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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC883D it is the complementary color #5377C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC883D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC883D shade: #B18838, #C29A4B, #D3AC5E, #E4BE71 and #F5D084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC883D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC883D shade: #AC883D, #9B762A, #8A6417, #795204 and #684000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC883D shade: #AD893C, #AD6A3C, #AD4C3C and #AD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC883D shade: #AD893C, #ADA73C, #95AD3C, #77AD3C and #58AD3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC883D shade matches the following richer shades: #AD893C, #C08F2A, #D39617 and #E69D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC883D shade: #AD893C, #9A824F, #877B62, #747575 and #616E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC883D shade: #AD4C3C, #AD6A3C, #AD883C, #ADA63C and #97AD3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC883D shade: #705827, #8F7032, #AD893C, #C29D51 and #CCAE70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC883D shade: #AC883D, #4CAD3C and #5B3CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC883D shade: #AC883D, #3CAD88 and #883CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC883D shade: #AC883D, #4CAD3C, #3C62AD and #9E3CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC883D shade: #AC883D, #3CAD4F, #3C62AD and #AD3C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

Complementary color

CMYK 57 / 39 / 0 / 24

HEX #5377C2

RGB 83 119 194

HSL 220.54, 0.48%, 0.54%

LAB 50.6, 9.83, -43.13

 

CMYK 0 / 23 / 68 / 31

HEX #B18838

RGB 177 136 56

HSL 39.67, 0.52%, 0.46%

LAB 59.2, 7.17, 47.51

 

CMYK 0 / 21 / 61 / 24

HEX #C29A4B

RGB 194 154 75

HSL 39.83, 0.49%, 0.53%

LAB 65.82, 5.97, 46.31

 

CMYK 0 / 18 / 55 / 17

HEX #D3AC5E

RGB 211 172 94

HSL 40, 0.57%, 0.6%

LAB 72.34, 4.96, 45

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 15 / 46 / 4

HEX #F5D084

RGB 245 208 132

HSL 40.35, 0.85%, 0.74%

LAB 85.09, 3.36, 42.43

 

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 0 / 28 / 83 / 46

HEX #8A6417

RGB 138 100 23

HSL 40.17, 0.71%, 0.32%

LAB 45.05, 8.2, 46.06

 

CMYK 0 / 32 / 97 / 53

HEX #795204

RGB 121 82 4

HSL 40, 0.94%, 0.25%

LAB 38.04, 10.19, 45.33

 

CMYK 0 / 38 / 100 / 59

HEX #684000

RGB 104 64 0

HSL 36.92, 1%, 0.2%

LAB 30.9, 12.7, 40.72

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 39 / 65 / 32

HEX #AD6A3C

RGB 173 106 60

HSL 24.42, 0.48%, 0.46%

LAB 51.29, 22.46, 36.59

 

CMYK 0 / 56 / 65 / 32

HEX #AD4C3C

RGB 173 76 60

HSL 8.5, 0.48%, 0.46%

LAB 44.77, 38.55, 28.83

 

CMYK 0 / 65 / 65 / 32

HEX #AD3C3C

RGB 173 60 60

HSL 0, 0.48%, 0.46%

LAB 41.91, 46.11, 25.29

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 14 / 0 / 65 / 32

HEX #95AD3C

RGB 149 173 60

HSL 72.74, 0.48%, 0.46%

LAB 66.98, -24.36, 53.26

 

CMYK 31 / 0 / 65 / 32

HEX #77AD3C

RGB 119 173 60

HSL 88.67, 0.48%, 0.46%

LAB 65.07, -36.21, 50.66

 

CMYK 49 / 0 / 65 / 32

HEX #58AD3C

RGB 88 173 60

HSL 105.13, 0.48%, 0.46%

LAB 63.58, -46.7, 48.61

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 26 / 78 / 25

HEX #C08F2A

RGB 192 143 42

HSL 40.4, 0.64%, 0.46%

LAB 62.52, 9.3, 57.25

 

CMYK 0 / 29 / 89 / 17

HEX #D39617

RGB 211 150 23

HSL 40.53, 0.8%, 0.46%

LAB 66.31, 13.32, 67.06

 

CMYK 0 / 32 / 98 / 10

HEX #E69D04

RGB 230 157 4

HSL 40.62, 0.97%, 0.46%

LAB 70.14, 17.58, 73.86

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 16 / 49 / 40

HEX #9A824F

RGB 154 130 79

HSL 40.8, 0.32%, 0.46%

LAB 55.48, 2.2, 30.9

 

CMYK 0 / 9 / 27 / 47

HEX #877B62

RGB 135 123 98

HSL 40.54, 0.16%, 0.46%

LAB 52.06, 0.41, 15.36

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 29 / 19 / 0 / 47

HEX #616E88

RGB 97 110 136

HSL 220, 0.17%, 0.46%

LAB 46.27, 1.48, -15.9

 

CMYK 0 / 56 / 65 / 32

HEX #AD4C3C

RGB 173 76 60

HSL 8.5, 0.48%, 0.46%

LAB 44.77, 38.55, 28.83

 

CMYK 0 / 39 / 65 / 32

HEX #AD6A3C

RGB 173 106 60

HSL 24.42, 0.48%, 0.46%

LAB 51.29, 22.46, 36.59

 

CMYK 0 / 21 / 65 / 32

HEX #AD883C

RGB 173 136 60

HSL 40.35, 0.48%, 0.46%

LAB 58.81, 5.65, 45.08

 

CMYK 0 / 4 / 65 / 32

HEX #ADA63C

RGB 173 166 60

HSL 56.28, 0.48%, 0.46%

LAB 66.89, -10.58, 53.75

 

CMYK 13 / 0 / 65 / 32

HEX #97AD3C

RGB 151 173 60

HSL 71.68, 0.48%, 0.46%

LAB 67.12, -23.53, 53.46

 

CMYK 0 / 21 / 65 / 56

HEX #705827

RGB 112 88 39

HSL 40.27, 0.48%, 0.3%

LAB 38.85, 3.79, 31.56

 

CMYK 0 / 22 / 65 / 44

HEX #8F7032

RGB 143 112 50

HSL 40, 0.48%, 0.38%

LAB 49.08, 5, 38.3

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 19 / 58 / 24

HEX #C29D51

RGB 194 157 81

HSL 40.35, 0.48%, 0.54%

LAB 66.66, 4.79, 44.33

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE70

RGB 204 174 112

HSL 40.43, 0.47%, 0.62%

LAB 72.41, 2.63, 35.77

 

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

CMYK 56 / 0 / 65 / 32

HEX #4CAD3C

RGB 76 173 60

HSL 111.5, 0.48%, 0.46%

LAB 63.14, -50.09, 48

 

CMYK 47 / 65 / 0 / 32

HEX #5B3CAD

RGB 91 60 173

HSL 256.46, 0.48%, 0.46%

LAB 34.95, 41.09, -55.94

 

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

CMYK 65 / 0 / 21 / 32

HEX #3CAD88

RGB 60 173 136

HSL 160.35, 0.48%, 0.46%

LAB 63.86, -40.74, 9.79

 

CMYK 21 / 65 / 0 / 32

HEX #883CAD

RGB 136 60 173

HSL 280.35, 0.48%, 0.46%

LAB 40.38, 50.92, -46.9

 

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

CMYK 56 / 0 / 65 / 32

HEX #4CAD3C

RGB 76 173 60

HSL 111.5, 0.48%, 0.46%

LAB 63.14, -50.09, 48

 

CMYK 65 / 43 / 0 / 32

HEX #3C62AD

RGB 60 98 173

HSL 219.82, 0.48%, 0.46%

LAB 42.33, 11.22, -44.17

 

CMYK 9 / 65 / 0 / 32

HEX #9E3CAD

RGB 158 60 173

HSL 292.04, 0.48%, 0.46%

LAB 43.53, 56.13, -41.68

 

CMYK 0 / 21 / 65 / 33

HEX #AC883D

RGB 172 136 61

HSL 40.54, 0.48%, 0.46%

LAB 58.71, 5.27, 44.47

 

CMYK 65 / 0 / 54 / 32

HEX #3CAD4F

RGB 60 173 79

HSL 130.09, 0.48%, 0.46%

LAB 62.85, -51.6, 38.75

 

CMYK 65 / 43 / 0 / 32

HEX #3C62AD

RGB 60 98 173

HSL 219.82, 0.48%, 0.46%

LAB 42.33, 11.22, -44.17

 

CMYK 0 / 65 / 11 / 32

HEX #AD3C9A

RGB 173 60 154

HSL 310.09, 0.48%, 0.46%

LAB 44.87, 56.62, -28.11

 

Description

Color code: HEX #AC883D | qconv.com Color code: HEX #AC883D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 136 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 136 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 65 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 65% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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