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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7030 it is the complementary color #538FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7030 shade: #B1702B, #C2823E, #D39451, #E4A664 and #F5B877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7030 shade: #AC7030, #9B5E1D, #8A4C0A, #793A00 and #682800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7030 shade: #AB6F30, #AB4E30 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7030 shade: #AB6F30, #AB9030, #A4AB30, #83AB30 and #62AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7030 shade matches the following richer shades: #AB6F30, #BC701E and #CE700C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7030 shade: #AB6F30, #996F41, #876E53, #756D65 and #646D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7030 shade: #AB3034, #AB4C30, #AB6D30, #AB8E30 and #A6AB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7030 shade: #6A451E, #8A5A27, #AB6F30, #C8843C and #D1985C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7030 shade: #AC7030, #55AB30 and #3C30AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7030 shade: #AC7030, #30AB6D and #6D30AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7030 shade: #AC7030, #55AB30, #306DAB and #8630AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7030 shade: #AC7030, #30AB30, #306DAB and #AB30AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

Complementary color

CMYK 60 / 31 / 0 / 19

HEX #538FCF

RGB 83 143 207

HSL 210.97, 0.56%, 0.57%

LAB 58.03, -0.21, -38.8

 

CMYK 0 / 37 / 76 / 31

HEX #B1702B

RGB 177 112 43

HSL 30.9, 0.61%, 0.43%

LAB 53.07, 19.9, 47.1

 

CMYK 0 / 33 / 68 / 24

HEX #C2823E

RGB 194 130 62

HSL 30.91, 0.52%, 0.5%

LAB 59.69, 18.29, 45.77

 

CMYK 0 / 30 / 62 / 17

HEX #D39451

RGB 211 148 81

HSL 30.92, 0.6%, 0.57%

LAB 66.23, 16.91, 44.29

 

CMYK 0 / 27 / 56 / 11

HEX #E4A664

RGB 228 166 100

HSL 30.94, 0.7%, 0.64%

LAB 72.68, 15.72, 42.82

 

CMYK 0 / 25 / 51 / 4

HEX #F5B877

RGB 245 184 119

HSL 30.95, 0.86%, 0.71%

LAB 79.06, 14.68, 41.4

 

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

CMYK 0 / 39 / 81 / 39

HEX #9B5E1D

RGB 155 94 29

HSL 30.95, 0.68%, 0.36%

LAB 45.72, 19.72, 45.12

 

CMYK 0 / 45 / 93 / 46

HEX #8A4C0A

RGB 138 76 10

HSL 30.94, 0.86%, 0.29%

LAB 38.89, 21.82, 45.24

 

CMYK 0 / 52 / 100 / 53

HEX #793A00

RGB 121 58 0

HSL 28.76, 1%, 0.24%

LAB 32.01, 24.26, 42.7

 

CMYK 0 / 62 / 100 / 59

HEX #682800

RGB 104 40 0

HSL 23.08, 1%, 0.2%

LAB 25.14, 26.81, 35.9

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 54 / 72 / 33

HEX #AB4E30

RGB 171 78 48

HSL 14.63, 0.56%, 0.43%

LAB 44.69, 36.07, 35.47

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 16 / 72 / 33

HEX #AB9030

RGB 171 144 48

HSL 46.83, 0.56%, 0.43%

LAB 60.62, -0.36, 52.29

 

CMYK 4 / 0 / 72 / 33

HEX #A4AB30

RGB 164 171 48

HSL 63.41, 0.56%, 0.43%

LAB 67.45, -17.74, 58.81

 

CMYK 23 / 0 / 72 / 33

HEX #83AB30

RGB 131 171 48

HSL 79.51, 0.56%, 0.43%

LAB 65.09, -31.52, 55.69

 

CMYK 43 / 0 / 72 / 33

HEX #62AB30

RGB 98 171 48

HSL 95.61, 0.56%, 0.43%

LAB 63.29, -43.71, 53.29

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 40 / 84 / 26

HEX #BC701E

RGB 188 112 30

HSL 31.14, 0.72%, 0.43%

LAB 54.42, 24.2, 54.18

 

CMYK 0 / 46 / 94 / 19

HEX #CE700C

RGB 206 112 12

HSL 30.93, 0.89%, 0.43%

LAB 56.82, 31.46, 62.13

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 27 / 58 / 40

HEX #996F41

RGB 153 111 65

HSL 31.36, 0.4%, 0.43%

LAB 50.12, 11.26, 31.9

 

CMYK 0 / 19 / 39 / 47

HEX #876E53

RGB 135 110 83

HSL 31.15, 0.24%, 0.43%

LAB 48.17, 5.84, 18.78

 

CMYK 0 / 7 / 14 / 54

HEX #756D65

RGB 117 109 101

HSL 30, 0.07%, 0.43%

LAB 46.52, 1.62, 5.58

 

CMYK 16 / 8 / 0 / 53

HEX #646D77

RGB 100 109 119

HSL 211.58, 0.09%, 0.43%

LAB 45.6, -1.14, -6.72

 

CMYK 0 / 72 / 70 / 33

HEX #AB3034

RGB 171 48 52

HSL 358.05, 0.56%, 0.43%

LAB 39.61, 49.9, 27.24

 

CMYK 0 / 56 / 72 / 33

HEX #AB4C30

RGB 171 76 48

HSL 13.66, 0.56%, 0.43%

LAB 44.29, 37.09, 35.02

 

CMYK 0 / 36 / 72 / 33

HEX #AB6D30

RGB 171 109 48

HSL 29.76, 0.56%, 0.43%

LAB 51.62, 19.19, 43.02

 

CMYK 0 / 17 / 72 / 33

HEX #AB8E30

RGB 171 142 48

HSL 45.85, 0.56%, 0.43%

LAB 60.08, 0.74, 51.75

 

CMYK 3 / 0 / 72 / 33

HEX #A6AB30

RGB 166 171 48

HSL 62.44, 0.56%, 0.43%

LAB 67.61, -16.88, 59.02

 

CMYK 0 / 35 / 72 / 58

HEX #6A451E

RGB 106 69 30

HSL 30.79, 0.56%, 0.27%

LAB 32.73, 11.83, 29.37

 

CMYK 0 / 35 / 72 / 46

HEX #8A5A27

RGB 138 90 39

HSL 30.91, 0.56%, 0.35%

LAB 42.55, 14.8, 36.54

 

CMYK 0 / 35 / 72 / 33

HEX #AB6F30

RGB 171 111 48

HSL 30.73, 0.56%, 0.43%

LAB 52.11, 18.07, 43.54

 

CMYK 0 / 34 / 70 / 22

HEX #C8843C

RGB 200 132 60

HSL 30.86, 0.56%, 0.51%

LAB 60.88, 19.65, 48.22

 

CMYK 0 / 27 / 56 / 18

HEX #D1985C

RGB 209 152 92

HSL 30.77, 0.56%, 0.59%

LAB 67.12, 14.73, 39.67

 

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

CMYK 50 / 0 / 72 / 33

HEX #55AB30

RGB 85 171 48

HSL 101.95, 0.56%, 0.43%

LAB 62.74, -47.83, 52.55

 

CMYK 65 / 72 / 0 / 33

HEX #3C30AB

RGB 60 48 171

HSL 245.85, 0.56%, 0.43%

LAB 29.45, 42.25, -63.85

 

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

CMYK 72 / 0 / 36 / 33

HEX #30AB6D

RGB 48 171 109

HSL 149.76, 0.56%, 0.43%

LAB 62.39, -47.89, 22.52

 

CMYK 36 / 72 / 0 / 33

HEX #6D30AB

RGB 109 48 171

HSL 269.76, 0.56%, 0.43%

LAB 34.61, 50.32, -55.21

 

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

CMYK 50 / 0 / 72 / 33

HEX #55AB30

RGB 85 171 48

HSL 101.95, 0.56%, 0.43%

LAB 62.74, -47.83, 52.55

 

CMYK 72 / 36 / 0 / 33

HEX #306DAB

RGB 48 109 171

HSL 210.24, 0.56%, 0.43%

LAB 44.95, 1.58, -38.85

 

CMYK 22 / 72 / 0 / 33

HEX #8630AB

RGB 134 48 171

HSL 281.95, 0.56%, 0.43%

LAB 38.06, 55.37, -49.46

 

CMYK 0 / 35 / 72 / 33

HEX #AC7030

RGB 172 112 48

HSL 30.97, 0.56%, 0.43%

LAB 52.48, 17.94, 43.97

 

CMYK 72 / 0 / 72 / 33

HEX #30AB30

RGB 48 171 48

HSL 120, 0.56%, 0.43%

LAB 61.63, -56.72, 51.06

 

CMYK 72 / 36 / 0 / 33

HEX #306DAB

RGB 48 109 171

HSL 210.24, 0.56%, 0.43%

LAB 44.95, 1.58, -38.85

 

CMYK 0 / 72 / 0 / 33

HEX #AB30AB

RGB 171 48 171

HSL 300, 0.56%, 0.43%

LAB 43.82, 63.39, -39.92

 

Description

Color code: HEX #AC7030 | qconv.com Color code: HEX #AC7030 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 112 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 112 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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