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Color name
HEX #AC7C65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7C65 it is the complementary color #53839A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7C65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7C65 shade: #B17C60, #C28E73, #D3A086, #E4B299 and #F5C4AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7C65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7C65 shade: #AC7C65, #9B6A52, #8A583F, #79462C and #683419

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7C65 shade: #AC7D66, #AC6A66 and #AC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7C65 shade: #AC7D66, #AC9066, #ACA366, #A3AC66 and #90AC66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7C65 shade matches the following richer shades: #AC7D66, #BF7653, #D26F40, #E5692D and #F8621A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7C65 shade: #AC7D66, #998379, #868A8C, #73919F and #6098B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7C65 shade: #AC6675, #AC6A66, #AC7C66, #AC8F66 and #ACA266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7C65 shade: #7D5643, #986851, #AC7D66, #BB9481 and #C9AA9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7C65 shade: #AC7C65, #88AC66 and #666CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7C65 shade: #AC7C65, #66AC7C and #7C66AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7C65 shade: #AC7C65, #88AC66, #6696AC and #8A66AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7C65 shade: #AC7C65, #73AC66, #6696AC and #9F66AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

Complementary color

CMYK 46 / 15 / 0 / 40

HEX #53839A

RGB 83 131 154

HSL 199.44, 0.3%, 0.46%

LAB 52.29, -9.82, -17.39

 

CMYK 0 / 30 / 46 / 31

HEX #B17C60

RGB 177 124 96

HSL 20.74, 0.34%, 0.54%

LAB 56.69, 17.18, 23.5

 

CMYK 0 / 27 / 41 / 24

HEX #C28E73

RGB 194 142 115

HSL 20.51, 0.39%, 0.61%

LAB 63.39, 16.25, 22.13

 

CMYK 0 / 24 / 36 / 17

HEX #D3A086

RGB 211 160 134

HSL 20.26, 0.47%, 0.68%

LAB 69.97, 15.44, 20.89

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 20 / 30 / 4

HEX #F5C4AC

RGB 245 196 172

HSL 19.73, 0.78%, 0.82%

LAB 82.84, 14.11, 18.68

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 0 / 32 / 47 / 39

HEX #9B6A52

RGB 155 106 82

HSL 19.73, 0.31%, 0.46%

LAB 49.36, 16.64, 21.35

 

CMYK 0 / 36 / 54 / 46

HEX #8A583F

RGB 138 88 63

HSL 20, 0.37%, 0.39%

LAB 42.37, 17.81, 22.97

 

CMYK 0 / 42 / 64 / 53

HEX #79462C

RGB 121 70 44

HSL 20.26, 0.47%, 0.32%

LAB 35.26, 19.21, 24.82

 

CMYK 0 / 50 / 76 / 59

HEX #683419

RGB 104 52 25

HSL 20.51, 0.61%, 0.25%

LAB 28.03, 20.91, 26.92

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 38 / 41 / 33

HEX #AC6A66

RGB 172 106 102

HSL 3.43, 0.3%, 0.54%

LAB 51.88, 25.91, 13.41

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 16 / 41 / 33

HEX #AC9066

RGB 172 144 102

HSL 36, 0.3%, 0.54%

LAB 61.37, 4.58, 26.24

 

CMYK 0 / 5 / 41 / 33

HEX #ACA366

RGB 172 163 102

HSL 52.29, 0.3%, 0.54%

LAB 66.46, -5.77, 32.84

 

CMYK 5 / 0 / 41 / 33

HEX #A3AC66

RGB 163 172 102

HSL 67.71, 0.3%, 0.54%

LAB 68.21, -14.2, 34.9

 

CMYK 16 / 0 / 41 / 33

HEX #90AC66

RGB 144 172 102

HSL 84, 0.3%, 0.54%

LAB 66.82, -21.72, 32.85

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 38 / 57 / 25

HEX #BF7653

RGB 191 118 83

HSL 19.44, 0.46%, 0.54%

LAB 56.74, 25.09, 31.19

 

CMYK 0 / 47 / 70 / 18

HEX #D26F40

RGB 210 111 64

HSL 19.32, 0.62%, 0.54%

LAB 57.5, 35.27, 42.92

 

CMYK 0 / 54 / 80 / 10

HEX #E5692D

RGB 229 105 45

HSL 19.57, 0.78%, 0.54%

LAB 58.93, 44.85, 54.41

 

CMYK 0 / 60 / 90 / 3

HEX #F8621A

RGB 248 98 26

HSL 19.46, 0.94%, 0.54%

LAB 60.57, 54.56, 64.19

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 14 / 21 / 40

HEX #998379

RGB 153 131 121

HSL 18.75, 0.14%, 0.54%

LAB 56.47, 6.71, 8.5

 

CMYK 4 / 1 / 0 / 45

HEX #868A8C

RGB 134 138 140

HSL 200, 0.03%, 0.54%

LAB 57.21, -1.06, -1.59

 

CMYK 28 / 9 / 0 / 38

HEX #73919F

RGB 115 145 159

HSL 199.09, 0.19%, 0.54%

LAB 58.41, -7.14, -10.84

 

CMYK 46 / 15 / 0 / 30

HEX #6098B2

RGB 96 152 178

HSL 199.02, 0.35%, 0.54%

LAB 60.03, -11.3, -19.29

 

CMYK 0 / 41 / 32 / 33

HEX #AC6675

RGB 172 102 117

HSL 347.14, 0.3%, 0.54%

LAB 51.33, 30.02, 3.77

 

CMYK 0 / 38 / 41 / 33

HEX #AC6A66

RGB 172 106 102

HSL 3.43, 0.3%, 0.54%

LAB 51.88, 25.91, 13.41

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C66

RGB 172 124 102

HSL 18.86, 0.3%, 0.54%

LAB 56.23, 15.78, 19.38

 

CMYK 0 / 17 / 41 / 33

HEX #AC8F66

RGB 172 143 102

HSL 35.14, 0.3%, 0.54%

LAB 61.11, 5.13, 25.89

 

CMYK 0 / 6 / 41 / 33

HEX #ACA266

RGB 172 162 102

HSL 51.43, 0.3%, 0.54%

LAB 66.19, -5.24, 32.49

 

CMYK 0 / 31 / 46 / 51

HEX #7D5643

RGB 125 86 67

HSL 19.66, 0.3%, 0.38%

LAB 40.28, 13.69, 17.53

 

CMYK 0 / 32 / 47 / 40

HEX #986851

RGB 152 104 81

HSL 19.44, 0.3%, 0.46%

LAB 48.47, 16.41, 20.69

 

CMYK 0 / 27 / 41 / 33

HEX #AC7D66

RGB 172 125 102

HSL 19.71, 0.3%, 0.54%

LAB 56.48, 15.22, 19.72

 

CMYK 0 / 21 / 31 / 27

HEX #BB9481

RGB 187 148 129

HSL 19.66, 0.3%, 0.62%

LAB 64.43, 11.87, 15.62

 

CMYK 0 / 15 / 22 / 21

HEX #C9AA9C

RGB 201 170 156

HSL 18.67, 0.29%, 0.7%

LAB 71.94, 9.1, 11.4

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 21 / 0 / 41 / 33

HEX #88AC66

RGB 136 172 102

HSL 90.86, 0.3%, 0.54%

LAB 66.29, -24.78, 32.07

 

CMYK 41 / 37 / 0 / 33

HEX #666CAC

RGB 102 108 172

HSL 234.86, 0.3%, 0.54%

LAB 47.66, 14.26, -34.96

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 41 / 0 / 28 / 33

HEX #66AC7C

RGB 102 172 124

HSL 138.86, 0.3%, 0.54%

LAB 64.79, -32.78, 17.93

 

CMYK 28 / 41 / 0 / 33

HEX #7C66AC

RGB 124 102 172

HSL 258.86, 0.3%, 0.54%

LAB 47.96, 24.19, -34.36

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 21 / 0 / 41 / 33

HEX #88AC66

RGB 136 172 102

HSL 90.86, 0.3%, 0.54%

LAB 66.29, -24.78, 32.07

 

CMYK 41 / 13 / 0 / 33

HEX #6696AC

RGB 102 150 172

HSL 198.86, 0.3%, 0.54%

LAB 59.54, -10.31, -16.61

 

CMYK 20 / 41 / 0 / 33

HEX #8A66AC

RGB 138 102 172

HSL 270.86, 0.3%, 0.54%

LAB 49.36, 28.42, -32.08

 

CMYK 0 / 28 / 41 / 33

HEX #AC7C65

RGB 172 124 101

HSL 19.44, 0.3%, 0.54%

LAB 56.21, 15.67, 19.92

 

CMYK 33 / 0 / 41 / 33

HEX #73AC66

RGB 115 172 102

HSL 108.86, 0.3%, 0.54%

LAB 65.05, -32.35, 30.22

 

CMYK 41 / 13 / 0 / 33

HEX #6696AC

RGB 102 150 172

HSL 198.86, 0.3%, 0.54%

LAB 59.54, -10.31, -16.61

 

CMYK 8 / 41 / 0 / 33

HEX #9F66AC

RGB 159 102 172

HSL 288.86, 0.3%, 0.54%

LAB 51.67, 34.95, -28.3

 

Description

Color code: HEX #AC7C65 | qconv.com Color code: HEX #AC7C65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 124 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 124 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 41% 33% C M Y K

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Provide designers and agencies with accurate color values.

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