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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8824 it is the complementary color #5377DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8824 shade: #B1881F, #C29A32, #D3AC45, #E4BE58 and #F5D06B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8824 shade: #AC8824, #9B7611, #8A6400, #795200 and #684000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8824 shade: #AC8824, #AC6324, #AC3F24 and #AC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8824 shade: #AC8824, #ABAC24, #87AC24, #62AC24 and #3DAC24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8824 shade matches the following richer shades: #AC8824, #BD9013 and #CE9802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8824 shade: #AC8824, #9B8035, #8A7846, #797057 and #686868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8824 shade: #AC3F24, #AC6424, #AC8824, #ACAC24 and #88AC24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8824 shade: #685216, #8A6D1D, #AC8824, #CEA32B and #D8B34A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8824 shade: #AC8824, #2DAC24 and #5124AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8824 shade: #AC8824, #24AC88 and #8824AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8824 shade: #AC8824, #2DAC24, #2448AC and #A324AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8824 shade: #AC8824, #24AC44, #2448AC and #AC248C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

Complementary color

CMYK 62 / 46 / 0 / 14

HEX #5377DB

RGB 83 119 219

HSL 224.12, 0.65%, 0.59%

LAB 52, 18.24, -55.12

 

CMYK 0 / 23 / 82 / 31

HEX #B1881F

RGB 177 136 31

HSL 43.15, 0.7%, 0.41%

LAB 59.02, 6.04, 57.33

 

CMYK 0 / 21 / 74 / 24

HEX #C29A32

RGB 194 154 50

HSL 43.33, 0.59%, 0.48%

LAB 65.6, 4.52, 57.19

 

CMYK 0 / 18 / 67 / 17

HEX #D3AC45

RGB 211 172 69

HSL 43.52, 0.62%, 0.55%

LAB 72.08, 3.24, 56.43

 

CMYK 0 / 17 / 61 / 11

HEX #E4BE58

RGB 228 190 88

HSL 43.71, 0.72%, 0.62%

LAB 78.48, 2.16, 55.38

 

CMYK 0 / 15 / 56 / 4

HEX #F5D06B

RGB 245 208 107

HSL 43.91, 0.87%, 0.69%

LAB 84.78, 1.22, 54.22

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 24 / 89 / 39

HEX #9B7611

RGB 155 118 17

HSL 43.91, 0.8%, 0.34%

LAB 51.8, 5.64, 54.38

 

CMYK 0 / 28 / 100 / 46

HEX #8A6400

RGB 138 100 0

HSL 43.48, 1%, 0.27%

LAB 44.97, 7.65, 52.26

 

CMYK 0 / 32 / 100 / 53

HEX #795200

RGB 121 82 0

HSL 40.66, 1%, 0.24%

LAB 38.02, 10.09, 46.57

 

CMYK 0 / 38 / 100 / 59

HEX #684000

RGB 104 64 0

HSL 36.92, 1%, 0.2%

LAB 30.9, 12.7, 40.72

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 42 / 79 / 33

HEX #AC6324

RGB 172 99 36

HSL 27.79, 0.65%, 0.41%

LAB 49.28, 24.66, 46.28

 

CMYK 0 / 63 / 79 / 33

HEX #AC3F24

RGB 172 63 36

HSL 11.91, 0.65%, 0.41%

LAB 41.93, 43.23, 39.03

 

CMYK 0 / 79 / 79 / 33

HEX #AC2424

RGB 172 36 36

HSL 0, 0.65%, 0.41%

LAB 38.13, 53.62, 35.12

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 1 / 0 / 79 / 33

HEX #ABAC24

RGB 171 172 36

HSL 60.44, 0.65%, 0.41%

LAB 68.23, -15.73, 63.69

 

CMYK 22 / 0 / 79 / 33

HEX #87AC24

RGB 135 172 36

HSL 76.32, 0.65%, 0.41%

LAB 65.58, -31.01, 60.3

 

CMYK 43 / 0 / 79 / 33

HEX #62AC24

RGB 98 172 36

HSL 92.65, 0.65%, 0.41%

LAB 63.53, -44.88, 57.66

 

CMYK 65 / 0 / 79 / 33

HEX #3DAC24

RGB 61 172 36

HSL 108.97, 0.65%, 0.41%

LAB 62.19, -55.34, 55.91

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 24 / 90 / 26

HEX #BD9013

RGB 189 144 19

HSL 44.12, 0.82%, 0.41%

LAB 62.35, 6.75, 63.82

 

CMYK 0 / 26 / 99 / 19

HEX #CE9802

RGB 206 152 2

HSL 44.12, 0.98%, 0.41%

LAB 66.2, 9.76, 70.14

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 17 / 66 / 39

HEX #9B8035

RGB 155 128 53

HSL 44.12, 0.49%, 0.41%

LAB 54.72, 1.59, 43.42

 

CMYK 0 / 13 / 49 / 46

HEX #8A7846

RGB 138 120 70

HSL 44.12, 0.33%, 0.41%

LAB 51.01, -0.11, 29.89

 

CMYK 0 / 7 / 28 / 53

HEX #797057

RGB 121 112 87

HSL 44.12, 0.16%, 0.41%

LAB 47.42, -0.78, 15.19

 

CMYK 0 / 0 / 0 / 59

HEX #686868

RGB 104 104 104

HSL 0, 0%, 0.41%

LAB 44.01, 0, -0.01

 

CMYK 0 / 63 / 79 / 33

HEX #AC3F24

RGB 172 63 36

HSL 11.91, 0.65%, 0.41%

LAB 41.93, 43.23, 39.03

 

CMYK 0 / 42 / 79 / 33

HEX #AC6424

RGB 172 100 36

HSL 28.24, 0.65%, 0.41%

LAB 49.51, 24.1, 46.51

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 0 / 79 / 33

HEX #ACAC24

RGB 172 172 36

HSL 60, 0.65%, 0.41%

LAB 68.32, -15.29, 63.79

 

CMYK 21 / 0 / 79 / 33

HEX #88AC24

RGB 136 172 36

HSL 75.88, 0.65%, 0.41%

LAB 65.64, -30.6, 60.38

 

CMYK 0 / 21 / 79 / 59

HEX #685216

RGB 104 82 22

HSL 43.9, 0.65%, 0.25%

LAB 36.05, 2.44, 36.67

 

CMYK 0 / 21 / 79 / 46

HEX #8A6D1D

RGB 138 109 29

HSL 44.04, 0.65%, 0.33%

LAB 47.53, 3.21, 46.06

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 21 / 79 / 19

HEX #CEA32B

RGB 206 163 43

HSL 44.17, 0.65%, 0.49%

LAB 69.11, 4.67, 63.48

 

CMYK 0 / 17 / 66 / 15

HEX #D8B34A

RGB 216 179 74

HSL 44.37, 0.65%, 0.57%

LAB 74.4, 1.97, 56.86

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 74 / 0 / 79 / 33

HEX #2DAC24

RGB 45 172 36

HSL 116.03, 0.65%, 0.41%

LAB 61.82, -58.47, 55.43

 

CMYK 53 / 79 / 0 / 33

HEX #5124AC

RGB 81 36 172

HSL 259.85, 0.65%, 0.41%

LAB 29.39, 51.46, -64.49

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 79 / 0 / 21 / 33

HEX #24AC88

RGB 36 172 136

HSL 164.12, 0.65%, 0.41%

LAB 63.06, -43.75, 8.59

 

CMYK 21 / 79 / 0 / 33

HEX #8824AC

RGB 136 36 172

HSL 284.12, 0.65%, 0.41%

LAB 36.88, 60.41, -51.94

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 74 / 0 / 79 / 33

HEX #2DAC24

RGB 45 172 36

HSL 116.03, 0.65%, 0.41%

LAB 61.82, -58.47, 55.43

 

CMYK 79 / 58 / 0 / 33

HEX #2448AC

RGB 36 72 172

HSL 224.12, 0.65%, 0.41%

LAB 33.96, 24.51, -57.13

 

CMYK 5 / 79 / 0 / 33

HEX #A324AC

RGB 163 36 172

HSL 296.03, 0.65%, 0.41%

LAB 41.26, 65.59, -44.67

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 79 / 0 / 60 / 33

HEX #24AC44

RGB 36 172 68

HSL 134.12, 0.65%, 0.41%

LAB 61.91, -56.76, 42.77

 

CMYK 79 / 58 / 0 / 33

HEX #2448AC

RGB 36 72 172

HSL 224.12, 0.65%, 0.41%

LAB 33.96, 24.51, -57.13

 

CMYK 0 / 79 / 19 / 33

HEX #AC248C

RGB 172 36 140

HSL 314.12, 0.65%, 0.41%

LAB 41.1, 62.63, -25.53

 

Description

Color code: HEX #AC8824 | qconv.com Color code: HEX #AC8824 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 136 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 136 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 79 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 79% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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