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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC737F it is the complementary color #538C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC737F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC737F shade: #B1737A, #C2858D, #D397A0, #E4A9B3 and #F5BBC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC737F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC737F shade: #AC737F, #9B616C, #8A4F59, #793D46 and #682B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC737F shade: #AB717D and #AB7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC737F shade: #AB717D, #AB718D, #AB719D, #AA71AB and #9B71AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC737F shade matches the following richer shades: #AB717D, #BE5F73, #D04D68, #E23B5E and #F42953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC737F shade: #AB717D, #998388, #879592, #75A89D and #63BAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC737F shade: #AB719D, #AB718D, #AB717E, #AB7471 and #AB8471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC737F shade: #7F4B56, #995A67, #AB717D, #BB8B95 and #CAA5AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC737F shade: #AC737F, #ABAA71 and #7195AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC737F shade: #AC737F, #7EAB71 and #717EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC737F shade: #AC737F, #ABAA71, #71AB9F and #7172AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC737F shade: #AC737F, #9BAB71, #71AB9F and #8271AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

Complementary color

CMYK 41 / 0 / 9 / 45

HEX #538C80

RGB 83 140 128

HSL 167.37, 0.26%, 0.44%

LAB 54.19, -21.71, 0.52

 

CMYK 0 / 35 / 31 / 31

HEX #B1737A

RGB 177 115 122

HSL 353.23, 0.28%, 0.57%

LAB 55.09, 25.39, 6.3

 

CMYK 0 / 31 / 27 / 24

HEX #C2858D

RGB 194 133 141

HSL 352.13, 0.33%, 0.64%

LAB 61.8, 24.55, 5.23

 

CMYK 0 / 28 / 24 / 17

HEX #D397A0

RGB 211 151 160

HSL 351, 0.41%, 0.71%

LAB 68.4, 23.79, 4.27

 

CMYK 0 / 26 / 21 / 11

HEX #E4A9B3

RGB 228 169 179

HSL 349.83, 0.52%, 0.78%

LAB 74.9, 23.11, 3.39

 

CMYK 0 / 24 / 19 / 4

HEX #F5BBC6

RGB 245 187 198

HSL 348.62, 0.74%, 0.85%

LAB 81.31, 22.48, 2.57

 

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

CMYK 0 / 37 / 30 / 39

HEX #9B616C

RGB 155 97 108

HSL 348.62, 0.23%, 0.49%

LAB 47.75, 25.05, 3.7

 

CMYK 0 / 43 / 36 / 46

HEX #8A4F59

RGB 138 79 89

HSL 349.83, 0.27%, 0.43%

LAB 40.76, 26.02, 4.95

 

CMYK 0 / 50 / 42 / 53

HEX #793D46

RGB 121 61 70

HSL 351, 0.33%, 0.36%

LAB 33.66, 27.08, 6.47

 

CMYK 0 / 59 / 51 / 59

HEX #682B33

RGB 104 43 51

HSL 352.13, 0.41%, 0.29%

LAB 26.48, 28.18, 8.44

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 34 / 34 / 33

HEX #AB7171

RGB 171 113 113

HSL 0, 0.26%, 0.56%

LAB 53.66, 22.96, 9.44

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 34 / 18 / 33

HEX #AB718D

RGB 171 113 141

HSL 331.03, 0.26%, 0.56%

LAB 54.44, 27.11, -5.84

 

CMYK 0 / 34 / 8 / 33

HEX #AB719D

RGB 171 113 157

HSL 314.48, 0.26%, 0.56%

LAB 54.97, 29.86, -14.38

 

CMYK 1 / 34 / 0 / 33

HEX #AA71AB

RGB 170 113 171

HSL 298.97, 0.26%, 0.56%

LAB 55.38, 32.14, -21.89

 

CMYK 9 / 34 / 0 / 33

HEX #9B71AB

RGB 155 113 171

HSL 283.45, 0.26%, 0.56%

LAB 53.73, 27.21, -24.57

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 50 / 39 / 25

HEX #BE5F73

RGB 190 95 115

HSL 347.37, 0.42%, 0.56%

LAB 52.25, 40.16, 6.6

 

CMYK 0 / 63 / 50 / 18

HEX #D04D68

RGB 208 77 104

HSL 347.63, 0.58%, 0.56%

LAB 51.52, 53.77, 12.52

 

CMYK 0 / 74 / 58 / 11

HEX #E23B5E

RGB 226 59 94

HSL 347.43, 0.74%, 0.56%

LAB 51.96, 65.29, 19.63

 

CMYK 0 / 83 / 66 / 4

HEX #F42953

RGB 244 41 83

HSL 347.59, 0.9%, 0.56%

LAB 53.43, 74.36, 28.78

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 14 / 11 / 40

HEX #998388

RGB 153 131 136

HSL 346.36, 0.1%, 0.56%

LAB 56.86, 9.25, 0.41

 

CMYK 9 / 0 / 2 / 42

HEX #879592

RGB 135 149 146

HSL 167.14, 0.06%, 0.56%

LAB 60.53, -5.62, -0.14

 

CMYK 30 / 0 / 7 / 34

HEX #75A89D

RGB 117 168 157

HSL 167.06, 0.23%, 0.56%

LAB 65.14, -19.34, 0.25

 

CMYK 47 / 0 / 10 / 27

HEX #63BAA7

RGB 99 186 167

HSL 166.9, 0.39%, 0.56%

LAB 69.87, -30.9, 1.51

 

CMYK 0 / 34 / 8 / 33

HEX #AB719D

RGB 171 113 157

HSL 314.48, 0.26%, 0.56%

LAB 54.97, 29.86, -14.38

 

CMYK 0 / 34 / 18 / 33

HEX #AB718D

RGB 171 113 141

HSL 331.03, 0.26%, 0.56%

LAB 54.44, 27.11, -5.84

 

CMYK 0 / 34 / 26 / 33

HEX #AB717E

RGB 171 113 126

HSL 346.55, 0.26%, 0.56%

LAB 54, 24.78, 2.3

 

CMYK 0 / 32 / 34 / 33

HEX #AB7471

RGB 171 116 113

HSL 3.1, 0.26%, 0.56%

LAB 54.39, 21.27, 10.46

 

CMYK 0 / 23 / 34 / 33

HEX #AB8471

RGB 171 132 113

HSL 19.66, 0.26%, 0.56%

LAB 58.37, 12.24, 16.01

 

CMYK 0 / 41 / 32 / 50

HEX #7F4B56

RGB 127 75 86

HSL 347.31, 0.26%, 0.4%

LAB 38.23, 23.53, 2.98

 

CMYK 0 / 41 / 33 / 40

HEX #995A67

RGB 153 90 103

HSL 347.62, 0.26%, 0.48%

LAB 45.72, 27.54, 3.76

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 26 / 20 / 27

HEX #BB8B95

RGB 187 139 149

HSL 347.5, 0.26%, 0.64%

LAB 62.68, 19.78, 1.85

 

CMYK 0 / 18 / 14 / 21

HEX #CAA5AD

RGB 202 165 173

HSL 347.03, 0.26%, 0.72%

LAB 71.2, 14.84, 1

 

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

CMYK 0 / 1 / 34 / 33

HEX #ABAA71

RGB 171 170 113

HSL 58.97, 0.26%, 0.56%

LAB 68.46, -8.6, 29.57

 

CMYK 34 / 13 / 0 / 33

HEX #7195AB

RGB 113 149 171

HSL 202.76, 0.26%, 0.56%

LAB 59.84, -6.93, -15.53

 

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

CMYK 26 / 0 / 34 / 33

HEX #7EAB71

RGB 126 171 113

HSL 106.55, 0.26%, 0.56%

LAB 65.56, -26.35, 25.15

 

CMYK 34 / 26 / 0 / 33

HEX #717EAB

RGB 113 126 171

HSL 226.55, 0.26%, 0.56%

LAB 53.35, 6.28, -25.45

 

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

CMYK 0 / 1 / 34 / 33

HEX #ABAA71

RGB 171 170 113

HSL 58.97, 0.26%, 0.56%

LAB 68.46, -8.6, 29.57

 

CMYK 34 / 0 / 7 / 33

HEX #71AB9F

RGB 113 171 159

HSL 167.59, 0.26%, 0.56%

LAB 65.86, -21.61, 0.16

 

CMYK 34 / 33 / 0 / 33

HEX #7172AB

RGB 113 114 171

HSL 238.97, 0.26%, 0.56%

LAB 50.08, 13.45, -30.53

 

CMYK 0 / 33 / 26 / 33

HEX #AC737F

RGB 172 115 127

HSL 347.37, 0.26%, 0.56%

LAB 54.62, 24.18, 2.63

 

CMYK 9 / 0 / 34 / 33

HEX #9BAB71

RGB 155 171 113

HSL 76.55, 0.26%, 0.56%

LAB 67.49, -15.48, 28.06

 

CMYK 34 / 0 / 7 / 33

HEX #71AB9F

RGB 113 171 159

HSL 167.59, 0.26%, 0.56%

LAB 65.86, -21.61, 0.16

 

CMYK 24 / 34 / 0 / 33

HEX #8271AB

RGB 130 113 171

HSL 257.59, 0.26%, 0.56%

LAB 51.26, 19.2, -28.58

 

Description

Color code: HEX #AC737F | qconv.com Color code: HEX #AC737F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 115 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 115 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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