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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7D7A it is the complementary color #538285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7D7A shade: #B17D75, #C28F88, #D3A19B, #E4B3AE and #F5C5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7D7A shade: #AC7D7A, #9B6B67, #8A5954, #794741 and #68352E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7D7A shade: #AC7E7B and #AC7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7D7A shade: #AC7E7B, #AC8B7B, #AC987B, #ACA67B and #A5AC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7D7A shade matches the following richer shades: #AC7E7B, #BD6E69, #CF5F58, #E05047 and #F14135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7D7A shade: #AC7E7B, #9B8D8C, #899C9D, #78ABAF and #67BBC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7D7A shade: #AC7B93, #AC7B85, #AC7D7B, #AC8A7B and #AC987B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7D7A shade: #835552, #9C6561, #AC7E7B, #BC9794 and #CCAFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7D7A shade: #AC7D7A, #A0AC7B and #7B8CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7D7A shade: #AC7D7A, #7BAC7D and #7D7BAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7D7A shade: #AC7D7A, #A0AC7B, #7BAAAC and #877BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7D7A shade: #AC7D7A, #91AC7B, #7BAAAC and #967BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

Complementary color

CMYK 38 / 2 / 0 / 48

HEX #538285

RGB 83 130 133

HSL 183.6, 0.23%, 0.42%

LAB 51.26, -15.11, -6.69

 

CMYK 0 / 29 / 34 / 31

HEX #B17D75

RGB 177 125 117

HSL 8, 0.28%, 0.58%

LAB 57.37, 19.12, 12.42

 

CMYK 0 / 26 / 30 / 24

HEX #C28F88

RGB 194 143 136

HSL 7.24, 0.32%, 0.65%

LAB 64.07, 18.34, 11.3

 

CMYK 0 / 24 / 27 / 17

HEX #D3A19B

RGB 211 161 155

HSL 6.43, 0.39%, 0.72%

LAB 70.67, 17.64, 10.29

 

CMYK 0 / 21 / 24 / 11

HEX #E4B3AE

RGB 228 179 174

HSL 5.56, 0.5%, 0.79%

LAB 77.16, 17.02, 9.35

 

CMYK 0 / 20 / 21 / 4

HEX #F5C5C1

RGB 245 197 193

HSL 4.62, 0.72%, 0.86%

LAB 83.54, 16.46, 8.48

 

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

CMYK 0 / 31 / 34 / 39

HEX #9B6B67

RGB 155 107 103

HSL 4.62, 0.21%, 0.51%

LAB 50.05, 18.63, 9.96

 

CMYK 0 / 36 / 39 / 46

HEX #8A5954

RGB 138 89 84

HSL 5.56, 0.24%, 0.44%

LAB 43.05, 19.57, 11.24

 

CMYK 0 / 41 / 46 / 53

HEX #794741

RGB 121 71 65

HSL 6.43, 0.3%, 0.36%

LAB 35.89, 20.66, 12.76

 

CMYK 0 / 49 / 56 / 59

HEX #68352E

RGB 104 53 46

HSL 7.24, 0.39%, 0.29%

LAB 28.61, 21.95, 14.63

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 0 / 19 / 28 / 33

HEX #AC8B7B

RGB 172 139 123

HSL 19.59, 0.23%, 0.58%

LAB 60.49, 10.07, 13.28

 

CMYK 0 / 12 / 28 / 33

HEX #AC987B

RGB 172 152 123

HSL 35.51, 0.23%, 0.58%

LAB 63.88, 2.85, 17.99

 

CMYK 0 / 3 / 28 / 33

HEX #ACA67B

RGB 172 166 123

HSL 52.65, 0.23%, 0.58%

LAB 67.63, -4.76, 23.1

 

CMYK 4 / 0 / 28 / 33

HEX #A5AC7B

RGB 165 172 123

HSL 68.57, 0.23%, 0.58%

LAB 68.7, -10.71, 24.44

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 0 / 42 / 44 / 26

HEX #BD6E69

RGB 189 110 105

HSL 3.57, 0.39%, 0.58%

LAB 55.06, 30.74, 16.4

 

CMYK 0 / 54 / 57 / 19

HEX #CF5F58

RGB 207 95 88

HSL 3.53, 0.55%, 0.58%

LAB 54.19, 43.78, 25.55

 

CMYK 0 / 64 / 68 / 12

HEX #E05047

RGB 224 80 71

HSL 3.53, 0.71%, 0.58%

LAB 54.07, 55.49, 35.72

 

CMYK 0 / 73 / 78 / 5

HEX #F14135

RGB 241 65 53

HSL 3.83, 0.87%, 0.58%

LAB 54.8, 65.76, 47.2

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 0 / 9 / 10 / 39

HEX #9B8D8C

RGB 155 141 140

HSL 4, 0.07%, 0.58%

LAB 59.81, 5.04, 2.42

 

CMYK 13 / 1 / 0 / 38

HEX #899C9D

RGB 137 156 157

HSL 183, 0.09%, 0.58%

LAB 62.95, -6.47, -2.8

 

CMYK 31 / 2 / 0 / 31

HEX #78ABAF

RGB 120 171 175

HSL 184.36, 0.26%, 0.58%

LAB 66.68, -15.78, -7.47

 

CMYK 46 / 3 / 0 / 25

HEX #67BBC0

RGB 103 187 192

HSL 183.37, 0.41%, 0.58%

LAB 71.03, -24.14, -10.46

 

CMYK 0 / 28 / 15 / 33

HEX #AC7B93

RGB 172 123 147

HSL 330.61, 0.23%, 0.58%

LAB 57.12, 22.84, -5.35

 

CMYK 0 / 28 / 23 / 33

HEX #AC7B85

RGB 172 123 133

HSL 347.76, 0.23%, 0.58%

LAB 56.71, 20.58, 2.17

 

CMYK 0 / 27 / 28 / 33

HEX #AC7D7B

RGB 172 125 123

HSL 2.45, 0.23%, 0.58%

LAB 56.95, 17.96, 8.29

 

CMYK 0 / 20 / 28 / 33

HEX #AC8A7B

RGB 172 138 123

HSL 18.37, 0.23%, 0.58%

LAB 60.23, 10.64, 12.92

 

CMYK 0 / 12 / 28 / 33

HEX #AC987B

RGB 172 152 123

HSL 35.51, 0.23%, 0.58%

LAB 63.88, 2.85, 17.99

 

CMYK 0 / 35 / 37 / 49

HEX #835552

RGB 131 85 82

HSL 3.67, 0.23%, 0.42%

LAB 41.11, 18.73, 9.63

 

CMYK 0 / 35 / 38 / 39

HEX #9C6561

RGB 156 101 97

HSL 4.07, 0.23%, 0.5%

LAB 48.56, 21.69, 11.44

 

CMYK 0 / 27 / 28 / 33

HEX #AC7E7B

RGB 172 126 123

HSL 3.67, 0.23%, 0.58%

LAB 57.19, 17.39, 8.64

 

CMYK 0 / 20 / 21 / 26

HEX #BC9794

RGB 188 151 148

HSL 4.5, 0.23%, 0.66%

LAB 65.72, 13.34, 6.81

 

CMYK 0 / 14 / 15 / 20

HEX #CCAFAE

RGB 204 175 174

HSL 2, 0.23%, 0.74%

LAB 73.9, 10.3, 4.39

 

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

CMYK 7 / 0 / 28 / 33

HEX #A0AC7B

RGB 160 172 123

HSL 74.69, 0.23%, 0.58%

LAB 68.32, -12.65, 23.86

 

CMYK 28 / 19 / 0 / 33

HEX #7B8CAC

RGB 123 140 172

HSL 219.18, 0.23%, 0.58%

LAB 57.99, 1.43, -18.85

 

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

CMYK 28 / 0 / 27 / 33

HEX #7BAC7D

RGB 123 172 125

HSL 122.45, 0.23%, 0.58%

LAB 65.9, -25.88, 19.08

 

CMYK 27 / 28 / 0 / 33

HEX #7D7BAC

RGB 125 123 172

HSL 242.45, 0.23%, 0.58%

LAB 53.5, 11.96, -25.73

 

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

CMYK 7 / 0 / 28 / 33

HEX #A0AC7B

RGB 160 172 123

HSL 74.69, 0.23%, 0.58%

LAB 68.32, -12.65, 23.86

 

CMYK 28 / 1 / 0 / 33

HEX #7BAAAC

RGB 123 170 172

HSL 182.45, 0.23%, 0.58%

LAB 66.47, -15.1, -6.1

 

CMYK 22 / 28 / 0 / 33

HEX #877BAC

RGB 135 123 172

HSL 254.69, 0.23%, 0.58%

LAB 54.34, 15.11, -24.36

 

CMYK 0 / 27 / 29 / 33

HEX #AC7D7A

RGB 172 125 122

HSL 3.6, 0.23%, 0.58%

LAB 56.92, 17.82, 8.83

 

CMYK 16 / 0 / 28 / 33

HEX #91AC7B

RGB 145 172 123

HSL 93.06, 0.23%, 0.58%

LAB 67.24, -18.36, 22.22

 

CMYK 28 / 1 / 0 / 33

HEX #7BAAAC

RGB 123 170 172

HSL 182.45, 0.23%, 0.58%

LAB 66.47, -15.1, -6.1

 

CMYK 13 / 28 / 0 / 33

HEX #967BAC

RGB 150 123 172

HSL 273.06, 0.23%, 0.58%

LAB 55.71, 20.01, -22.13

 

Description

Color code: HEX #AC7D7A | qconv.com Color code: HEX #AC7D7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 125 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 125 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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