 36.53, 10.11, 26.11

 

CMYK 0 / 30 / 61 / 44

HEX #8E6437

RGB 142 100 55

HSL 31.03, 0.44%, 0.39%

LAB 45.83, 11.88, 31.9

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 0 / 26 / 53 / 25

HEX #BE8D5A

RGB 190 141 90

HSL 30.6, 0.43%, 0.55%

LAB 62.28, 12.59, 34.3

 

CMYK 0 / 20 / 41 / 21

HEX #CAA277

RGB 202 162 119

HSL 31.08, 0.44%, 0.63%

LAB 69.28, 9.01, 27.95

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 43 / 0 / 61 / 33

HEX #62AC43

RGB 98 172 67

HSL 102.29, 0.44%, 0.47%

LAB 63.76, -42.47, 45.84

 

CMYK 55 / 61 / 0 / 33

HEX #4D43AC

RGB 77 67 172

HSL 245.71, 0.44%, 0.47%

LAB 35.14, 33.92, -55.09

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 61 / 0 / 31 / 33

HEX #43AC77

RGB 67 172 119

HSL 149.71, 0.44%, 0.47%

LAB 63.37, -42.75, 18.49

 

CMYK 31 / 61 / 0 / 33

HEX #7743AC

RGB 119 67 172

HSL 269.71, 0.44%, 0.47%

LAB 39.44, 43.1, -47.94

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 43 / 0 / 61 / 33

HEX #62AC43

RGB 98 172 67

HSL 102.29, 0.44%, 0.47%

LAB 63.76, -42.47, 45.84

 

CMYK 61 / 31 / 0 / 33

HEX #4377AC

RGB 67 119 172

HSL 210.29, 0.44%, 0.47%

LAB 48.72, -0.83, -33.45

 

CMYK 19 / 61 / 0 / 33

HEX #8C43AC

RGB 140 67 172

HSL 281.71, 0.44%, 0.47%

LAB 42.11, 48.27, -43.52

 

CMYK 0 / 30 / 61 / 33

HEX #AC7943

RGB 172 121 67

HSL 30.86, 0.44%, 0.47%

LAB 54.92, 14.09, 37.1

 

CMYK 61 / 0 / 61 / 33

HEX #43AC43

RGB 67 172 67

HSL 120, 0.44%, 0.47%

LAB 62.59, -51.21, 44.2

 

CMYK 61 / 31 / 0 / 33

HEX #4377AC

RGB 67 119 172

HSL 210.29, 0.44%, 0.47%

LAB 48.72, -0.83, -33.45

 

CMYK 0 / 61 / 0 / 33

HEX #AC43AC

RGB 172 67 172

HSL 300, 0.44%, 0.47%

LAB 46.66, 56.41, -36

 

Description

Color code: HEX #AC7943 | qconv.com Color code: HEX #AC7943 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 121 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 121 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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