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Color name
HEX #AC8029

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8029 it is the complementary color #537FD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8029 shade: #B18024, #C29237, #D3A44A, #E4B65D and #F5C870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8029 shade: #AC8029, #9B6E16, #8A5C03, #794A00 and #683800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8029 shade: #AD8028, #AD5D28, #AD3928 and #AD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8029 shade: #AD8028, #ADA428, #92AD28, #6EAD28 and #4AAD28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8029 shade matches the following richer shades: #AD8028, #BE8617 and #D08C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8029 shade: #AD8028, #9C7B3A, #8A754B, #796F5C and #686A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8029 shade: #AD3828, #AD5B28, #AD7F28, #ADA228 and #95AD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8029 shade: #6A4F19, #8C6820, #AD8028, #CE9930 and #D6AA52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8029 shade: #AC8029, #3CAD28 and #4928AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8029 shade: #AC8029, #28AD7F and #7F28AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8029 shade: #AC8029, #3CAD28, #2857AD and #9928AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8029 shade: #AC8029, #28AD3C, #2857AD and #AD2899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

Complementary color

CMYK 61 / 41 / 0 / 16

HEX #537FD6

RGB 83 127 214

HSL 219.85, 0.62%, 0.58%

LAB 53.89, 11.64, -49.28

 

CMYK 0 / 28 / 80 / 31

HEX #B18024

RGB 177 128 36

HSL 39.15, 0.66%, 0.42%

LAB 56.99, 10.66, 53.76

 

CMYK 0 / 25 / 72 / 24

HEX #C29237

RGB 194 146 55

HSL 39.28, 0.56%, 0.49%

LAB 63.59, 9.12, 53.12

 

CMYK 0 / 22 / 65 / 17

HEX #D3A44A

RGB 211 164 74

HSL 39.42, 0.61%, 0.56%

LAB 70.1, 7.81, 52.06

 

CMYK 0 / 20 / 59 / 11

HEX #E4B65D

RGB 228 182 93

HSL 39.56, 0.71%, 0.63%

LAB 76.52, 6.7, 50.83

 

CMYK 0 / 18 / 54 / 4

HEX #F5C870

RGB 245 200 112

HSL 39.7, 0.87%, 0.7%

LAB 82.86, 5.74, 49.55

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 0 / 29 / 86 / 39

HEX #9B6E16

RGB 155 110 22

HSL 39.7, 0.75%, 0.35%

LAB 49.71, 10.33, 51.23

 

CMYK 0 / 33 / 98 / 46

HEX #8A5C03

RGB 138 92 3

HSL 39.56, 0.96%, 0.28%

LAB 42.86, 12.38, 50.04

 

CMYK 0 / 39 / 100 / 53

HEX #794A00

RGB 121 74 0

HSL 36.69, 1%, 0.24%

LAB 35.91, 14.88, 45.18

 

CMYK 0 / 46 / 100 / 59

HEX #683800

RGB 104 56 0

HSL 32.31, 1%, 0.2%

LAB 28.83, 17.58, 39.14

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 46 / 77 / 32

HEX #AD5D28

RGB 173 93 40

HSL 23.91, 0.62%, 0.42%

LAB 48.09, 28.54, 43.31

 

CMYK 0 / 67 / 77 / 32

HEX #AD3928

RGB 173 57 40

HSL 7.67, 0.62%, 0.42%

LAB 41.16, 46.39, 36.12

 

CMYK 0 / 77 / 77 / 32

HEX #AD2828

RGB 173 40 40

HSL 0, 0.62%, 0.42%

LAB 38.82, 52.82, 33.6

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 5 / 77 / 32

HEX #ADA428

RGB 173 164 40

HSL 55.94, 0.62%, 0.42%

LAB 66.2, -10.55, 60.67

 

CMYK 16 / 0 / 77 / 32

HEX #92AD28

RGB 146 173 40

HSL 72.18, 0.62%, 0.42%

LAB 66.64, -26.77, 60.3

 

CMYK 36 / 0 / 77 / 32

HEX #6EAD28

RGB 110 173 40

HSL 88.42, 0.62%, 0.42%

LAB 64.45, -40.9, 57.46

 

CMYK 57 / 0 / 77 / 32

HEX #4AAD28

RGB 74 173 40

HSL 104.66, 0.62%, 0.42%

LAB 62.92, -52.26, 55.46

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 29 / 88 / 25

HEX #BE8617

RGB 190 134 23

HSL 39.88, 0.78%, 0.42%

LAB 59.94, 12.77, 61.03

 

CMYK 0 / 33 / 97 / 18

HEX #D08C06

RGB 208 140 6

HSL 39.8, 0.94%, 0.42%

LAB 63.49, 17.19, 67.82

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 21 / 63 / 39

HEX #9C7B3A

RGB 156 123 58

HSL 39.8, 0.46%, 0.42%

LAB 53.53, 5.2, 39.67

 

CMYK 0 / 15 / 46 / 46

HEX #8A754B

RGB 138 117 75

HSL 40, 0.3%, 0.42%

LAB 50.26, 2.14, 26.16

 

CMYK 0 / 8 / 24 / 53

HEX #796F5C

RGB 121 111 92

HSL 39.31, 0.14%, 0.42%

LAB 47.24, 0.57, 12

 

CMYK 5 / 4 / 0 / 57

HEX #686A6E

RGB 104 106 110

HSL 220, 0.03%, 0.42%

LAB 44.77, 0.08, -2.51

 

CMYK 0 / 68 / 77 / 32

HEX #AD3828

RGB 173 56 40

HSL 7.22, 0.62%, 0.42%

LAB 41, 46.81, 35.96

 

CMYK 0 / 47 / 77 / 32

HEX #AD5B28

RGB 173 91 40

HSL 23.01, 0.62%, 0.42%

LAB 47.65, 29.63, 42.87

 

CMYK 0 / 27 / 77 / 32

HEX #AD7F28

RGB 173 127 40

HSL 39.25, 0.62%, 0.42%

LAB 56.3, 9.58, 51.39

 

CMYK 0 / 6 / 77 / 32

HEX #ADA228

RGB 173 162 40

HSL 55.04, 0.62%, 0.42%

LAB 65.65, -9.5, 60.17

 

CMYK 14 / 0 / 77 / 32

HEX #95AD28

RGB 149 173 40

HSL 70.83, 0.62%, 0.42%

LAB 66.85, -25.52, 60.57

 

CMYK 0 / 25 / 76 / 58

HEX #6A4F19

RGB 106 79 25

HSL 40, 0.62%, 0.26%

LAB 35.45, 5.4, 34.79

 

CMYK 0 / 26 / 77 / 45

HEX #8C6820

RGB 140 104 32

HSL 40, 0.63%, 0.34%

LAB 46.42, 7.18, 43.85

 

CMYK 0 / 26 / 77 / 32

HEX #AD8028

RGB 173 128 40

HSL 39.7, 0.62%, 0.42%

LAB 56.56, 9.02, 51.64

 

CMYK 0 / 26 / 77 / 19

HEX #CE9930

RGB 206 153 48

HSL 39.87, 0.62%, 0.5%

LAB 66.61, 10.25, 59.38

 

CMYK 0 / 21 / 62 / 16

HEX #D6AA52

RGB 214 170 82

HSL 40, 0.62%, 0.58%

LAB 72, 6.4, 50.51

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 65 / 0 / 77 / 32

HEX #3CAD28

RGB 60 173 40

HSL 110.98, 0.62%, 0.42%

LAB 62.51, -55.64, 54.92

 

CMYK 58 / 77 / 0 / 32

HEX #4928AD

RGB 73 40 173

HSL 254.89, 0.62%, 0.42%

LAB 29.29, 48.81, -65.28

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 77 / 0 / 27 / 32

HEX #28AD7F

RGB 40 173 127

HSL 159.25, 0.62%, 0.42%

LAB 63.24, -45.89, 13.83

 

CMYK 27 / 77 / 0 / 32

HEX #7F28AD

RGB 127 40 173

HSL 279.25, 0.62%, 0.42%

LAB 36.07, 57.55, -53.91

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 65 / 0 / 77 / 32

HEX #3CAD28

RGB 60 173 40

HSL 110.98, 0.62%, 0.42%

LAB 62.51, -55.64, 54.92

 

CMYK 77 / 50 / 0 / 32

HEX #2857AD

RGB 40 87 173

HSL 218.8, 0.62%, 0.42%

LAB 38.35, 15.35, -50.6

 

CMYK 12 / 77 / 0 / 32

HEX #9928AD

RGB 153 40 173

HSL 290.98, 0.62%, 0.42%

LAB 40.09, 62.58, -47.23

 

CMYK 0 / 26 / 76 / 33

HEX #AC8029

RGB 172 128 41

HSL 39.85, 0.62%, 0.42%

LAB 56.46, 8.62, 51.1

 

CMYK 77 / 0 / 65 / 32

HEX #28AD3C

RGB 40 173 60

HSL 129.02, 0.62%, 0.42%

LAB 62.22, -57.49, 46.74

 

CMYK 77 / 50 / 0 / 32

HEX #2857AD

RGB 40 87 173

HSL 218.8, 0.62%, 0.42%

LAB 38.35, 15.35, -50.6

 

CMYK 0 / 77 / 12 / 32

HEX #AD2899

RGB 173 40 153

HSL 309.02, 0.62%, 0.42%

LAB 42.31, 63.56, -31.51

 

Description

Color code: HEX #AC8029 | qconv.com Color code: HEX #AC8029 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 128 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 128 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 76 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 76% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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