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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC851F it is the complementary color #537AE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC851F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC851F shade: #B1851A, #C2972D, #D3A940, #E4BB53 and #F5CD66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC851F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC851F shade: #AC851F, #9B730C, #8A6100, #794F00 and #683D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC851F shade: #AC851F, #AC5F1F, #AC391F and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC851F shade: #AC851F, #ACAB1F, #87AC1F, #61AC1F and #3BAC1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC851F shade matches the following richer shades: #AC851F and #BC8C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC851F shade: #AC851F, #9B7E30, #8B7640, #7A6F51 and #6A6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC851F shade: #AC391F, #AC5E1F, #AC841F, #ACAA1F and #89AC1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC851F shade: #664F12, #896A19, #AC851F, #CFA026 and #DCB142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC851F shade: #AC851F, #2BAC1F and #4C1FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC851F shade: #AC851F, #1FAC84 and #841FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC851F shade: #AC851F, #2BAC1F, #1F47AC and #A01FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC851F shade: #AC851F, #1FAC3E, #1F47AC and #AC1F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

Complementary color

CMYK 63 / 46 / 0 / 12

HEX #537AE0

RGB 83 122 224

HSL 223.4, 0.69%, 0.6%

LAB 53.1, 18.09, -56.17

 

CMYK 0 / 25 / 85 / 31

HEX #B1851A

RGB 177 133 26

HSL 42.52, 0.74%, 0.4%

LAB 58.22, 7.56, 58.18

 

CMYK 0 / 22 / 77 / 24

HEX #C2972D

RGB 194 151 45

HSL 42.68, 0.62%, 0.47%

LAB 64.8, 5.93, 58.34

 

CMYK 0 / 20 / 70 / 17

HEX #D3A940

RGB 211 169 64

HSL 42.86, 0.63%, 0.54%

LAB 71.28, 4.57, 57.73

 

CMYK 0 / 18 / 64 / 11

HEX #E4BB53

RGB 228 187 83

HSL 43.03, 0.73%, 0.61%

LAB 77.67, 3.4, 56.76

 

CMYK 0 / 16 / 58 / 4

HEX #F5CD66

RGB 245 205 102

HSL 43.22, 0.88%, 0.68%

LAB 83.98, 2.4, 55.62

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 26 / 92 / 39

HEX #9B730C

RGB 155 115 12

HSL 43.22, 0.86%, 0.33%

LAB 50.99, 7.24, 54.92

 

CMYK 0 / 30 / 100 / 46

HEX #8A6100

RGB 138 97 0

HSL 42.17, 1%, 0.27%

LAB 44.16, 9.4, 51.72

 

CMYK 0 / 35 / 100 / 53

HEX #794F00

RGB 121 79 0

HSL 39.17, 1%, 0.24%

LAB 37.22, 11.89, 46.03

 

CMYK 0 / 41 / 100 / 59

HEX #683D00

RGB 104 61 0

HSL 35.19, 1%, 0.2%

LAB 30.11, 14.54, 40.14

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 45 / 82 / 33

HEX #AC5F1F

RGB 172 95 31

HSL 27.23, 0.69%, 0.4%

LAB 48.33, 26.68, 47.55

 

CMYK 0 / 67 / 82 / 33

HEX #AC391F

RGB 172 57 31

HSL 11.06, 0.69%, 0.4%

LAB 40.89, 45.71, 40.59

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 1 / 82 / 33

HEX #ACAB1F

RGB 172 171 31

HSL 59.57, 0.69%, 0.4%

LAB 68.02, -14.95, 64.92

 

CMYK 22 / 0 / 82 / 33

HEX #87AC1F

RGB 135 172 31

HSL 75.74, 0.69%, 0.4%

LAB 65.56, -31.22, 61.71

 

CMYK 44 / 0 / 82 / 33

HEX #61AC1F

RGB 97 172 31

HSL 91.91, 0.69%, 0.4%

LAB 63.46, -45.47, 59.04

 

CMYK 66 / 0 / 82 / 33

HEX #3BAC1F

RGB 59 172 31

HSL 108.09, 0.69%, 0.4%

LAB 62.11, -56.07, 57.3

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 26 / 92 / 26

HEX #BC8C0F

RGB 188 140 15

HSL 43.35, 0.85%, 0.4%

LAB 61.2, 8.42, 63.7

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 19 / 69 / 39

HEX #9B7E30

RGB 155 126 48

HSL 43.74, 0.53%, 0.4%

LAB 54.14, 2.39, 45.12

 

CMYK 0 / 15 / 54 / 45

HEX #8B7640

RGB 139 118 64

HSL 43.2, 0.37%, 0.4%

LAB 50.47, 0.89, 32.51

 

CMYK 0 / 9 / 34 / 52

HEX #7A6F51

RGB 122 111 81

HSL 43.9, 0.2%, 0.4%

LAB 47.11, -0.64, 18.29

 

CMYK 0 / 3 / 8 / 58

HEX #6A6761

RGB 106 103 97

HSL 40, 0.04%, 0.4%

LAB 43.69, -0.01, 3.79

 

CMYK 0 / 67 / 82 / 33

HEX #AC391F

RGB 172 57 31

HSL 11.06, 0.69%, 0.4%

LAB 40.89, 45.71, 40.59

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 23 / 82 / 33

HEX #AC841F

RGB 172 132 31

HSL 42.98, 0.69%, 0.4%

LAB 57.44, 6, 55.72

 

CMYK 0 / 1 / 82 / 33

HEX #ACAA1F

RGB 172 170 31

HSL 59.15, 0.69%, 0.4%

LAB 67.74, -14.43, 64.68

 

CMYK 20 / 0 / 82 / 33

HEX #89AC1F

RGB 137 172 31

HSL 74.89, 0.69%, 0.4%

LAB 65.69, -30.4, 61.87

 

CMYK 0 / 23 / 82 / 60

HEX #664F12

RGB 102 79 18

HSL 43.57, 0.7%, 0.24%

LAB 34.92, 3.08, 37.2

 

CMYK 0 / 23 / 82 / 46

HEX #896A19

RGB 137 106 25

HSL 43.39, 0.69%, 0.32%

LAB 46.57, 4.31, 46.65

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 0 / 23 / 82 / 19

HEX #CFA026

RGB 207 160 38

HSL 43.31, 0.69%, 0.48%

LAB 68.42, 6.55, 64.54

 

CMYK 0 / 20 / 70 / 14

HEX #DCB142

RGB 220 177 66

HSL 43.25, 0.69%, 0.56%

LAB 74.22, 4.29, 60.2

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 75 / 0 / 82 / 33

HEX #2BAC1F

RGB 43 172 31

HSL 114.89, 0.69%, 0.4%

LAB 61.76, -59.1, 56.84

 

CMYK 56 / 82 / 0 / 33

HEX #4C1FAC

RGB 76 31 172

HSL 259.15, 0.69%, 0.4%

LAB 28.1, 52.96, -66.62

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 82 / 0 / 23 / 33

HEX #1FAC84

RGB 31 172 132

HSL 162.98, 0.69%, 0.4%

LAB 62.9, -45.26, 10.57

 

CMYK 23 / 82 / 0 / 33

HEX #841FAC

RGB 132 31 172

HSL 282.98, 0.69%, 0.4%

LAB 35.72, 61.25, -53.85

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 75 / 0 / 82 / 33

HEX #2BAC1F

RGB 43 172 31

HSL 114.89, 0.69%, 0.4%

LAB 61.76, -59.1, 56.84

 

CMYK 82 / 59 / 0 / 33

HEX #1F47AC

RGB 31 71 172

HSL 222.98, 0.69%, 0.4%

LAB 33.51, 24.69, -57.86

 

CMYK 7 / 82 / 0 / 33

HEX #A01FAC

RGB 160 31 172

HSL 294.89, 0.69%, 0.4%

LAB 40.3, 66.33, -46.24

 

CMYK 0 / 23 / 82 / 33

HEX #AC851F

RGB 172 133 31

HSL 43.4, 0.69%, 0.4%

LAB 57.7, 5.44, 55.95

 

CMYK 82 / 0 / 64 / 33

HEX #1FAC3E

RGB 31 172 62

HSL 133.19, 0.69%, 0.4%

LAB 61.78, -58.1, 45.32

 

CMYK 82 / 59 / 0 / 33

HEX #1F47AC

RGB 31 71 172

HSL 222.98, 0.69%, 0.4%

LAB 33.51, 24.69, -57.86

 

CMYK 0 / 82 / 18 / 33

HEX #AC1F8D

RGB 172 31 141

HSL 313.19, 0.69%, 0.4%

LAB 40.69, 64.07, -26.77

 

Description

Color code: HEX #AC851F | qconv.com Color code: HEX #AC851F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 133 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 133 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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