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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC81DF it is the complementary color #537E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC81DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC81DF shade: #B181DA, #C293ED, #D3A5FF, #E4B7FF and #F5C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC81DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC81DF shade: #AC81DF, #9B6FCC, #8A5DB9, #794BA6 and #683993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC81DF shade: #AB81DE, #C581DE, #DE81DE, #DE81C5 and #DE81AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC81DF shade: #AB81DE, #9281DE and #8181DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC81DF shade matches the following richer shades: #AB81DE, #AA74EB and #A967F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC81DF shade: #AB81DE, #AD8ED1, #AE9AC5, #AFA7B8 and #B0B4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC81DF shade: #8189DE, #9281DE, #AB81DE, #C481DE and #DD81DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC81DF shade: #803FCD, #9660D6, #AB81DE, #C1A2E7 and #D7C2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC81DF shade: #AC81DF, #DE81A1 and #81DE85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC81DF shade: #AC81DF, #DEAB81 and #81DEAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC81DF shade: #AC81DF, #DE81A1, #B4DE81 and #81DEBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC81DF shade: #AC81DF, #DE8185, #B4DE81 and #81DED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

Complementary color

CMYK 34 / 0 / 75 / 51

HEX #537E20

RGB 83 126 32

HSL 87.45, 0.59%, 0.31%

LAB 48.09, -30.47, 43.87

 

CMYK 19 / 41 / 0 / 15

HEX #B181DA

RGB 177 129 218

HSL 272.36, 0.55%, 0.68%

LAB 61.75, 35.26, -38.65

 

CMYK 18 / 38 / 0 / 7

HEX #C293ED

RGB 194 147 237

HSL 271.33, 0.71%, 0.75%

LAB 68.35, 34.5, -38.73

 

CMYK 17 / 35 / 0 / 0

HEX #D3A5FF

RGB 211 165 255

HSL 270.67, 1%, 0.82%

LAB 74.81, 33.57, -38.35

 

CMYK 11 / 28 / 0 / 0

HEX #E4B7FF

RGB 228 183 255

HSL 277.5, 1%, 0.86%

LAB 80.51, 28.97, -29.43

 

CMYK 4 / 21 / 0 / 0

HEX #F5C9FF

RGB 245 201 255

HSL 288.89, 1%, 0.89%

LAB 86.21, 24.73, -20.6

 

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

CMYK 24 / 46 / 0 / 20

HEX #9B6FCC

RGB 155 111 204

HSL 268.39, 0.48%, 0.62%

LAB 54.76, 35.82, -41.9

 

CMYK 25 / 50 / 0 / 27

HEX #8A5DB9

RGB 138 93 185

HSL 269.35, 0.4%, 0.55%

LAB 47.92, 36.73, -41.9

 

CMYK 27 / 55 / 0 / 35

HEX #794BA6

RGB 121 75 166

HSL 270.33, 0.38%, 0.47%

LAB 40.98, 37.68, -41.9

 

CMYK 29 / 61 / 0 / 42

HEX #683993

RGB 104 57 147

HSL 271.33, 0.44%, 0.4%

LAB 33.93, 38.62, -41.83

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 11 / 42 / 0 / 13

HEX #C581DE

RGB 197 129 222

HSL 283.87, 0.58%, 0.69%

LAB 64.04, 41.99, -37.15

 

CMYK 0 / 42 / 0 / 13

HEX #DE81DE

RGB 222 129 222

HSL 300, 0.58%, 0.69%

LAB 66.9, 49.38, -32.47

 

CMYK 0 / 42 / 11 / 13

HEX #DE81C5

RGB 222 129 197

HSL 316.13, 0.58%, 0.69%

LAB 65.95, 45.08, -19.98

 

CMYK 0 / 42 / 23 / 13

HEX #DE81AC

RGB 222 129 172

HSL 332.26, 0.58%, 0.69%

LAB 65.13, 41.22, -7.13

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 34 / 42 / 0 / 13

HEX #9281DE

RGB 146 129 222

HSL 250.97, 0.58%, 0.69%

LAB 59.05, 27.52, -45.32

 

CMYK 42 / 42 / 0 / 13

HEX #8181DE

RGB 129 129 222

HSL 240, 0.58%, 0.69%

LAB 57.7, 23.11, -47.56

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 28 / 51 / 0 / 8

HEX #AA74EB

RGB 170 116 235

HSL 267.23, 0.75%, 0.69%

LAB 59.01, 44.45, -52.51

 

CMYK 32 / 58 / 0 / 3

HEX #A967F8

RGB 169 103 248

HSL 267.31, 0.91%, 0.69%

LAB 56.99, 54.23, -62.96

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 17 / 32 / 0 / 18

HEX #AD8ED1

RGB 173 142 209

HSL 267.76, 0.42%, 0.69%

LAB 64.03, 24.74, -30.11

 

CMYK 12 / 22 / 0 / 23

HEX #AE9AC5

RGB 174 154 197

HSL 267.91, 0.27%, 0.69%

LAB 66.63, 15.68, -19.42

 

CMYK 5 / 9 / 0 / 28

HEX #AFA7B8

RGB 175 167 184

HSL 268.24, 0.11%, 0.69%

LAB 69.62, 6.11, -7.69

 

CMYK 2 / 0 / 5 / 29

HEX #B0B4AB

RGB 176 180 171

HSL 86.67, 0.06%, 0.69%

LAB 72.77, -3.07, 4.09

 

CMYK 42 / 38 / 0 / 13

HEX #8189DE

RGB 129 137 222

HSL 234.84, 0.58%, 0.69%

LAB 59.74, 18.4, -44.33

 

CMYK 34 / 42 / 0 / 13

HEX #9281DE

RGB 146 129 222

HSL 250.97, 0.58%, 0.69%

LAB 59.05, 27.52, -45.32

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 12 / 42 / 0 / 13

HEX #C481DE

RGB 196 129 222

HSL 283.23, 0.58%, 0.69%

LAB 63.93, 41.7, -37.33

 

CMYK 0 / 42 / 0 / 13

HEX #DD81DE

RGB 221 129 222

HSL 299.35, 0.58%, 0.69%

LAB 66.78, 49.08, -32.67

 

CMYK 38 / 69 / 0 / 20

HEX #803FCD

RGB 128 63 205

HSL 267.46, 0.59%, 0.53%

LAB 42.08, 55.24, -62.95

 

CMYK 30 / 55 / 0 / 16

HEX #9660D6

RGB 150 96 214

HSL 267.46, 0.59%, 0.61%

LAB 51.5, 45.26, -52.79

 

CMYK 23 / 42 / 0 / 13

HEX #AB81DE

RGB 171 129 222

HSL 267.1, 0.58%, 0.69%

LAB 61.34, 34.45, -41.57

 

CMYK 16 / 30 / 0 / 9

HEX #C1A2E7

RGB 193 162 231

HSL 266.96, 0.59%, 0.77%

LAB 71.52, 24.59, -30.54

 

CMYK 10 / 19 / 0 / 6

HEX #D7C2EF

RGB 215 194 239

HSL 268, 0.58%, 0.85%

LAB 81.44, 15.73, -19.55

 

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

CMYK 0 / 42 / 27 / 13

HEX #DE81A1

RGB 222 129 161

HSL 339.35, 0.58%, 0.69%

LAB 64.81, 39.68, -1.37

 

CMYK 42 / 0 / 40 / 13

HEX #81DE85

RGB 129 222 133

HSL 122.58, 0.58%, 0.69%

LAB 81.07, -45.58, 35.2

 

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

CMYK 0 / 23 / 42 / 13

HEX #DEAB81

RGB 222 171 129

HSL 27.1, 0.58%, 0.69%

LAB 73.7, 13.32, 28.81

 

CMYK 42 / 0 / 23 / 13

HEX #81DEAB

RGB 129 222 171

HSL 147.1, 0.58%, 0.69%

LAB 81.76, -38.95, 16.5

 

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

CMYK 0 / 42 / 27 / 13

HEX #DE81A1

RGB 222 129 161

HSL 339.35, 0.58%, 0.69%

LAB 64.81, 39.68, -1.37

 

CMYK 19 / 0 / 42 / 13

HEX #B4DE81

RGB 180 222 129

HSL 87.1, 0.58%, 0.69%

LAB 83.72, -29.17, 41.14

 

CMYK 42 / 0 / 15 / 13

HEX #81DEBD

RGB 129 222 189

HSL 158.71, 0.58%, 0.69%

LAB 82.15, -35.24, 7.57

 

CMYK 23 / 42 / 0 / 13

HEX #AC81DF

RGB 172 129 223

HSL 267.45, 0.59%, 0.69%

LAB 61.48, 34.97, -41.9

 

CMYK 0 / 42 / 40 / 13

HEX #DE8185

RGB 222 129 133

HSL 357.42, 0.58%, 0.69%

LAB 64.1, 36.21, 13.51

 

CMYK 19 / 0 / 42 / 13

HEX #B4DE81

RGB 180 222 129

HSL 87.1, 0.58%, 0.69%

LAB 83.72, -29.17, 41.14

 

CMYK 42 / 0 / 2 / 13

HEX #81DED9

RGB 129 222 217

HSL 176.77, 0.58%, 0.69%

LAB 82.87, -28.83, -6.23

 

Description

Color code: HEX #AC81DF | qconv.com Color code: HEX #AC81DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 129 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 129 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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