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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8670 it is the complementary color #53798F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8670 shade: #B1866B, #C2987E, #D3AA91, #E4BCA4 and #F5CEB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8670 shade: #AC8670, #9B745D, #8A624A, #795037 and #683E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8670 shade: #AD8670, #AD7670 and #AD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8670 shade: #AD8670, #AD9770, #ADA770, #A2AD70 and #92AD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8670 shade matches the following richer shades: #AD8670, #BF815E, #D17D4C, #E3783A and #F57327

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8670 shade: #AD8670, #9A8B82, #889094, #7695A6 and #649AB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8670 shade: #AD707A, #AD7670, #AD8670, #AD9670 and #ADA770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8670 shade: #805E4A, #9B7159, #AD8670, #BC9C8A and #CBB2A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8670 shade: #AC8670, #8AAD70 and #7072AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8670 shade: #AC8670, #70AD86 and #8670AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8670 shade: #AC8670, #8AAD70, #7096AD and #9270AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8670 shade: #AC8670, #78AD70, #7096AD and #A570AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

Complementary color

CMYK 42 / 15 / 0 / 44

HEX #53798F

RGB 83 121 143

HSL 202, 0.27%, 0.44%

LAB 48.88, -7.29, -16.15

 

CMYK 0 / 24 / 40 / 31

HEX #B1866B

RGB 177 134 107

HSL 23.14, 0.31%, 0.56%

LAB 59.4, 12.82, 20.91

 

CMYK 0 / 22 / 35 / 24

HEX #C2987E

RGB 194 152 126

HSL 22.94, 0.36%, 0.63%

LAB 66.08, 12.07, 19.69

 

CMYK 0 / 19 / 31 / 17

HEX #D3AA91

RGB 211 170 145

HSL 22.73, 0.43%, 0.7%

LAB 72.66, 11.42, 18.56

 

CMYK 0 / 18 / 28 / 11

HEX #E4BCA4

RGB 228 188 164

HSL 22.5, 0.54%, 0.77%

LAB 79.12, 10.84, 17.52

 

CMYK 0 / 16 / 25 / 4

HEX #F5CEB7

RGB 245 206 183

HSL 22.26, 0.76%, 0.84%

LAB 85.49, 10.33, 16.55

 

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

CMYK 0 / 25 / 40 / 39

HEX #9B745D

RGB 155 116 93

HSL 22.26, 0.25%, 0.49%

LAB 52.12, 12.16, 18.66

 

CMYK 0 / 29 / 46 / 46

HEX #8A624A

RGB 138 98 74

HSL 22.5, 0.3%, 0.42%

LAB 45.13, 13.08, 20.07

 

CMYK 0 / 34 / 55 / 53

HEX #795037

RGB 121 80 55

HSL 22.73, 0.38%, 0.35%

LAB 37.98, 14.21, 21.66

 

CMYK 0 / 40 / 65 / 59

HEX #683E24

RGB 104 62 36

HSL 22.94, 0.49%, 0.27%

LAB 30.68, 15.62, 23.5

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 32 / 35 / 32

HEX #AD7670

RGB 173 118 112

HSL 5.9, 0.27%, 0.56%

LAB 55.08, 20.81, 12.05

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 13 / 35 / 32

HEX #AD9770

RGB 173 151 112

HSL 38.36, 0.27%, 0.56%

LAB 63.5, 2.34, 23.57

 

CMYK 0 / 3 / 35 / 32

HEX #ADA770

RGB 173 167 112

HSL 54.1, 0.27%, 0.56%

LAB 67.79, -6.32, 29.26

 

CMYK 6 / 0 / 35 / 32

HEX #A2AD70

RGB 162 173 112

HSL 70.82, 0.27%, 0.56%

LAB 68.56, -13.89, 30.1

 

CMYK 16 / 0 / 35 / 32

HEX #92AD70

RGB 146 173 112

HSL 86.56, 0.27%, 0.56%

LAB 67.4, -20.12, 28.36

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 32 / 51 / 25

HEX #BF815E

RGB 191 129 94

HSL 21.65, 0.43%, 0.56%

LAB 59.51, 20.01, 28.62

 

CMYK 0 / 40 / 64 / 18

HEX #D17D4C

RGB 209 125 76

HSL 22.11, 0.59%, 0.56%

LAB 60.56, 28.17, 40.15

 

CMYK 0 / 47 / 74 / 11

HEX #E3783A

RGB 227 120 58

HSL 22.01, 0.75%, 0.56%

LAB 61.71, 37.07, 51.13

 

CMYK 0 / 53 / 84 / 4

HEX #F57327

RGB 245 115 39

HSL 22.14, 0.91%, 0.56%

LAB 63.19, 45.88, 61.57

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 10 / 16 / 40

HEX #9A8B82

RGB 154 139 130

HSL 22.5, 0.11%, 0.56%

LAB 58.93, 4.05, 6.85

 

CMYK 8 / 3 / 0 / 42

HEX #889094

RGB 136 144 148

HSL 200, 0.05%, 0.56%

LAB 59.27, -2.07, -3.13

 

CMYK 29 / 10 / 0 / 35

HEX #7695A6

RGB 118 149 166

HSL 201.25, 0.21%, 0.56%

LAB 59.98, -6.7, -12.45

 

CMYK 46 / 17 / 0 / 27

HEX #649AB9

RGB 100 154 185

HSL 201.88, 0.38%, 0.56%

LAB 61.07, -9.41, -21.65

 

CMYK 0 / 35 / 29 / 32

HEX #AD707A

RGB 173 112 122

HSL 350.16, 0.27%, 0.56%

LAB 53.9, 25.53, 4.53

 

CMYK 0 / 32 / 35 / 32

HEX #AD7670

RGB 173 118 112

HSL 5.9, 0.27%, 0.56%

LAB 55.08, 20.81, 12.05

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 13 / 35 / 32

HEX #AD9670

RGB 173 150 112

HSL 37.38, 0.27%, 0.56%

LAB 63.23, 2.89, 23.22

 

CMYK 0 / 3 / 35 / 32

HEX #ADA770

RGB 173 167 112

HSL 54.1, 0.27%, 0.56%

LAB 67.79, -6.32, 29.26

 

CMYK 0 / 27 / 42 / 50

HEX #805E4A

RGB 128 94 74

HSL 22.22, 0.27%, 0.4%

LAB 42.9, 11.07, 16.88

 

CMYK 0 / 27 / 43 / 39

HEX #9B7159

RGB 155 113 89

HSL 21.82, 0.27%, 0.48%

LAB 51.27, 13.41, 19.83

 

CMYK 0 / 23 / 35 / 32

HEX #AD8670

RGB 173 134 112

HSL 21.64, 0.27%, 0.56%

LAB 59.07, 11.8, 17.57

 

CMYK 0 / 17 / 27 / 26

HEX #BC9C8A

RGB 188 156 138

HSL 21.6, 0.27%, 0.64%

LAB 66.75, 9.1, 13.86

 

CMYK 0 / 12 / 19 / 20

HEX #CBB2A4

RGB 203 178 164

HSL 21.54, 0.27%, 0.72%

LAB 74.33, 6.74, 10.45

 

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

CMYK 20 / 0 / 35 / 32

HEX #8AAD70

RGB 138 173 112

HSL 94.43, 0.27%, 0.56%

LAB 66.87, -23.13, 27.56

 

CMYK 35 / 34 / 0 / 32

HEX #7072AD

RGB 112 114 173

HSL 238.03, 0.27%, 0.56%

LAB 50.09, 13.71, -31.68

 

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

CMYK 35 / 0 / 23 / 32

HEX #70AD86

RGB 112 173 134

HSL 141.64, 0.27%, 0.56%

LAB 65.79, -28.26, 13.9

 

CMYK 23 / 35 / 0 / 32

HEX #8670AD

RGB 134 112 173

HSL 261.64, 0.27%, 0.56%

LAB 51.47, 21.53, -29.4

 

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

CMYK 20 / 0 / 35 / 32

HEX #8AAD70

RGB 138 173 112

HSL 94.43, 0.27%, 0.56%

LAB 66.87, -23.13, 27.56

 

CMYK 35 / 13 / 0 / 32

HEX #7096AD

RGB 112 150 173

HSL 202.62, 0.27%, 0.56%

LAB 60.14, -7.25, -16.22

 

CMYK 16 / 35 / 0 / 32

HEX #9270AD

RGB 146 112 173

HSL 273.44, 0.27%, 0.56%

LAB 52.64, 25.32, -27.49

 

CMYK 0 / 22 / 35 / 33

HEX #AC8670

RGB 172 134 112

HSL 22, 0.27%, 0.56%

LAB 58.97, 11.39, 17.41

 

CMYK 31 / 0 / 35 / 32

HEX #78AD70

RGB 120 173 112

HSL 112.13, 0.27%, 0.56%

LAB 65.79, -29.57, 25.93

 

CMYK 35 / 13 / 0 / 32

HEX #7096AD

RGB 112 150 173

HSL 202.62, 0.27%, 0.56%

LAB 60.14, -7.25, -16.22

 

CMYK 5 / 35 / 0 / 32

HEX #A570AD

RGB 165 112 173

HSL 292.13, 0.27%, 0.56%

LAB 54.66, 31.46, -24.19

 

Description

Color code: HEX #AC8670 | qconv.com Color code: HEX #AC8670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 134 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 134 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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