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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7C75 it is the complementary color #53838A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7C75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7C75 shade: #B17C70, #C28E83, #D3A096, #E4B2A9 and #F5C4BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7C75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7C75 shade: #AC7C75, #9B6A62, #8A584F, #79463C and #683429

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7C75 shade: #AC7C75 and #AC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7C75 shade: #AC7C75, #AC8B75, #AC9A75, #ACA975 and #A1AC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7C75 shade matches the following richer shades: #AC7C75, #BE6F64, #D06252, #E15540 and #F3482E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7C75 shade: #AC7C75, #9B8A87, #899799, #77A4AB and #65B1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7C75 shade: #AC758C, #AC757E, #AC7C75, #AC8A75 and #AC9975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7C75 shade: #82544E, #9B655D, #AC7C75, #BC958F and #CBADA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7C75 shade: #AC7C75, #9BAC75 and #7585AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7C75 shade: #AC7C75, #75AC7C and #7C75AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7C75 shade: #AC7C75, #9BAC75, #75A6AC and #8775AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7C75 shade: #AC7C75, #8AAC75, #75A6AC and #9775AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

Complementary color

CMYK 40 / 5 / 0 / 46

HEX #53838A

RGB 83 131 138

HSL 187.64, 0.25%, 0.43%

LAB 51.73, -14.32, -8.92

 

CMYK 0 / 30 / 37 / 31

HEX #B17C70

RGB 177 124 112

HSL 11.08, 0.29%, 0.57%

LAB 57.01, 19.04, 14.8

 

CMYK 0 / 27 / 32 / 24

HEX #C28E83

RGB 194 142 131

HSL 10.48, 0.34%, 0.64%

LAB 63.72, 18.22, 13.62

 

CMYK 0 / 24 / 29 / 17

HEX #D3A096

RGB 211 160 150

HSL 9.84, 0.41%, 0.71%

LAB 70.31, 17.5, 12.55

 

CMYK 0 / 22 / 26 / 11

HEX #E4B2A9

RGB 228 178 169

HSL 9.15, 0.52%, 0.78%

LAB 76.8, 16.85, 11.56

 

CMYK 0 / 20 / 23 / 4

HEX #F5C4BC

RGB 245 196 188

HSL 8.42, 0.74%, 0.85%

LAB 83.19, 16.27, 10.64

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 32 / 37 / 39

HEX #9B6A62

RGB 155 106 98

HSL 8.42, 0.23%, 0.5%

LAB 49.69, 18.54, 12.41

 

CMYK 0 / 36 / 43 / 46

HEX #8A584F

RGB 138 88 79

HSL 9.15, 0.27%, 0.43%

LAB 42.68, 19.53, 13.78

 

CMYK 0 / 42 / 50 / 53

HEX #79463C

RGB 121 70 60

HSL 9.84, 0.34%, 0.35%

LAB 35.54, 20.7, 15.41

 

CMYK 0 / 50 / 61 / 59

HEX #683429

RGB 104 52 41

HSL 10.48, 0.43%, 0.28%

LAB 28.27, 22.07, 17.41

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 32 / 32 / 33

HEX #AC7575

RGB 172 117 117

HSL 0, 0.25%, 0.57%

LAB 54.84, 21.64, 8.79

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 19 / 32 / 33

HEX #AC8B75

RGB 172 139 117

HSL 24, 0.25%, 0.57%

LAB 60.36, 9.24, 16.5

 

CMYK 0 / 10 / 32 / 33

HEX #AC9A75

RGB 172 154 117

HSL 40.36, 0.25%, 0.57%

LAB 64.3, 0.94, 21.88

 

CMYK 0 / 2 / 32 / 33

HEX #ACA975

RGB 172 169 117

HSL 56.73, 0.25%, 0.57%

LAB 68.34, -7.16, 27.28

 

CMYK 6 / 0 / 32 / 33

HEX #A1AC75

RGB 161 172 117

HSL 72, 0.25%, 0.57%

LAB 68.29, -13.1, 27.06

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 42 / 47 / 25

HEX #BE6F64

RGB 190 111 100

HSL 7.33, 0.41%, 0.57%

LAB 55.31, 30.06, 19.66

 

CMYK 0 / 53 / 61 / 18

HEX #D06252

RGB 208 98 82

HSL 7.62, 0.57%, 0.57%

LAB 54.82, 42.23, 29.83

 

CMYK 0 / 62 / 72 / 12

HEX #E15540

RGB 225 85 64

HSL 7.83, 0.73%, 0.57%

LAB 54.94, 53.36, 40.66

 

CMYK 0 / 70 / 81 / 5

HEX #F3482E

RGB 243 72 46

HSL 7.92, 0.89%, 0.57%

LAB 55.97, 63.75, 52

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 11 / 13 / 39

HEX #9B8A87

RGB 155 138 135

HSL 9, 0.09%, 0.57%

LAB 58.88, 5.85, 3.93

 

CMYK 10 / 1 / 0 / 40

HEX #899799

RGB 137 151 153

HSL 187.5, 0.07%, 0.57%

LAB 61.44, -4.57, -2.77

 

CMYK 30 / 4 / 0 / 33

HEX #77A4AB

RGB 119 164 171

HSL 188.08, 0.24%, 0.57%

LAB 64.49, -13.34, -8.51

 

CMYK 46 / 6 / 0 / 26

HEX #65B1BC

RGB 101 177 188

HSL 187.59, 0.39%, 0.57%

LAB 67.9, -20.6, -12.95

 

CMYK 0 / 32 / 19 / 33

HEX #AC758C

RGB 172 117 140

HSL 334.91, 0.25%, 0.57%

LAB 55.47, 25.07, -3.72

 

CMYK 0 / 32 / 27 / 33

HEX #AC757E

RGB 172 117 126

HSL 350.18, 0.25%, 0.57%

LAB 55.07, 22.91, 3.86

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 20 / 32 / 33

HEX #AC8A75

RGB 172 138 117

HSL 22.91, 0.25%, 0.57%

LAB 60.1, 9.8, 16.14

 

CMYK 0 / 11 / 32 / 33

HEX #AC9975

RGB 172 153 117

HSL 39.27, 0.25%, 0.57%

LAB 64.03, 1.48, 21.51

 

CMYK 0 / 35 / 40 / 49

HEX #82544E

RGB 130 84 78

HSL 6.92, 0.25%, 0.41%

LAB 40.63, 18.38, 11.4

 

CMYK 0 / 35 / 40 / 39

HEX #9B655D

RGB 155 101 93

HSL 7.74, 0.25%, 0.49%

LAB 48.34, 20.78, 13.51

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 0 / 21 / 24 / 26

HEX #BC958F

RGB 188 149 143

HSL 8, 0.25%, 0.65%

LAB 65.1, 13.69, 8.73

 

CMYK 0 / 15 / 17 / 20

HEX #CBADA9

RGB 203 173 169

HSL 7.06, 0.25%, 0.73%

LAB 73.19, 10.22, 6.08

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 10 / 0 / 32 / 33

HEX #9BAC75

RGB 155 172 117

HSL 78.55, 0.25%, 0.57%

LAB 67.84, -15.44, 26.39

 

CMYK 32 / 23 / 0 / 33

HEX #7585AC

RGB 117 133 172

HSL 222.55, 0.25%, 0.57%

LAB 55.62, 3.64, -22.51

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 32 / 0 / 28 / 33

HEX #75AC7C

RGB 117 172 124

HSL 127.64, 0.25%, 0.57%

LAB 65.55, -28.06, 19.09

 

CMYK 28 / 32 / 0 / 33

HEX #7C75AC

RGB 124 117 172

HSL 247.64, 0.25%, 0.57%

LAB 51.82, 15.22, -28.33

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 10 / 0 / 32 / 33

HEX #9BAC75

RGB 155 172 117

HSL 78.55, 0.25%, 0.57%

LAB 67.84, -15.44, 26.39

 

CMYK 32 / 3 / 0 / 33

HEX #75A6AC

RGB 117 166 172

HSL 186.55, 0.25%, 0.57%

LAB 64.99, -14.75, -8.34

 

CMYK 22 / 32 / 0 / 33

HEX #8775AC

RGB 135 117 172

HSL 259.64, 0.25%, 0.57%

LAB 52.79, 18.65, -26.76

 

CMYK 0 / 28 / 32 / 33

HEX #AC7C75

RGB 172 124 117

HSL 7.64, 0.25%, 0.57%

LAB 56.56, 17.69, 11.2

 

CMYK 20 / 0 / 32 / 33

HEX #8AAC75

RGB 138 172 117

HSL 97.09, 0.25%, 0.57%

LAB 66.67, -21.88, 24.61

 

CMYK 32 / 3 / 0 / 33

HEX #75A6AC

RGB 117 166 172

HSL 186.55, 0.25%, 0.57%

LAB 64.99, -14.75, -8.34

 

CMYK 12 / 32 / 0 / 33

HEX #9775AC

RGB 151 117 172

HSL 277.09, 0.25%, 0.57%

LAB 54.32, 23.81, -24.26

 

Description

Color code: HEX #AC7C75 | qconv.com Color code: HEX #AC7C75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 124 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 124 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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