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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC818B it is the complementary color #537E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC818B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC818B shade: #B18186, #C29399, #D3A5AC, #E4B7BF and #F5C9D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC818B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC818B shade: #AC818B, #9B6F78, #8A5D65, #794B52 and #68393F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC818B shade: #AC808A and #AC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC818B shade: #AC808A, #AC8096, #AC80A2, #AA80AC and #9E80AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC818B shade matches the following richer shades: #AC808A, #BD6F81, #CE5E78, #DF4D6F and #F03C66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC818B shade: #AC808A, #9B9193, #8AA29C, #79B3A5 and #68C4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC818B shade: #AC80A2, #AC8096, #AC808A, #AC8180 and #AC8D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC818B shade: #845660, #9C6773, #AC808A, #BC99A1 and #CDB2B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC818B shade: #AC818B, #ACAA80 and #809CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC818B shade: #AC818B, #8AAC80 and #808AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC818B shade: #AC818B, #ACAA80, #80ACA2 and #8081AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC818B shade: #AC818B, #A0AC80, #80ACA2 and #8C80AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

Complementary color

CMYK 34 / 0 / 8 / 51

HEX #537E74

RGB 83 126 116

HSL 166.05, 0.21%, 0.41%

LAB 49.52, -17.24, 0.71

 

CMYK 0 / 27 / 24 / 31

HEX #B18186

RGB 177 129 134

HSL 353.75, 0.24%, 0.6%

LAB 58.76, 19.27, 4.62

 

CMYK 0 / 24 / 21 / 24

HEX #C29399

RGB 194 147 153

HSL 352.34, 0.28%, 0.67%

LAB 65.46, 18.59, 3.72

 

CMYK 0 / 22 / 18 / 17

HEX #D3A5AC

RGB 211 165 172

HSL 350.87, 0.34%, 0.74%

LAB 72.05, 17.98, 2.89

 

CMYK 0 / 20 / 16 / 11

HEX #E4B7BF

RGB 228 183 191

HSL 349.33, 0.45%, 0.81%

LAB 78.53, 17.44, 2.12

 

CMYK 0 / 18 / 14 / 4

HEX #F5C9D2

RGB 245 201 210

HSL 347.73, 0.69%, 0.87%

LAB 84.91, 16.94, 1.39

 

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

CMYK 0 / 28 / 23 / 39

HEX #9B6F78

RGB 155 111 120

HSL 347.73, 0.18%, 0.52%

LAB 51.49, 18.82, 1.96

 

CMYK 0 / 33 / 27 / 46

HEX #8A5D65

RGB 138 93 101

HSL 349.33, 0.19%, 0.45%

LAB 44.48, 19.61, 2.93

 

CMYK 0 / 38 / 32 / 53

HEX #794B52

RGB 121 75 82

HSL 350.87, 0.23%, 0.38%

LAB 37.31, 20.52, 4.06

 

CMYK 0 / 45 / 39 / 59

HEX #68393F

RGB 104 57 63

HSL 352.34, 0.29%, 0.32%

LAB 29.98, 21.56, 5.44

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 26 / 26 / 33

HEX #AC8080

RGB 172 128 128

HSL 0, 0.21%, 0.59%

LAB 57.82, 16.99, 6.65

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 26 / 13 / 33

HEX #AC8096

RGB 172 128 150

HSL 330, 0.21%, 0.59%

LAB 58.43, 20.53, -5.15

 

CMYK 0 / 26 / 6 / 33

HEX #AC80A2

RGB 172 128 162

HSL 313.64, 0.21%, 0.59%

LAB 58.81, 22.68, -11.48

 

CMYK 1 / 26 / 0 / 33

HEX #AA80AC

RGB 170 128 172

HSL 297.27, 0.21%, 0.59%

LAB 58.94, 23.88, -17.03

 

CMYK 8 / 26 / 0 / 33

HEX #9E80AC

RGB 158 128 172

HSL 280.91, 0.21%, 0.59%

LAB 57.74, 19.8, -18.97

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 41 / 32 / 26

HEX #BD6F81

RGB 189 111 129

HSL 346.15, 0.37%, 0.59%

LAB 55.86, 33.07, 3.52

 

CMYK 0 / 54 / 42 / 19

HEX #CE5E78

RGB 206 94 120

HSL 346.07, 0.53%, 0.59%

LAB 54.54, 46.84, 7.21

 

CMYK 0 / 65 / 50 / 13

HEX #DF4D6F

RGB 223 77 111

HSL 346.03, 0.7%, 0.59%

LAB 54.18, 59.12, 12.43

 

CMYK 0 / 75 / 58 / 6

HEX #F03C66

RGB 240 60 102

HSL 346, 0.86%, 0.59%

LAB 54.78, 69.45, 19.09

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 6 / 5 / 39

HEX #9B9193

RGB 155 145 147

HSL 348, 0.05%, 0.59%

LAB 61.07, 4.07, 0.26

 

CMYK 15 / 0 / 4 / 36

HEX #8AA29C

RGB 138 162 156

HSL 165, 0.11%, 0.59%

LAB 64.68, -9.6, 0.3

 

CMYK 32 / 0 / 8 / 30

HEX #79B3A5

RGB 121 179 165

HSL 165.52, 0.28%, 0.59%

LAB 68.77, -21.96, 1.13

 

CMYK 47 / 0 / 11 / 23

HEX #68C4AE

RGB 104 196 174

HSL 165.65, 0.44%, 0.59%

LAB 73.21, -32.77, 2.57

 

CMYK 0 / 26 / 6 / 33

HEX #AC80A2

RGB 172 128 162

HSL 313.64, 0.21%, 0.59%

LAB 58.81, 22.68, -11.48

 

CMYK 0 / 26 / 13 / 33

HEX #AC8096

RGB 172 128 150

HSL 330, 0.21%, 0.59%

LAB 58.43, 20.53, -5.15

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 25 / 26 / 33

HEX #AC8180

RGB 172 129 128

HSL 1.36, 0.21%, 0.59%

LAB 58.07, 16.43, 7

 

CMYK 0 / 18 / 26 / 33

HEX #AC8D80

RGB 172 141 128

HSL 17.73, 0.21%, 0.59%

LAB 61.11, 9.68, 11.33

 

CMYK 0 / 35 / 27 / 48

HEX #845660

RGB 132 86 96

HSL 346.96, 0.21%, 0.43%

LAB 41.85, 20.56, 2.1

 

CMYK 0 / 34 / 26 / 39

HEX #9C6773

RGB 156 103 115

HSL 346.42, 0.21%, 0.51%

LAB 49.5, 23.04, 2.06

 

CMYK 0 / 26 / 20 / 33

HEX #AC808A

RGB 172 128 138

HSL 346.36, 0.21%, 0.59%

LAB 58.08, 18.54, 1.26

 

CMYK 0 / 19 / 14 / 26

HEX #BC99A1

RGB 188 153 161

HSL 346.29, 0.21%, 0.67%

LAB 66.56, 14.31, 0.74

 

CMYK 0 / 13 / 10 / 20

HEX #CDB2B8

RGB 205 178 184

HSL 346.67, 0.21%, 0.75%

LAB 75, 10.7, 0.52

 

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

CMYK 0 / 1 / 26 / 33

HEX #ACAA80

RGB 172 170 128

HSL 57.27, 0.21%, 0.59%

LAB 68.81, -6.2, 21.97

 

CMYK 26 / 9 / 0 / 33

HEX #809CAC

RGB 128 156 172

HSL 201.82, 0.21%, 0.59%

LAB 62.8, -6.02, -11.55

 

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

CMYK 20 / 0 / 26 / 33

HEX #8AAC80

RGB 138 172 128

HSL 106.36, 0.21%, 0.59%

LAB 66.88, -20.11, 18.93

 

CMYK 26 / 20 / 0 / 33

HEX #808AAC

RGB 128 138 172

HSL 226.36, 0.21%, 0.59%

LAB 57.79, 4.14, -19.11

 

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

CMYK 0 / 1 / 26 / 33

HEX #ACAA80

RGB 172 170 128

HSL 57.27, 0.21%, 0.59%

LAB 68.81, -6.2, 21.97

 

CMYK 26 / 0 / 6 / 33

HEX #80ACA2

RGB 128 172 162

HSL 166.36, 0.21%, 0.59%

LAB 67.05, -16.89, 0.34

 

CMYK 26 / 25 / 0 / 33

HEX #8081AC

RGB 128 129 172

HSL 238.64, 0.21%, 0.59%

LAB 55.35, 9.37, -22.86

 

CMYK 0 / 25 / 19 / 33

HEX #AC818B

RGB 172 129 139

HSL 346.05, 0.21%, 0.59%

LAB 58.35, 18.13, 1.08

 

CMYK 7 / 0 / 26 / 33

HEX #A0AC80

RGB 160 172 128

HSL 76.36, 0.21%, 0.59%

LAB 68.41, -11.92, 21.28

 

CMYK 26 / 0 / 6 / 33

HEX #80ACA2

RGB 128 172 162

HSL 166.36, 0.21%, 0.59%

LAB 67.05, -16.89, 0.34

 

CMYK 19 / 26 / 0 / 33

HEX #8C80AC

RGB 140 128 172

HSL 256.36, 0.21%, 0.59%

LAB 56.08, 13.8, -21.65

 

Description

Color code: HEX #AC818B | qconv.com Color code: HEX #AC818B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 129 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 129 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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