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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC82D2 it is the complementary color #537D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC82D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC82D2 shade: #B182CD, #C294E0, #D3A6F3, #E4B8FF and #F5CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC82D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC82D2 shade: #AC82D2, #9B70BF, #8A5EAC, #794C99 and #683A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC82D2 shade: #AC83D2, #C283D2, #D283CD, #D283B7 and #D283A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC82D2 shade: #AC83D2, #9783D2 and #8383D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC82D2 shade matches the following richer shades: #AC83D2, #AD75E0, #AE68ED and #AE5AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC82D2 shade: #AC83D2, #AC90C4, #AB9EB7, #AAACA9 and #AAB99B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC82D2 shade: #8384D2, #9783D2, #AC83D2, #C183D2 and #D283CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC82D2 shade: #8446BC, #9864C7, #AC83D2, #C0A1DD and #D5BFE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC82D2 shade: #AC82D2, #D28399 and #83D28C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC82D2 shade: #AC82D2, #D2AC83 and #83D2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC82D2 shade: #AC82D2, #D28399, #A9D283 and #83D2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC82D2 shade: #AC82D2, #D28483, #A9D283 and #83D1D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

Complementary color

CMYK 34 / 0 / 64 / 51

HEX #537D2D

RGB 83 125 45

HSL 91.5, 0.47%, 0.33%

LAB 47.87, -28.92, 38.01

 

CMYK 14 / 37 / 0 / 20

HEX #B182CD

RGB 177 130 205

HSL 277.6, 0.43%, 0.66%

LAB 61.41, 31.85, -31.89

 

CMYK 13 / 34 / 0 / 12

HEX #C294E0

RGB 194 148 224

HSL 276.32, 0.55%, 0.73%

LAB 68.04, 31.14, -32.06

 

CMYK 13 / 32 / 0 / 5

HEX #D3A6F3

RGB 211 166 243

HSL 275.06, 0.76%, 0.8%

LAB 74.57, 30.48, -32.23

 

CMYK 11 / 28 / 0 / 0

HEX #E4B8FF

RGB 228 184 255

HSL 277.18, 1%, 0.86%

LAB 80.74, 28.43, -29.07

 

CMYK 4 / 21 / 0 / 0

HEX #F5CAFF

RGB 245 202 255

HSL 288.68, 1%, 0.9%

LAB 86.44, 24.2, -20.25

 

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

CMYK 19 / 41 / 0 / 25

HEX #9B70BF

RGB 155 112 191

HSL 272.66, 0.38%, 0.59%

LAB 54.36, 32.21, -35.1

 

CMYK 20 / 45 / 0 / 33

HEX #8A5EAC

RGB 138 94 172

HSL 273.85, 0.32%, 0.52%

LAB 47.48, 33.06, -35.02

 

CMYK 21 / 50 / 0 / 40

HEX #794C99

RGB 121 76 153

HSL 275.06, 0.34%, 0.45%

LAB 40.47, 33.95, -34.93

 

CMYK 22 / 57 / 0 / 47

HEX #683A86

RGB 104 58 134

HSL 276.32, 0.4%, 0.38%

LAB 33.33, 34.85, -34.8

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 8 / 38 / 0 / 18

HEX #C283D2

RGB 194 131 210

HSL 287.85, 0.47%, 0.67%

LAB 63.64, 37.57, -31.1

 

CMYK 0 / 38 / 2 / 18

HEX #D283CD

RGB 210 131 205

HSL 303.8, 0.47%, 0.67%

LAB 65.23, 41.61, -25.69

 

CMYK 0 / 38 / 13 / 18

HEX #D283B7

RGB 210 131 183

HSL 320.51, 0.47%, 0.67%

LAB 64.45, 37.81, -14.52

 

CMYK 0 / 38 / 23 / 18

HEX #D283A2

RGB 210 131 162

HSL 336.46, 0.47%, 0.67%

LAB 63.79, 34.54, -3.6

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 28 / 38 / 0 / 18

HEX #9783D2

RGB 151 131 210

HSL 255.19, 0.47%, 0.67%

LAB 59.4, 24.67, -38.02

 

CMYK 38 / 38 / 0 / 18

HEX #8383D2

RGB 131 131 210

HSL 240, 0.47%, 0.67%

LAB 57.76, 19.09, -40.71

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 23 / 48 / 0 / 12

HEX #AD75E0

RGB 173 117 224

HSL 271.4, 0.63%, 0.67%

LAB 58.96, 42.13, -46.42

 

CMYK 27 / 56 / 0 / 7

HEX #AE68ED

RGB 174 104 237

HSL 271.58, 0.79%, 0.67%

LAB 57.09, 52.31, -56.66

 

CMYK 31 / 64 / 0 / 2

HEX #AE5AFB

RGB 174 90 251

HSL 271.3, 0.95%, 0.67%

LAB 55.36, 62.46, -67.23

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 12 / 27 / 0 / 23

HEX #AC90C4

RGB 172 144 196

HSL 272.31, 0.31%, 0.67%

LAB 63.92, 20.44, -23.01

 

CMYK 7 / 14 / 0 / 28

HEX #AB9EB7

RGB 171 158 183

HSL 271.2, 0.15%, 0.67%

LAB 66.92, 9.52, -11.2

 

CMYK 1 / 0 / 2 / 33

HEX #AAACA9

RGB 170 172 169

HSL 100, 0.02%, 0.67%

LAB 70.12, -1.27, 1.28

 

CMYK 8 / 0 / 16 / 27

HEX #AAB99B

RGB 170 185 155

HSL 90, 0.18%, 0.67%

LAB 73.29, -10.68, 13.49

 

CMYK 38 / 37 / 0 / 18

HEX #8384D2

RGB 131 132 210

HSL 239.24, 0.47%, 0.67%

LAB 58.02, 18.5, -40.3

 

CMYK 28 / 38 / 0 / 18

HEX #9783D2

RGB 151 131 210

HSL 255.19, 0.47%, 0.67%

LAB 59.4, 24.67, -38.02

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 8 / 38 / 0 / 18

HEX #C183D2

RGB 193 131 210

HSL 287.09, 0.47%, 0.67%

LAB 63.53, 37.27, -31.28

 

CMYK 0 / 38 / 2 / 18

HEX #D283CE

RGB 210 131 206

HSL 303.04, 0.47%, 0.67%

LAB 65.27, 41.79, -26.19

 

CMYK 30 / 63 / 0 / 26

HEX #8446BC

RGB 132 70 188

HSL 271.53, 0.47%, 0.51%

LAB 42.64, 48.48, -52.14

 

CMYK 24 / 50 / 0 / 22

HEX #9864C7

RGB 152 100 199

HSL 271.52, 0.47%, 0.59%

LAB 51.74, 39.98, -43.84

 

CMYK 18 / 38 / 0 / 18

HEX #AC83D2

RGB 172 131 210

HSL 271.14, 0.47%, 0.67%

LAB 61.36, 30.87, -34.82

 

CMYK 13 / 27 / 0 / 13

HEX #C0A1DD

RGB 192 161 221

HSL 271, 0.47%, 0.75%

LAB 70.81, 22.68, -26.16

 

CMYK 8 / 18 / 0 / 9

HEX #D5BFE8

RGB 213 191 232

HSL 272.2, 0.47%, 0.83%

LAB 80.31, 15.3, -17.52

 

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

CMYK 0 / 38 / 27 / 18

HEX #D28399

RGB 210 131 153

HSL 343.29, 0.47%, 0.67%

LAB 63.54, 33.25, 1.14

 

CMYK 38 / 0 / 33 / 18

HEX #83D28C

RGB 131 210 140

HSL 126.84, 0.47%, 0.67%

LAB 77.76, -38.61, 27.25

 

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

CMYK 0 / 18 / 38 / 18

HEX #D2AC83

RGB 210 172 131

HSL 31.14, 0.47%, 0.67%

LAB 72.79, 8.21, 26.31

 

CMYK 38 / 0 / 18 / 18

HEX #83D2AC

RGB 131 210 172

HSL 151.14, 0.47%, 0.67%

LAB 78.4, -32.67, 11.26

 

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

CMYK 0 / 38 / 27 / 18

HEX #D28399

RGB 210 131 153

HSL 343.29, 0.47%, 0.67%

LAB 63.54, 33.25, 1.14

 

CMYK 20 / 0 / 38 / 18

HEX #A9D283

RGB 169 210 131

HSL 91.14, 0.47%, 0.67%

LAB 79.71, -27.2, 34.84

 

CMYK 38 / 0 / 11 / 18

HEX #83D2BB

RGB 131 210 187

HSL 162.53, 0.47%, 0.67%

LAB 78.76, -29.49, 3.75

 

CMYK 18 / 38 / 0 / 18

HEX #AC82D2

RGB 172 130 210

HSL 271.5, 0.47%, 0.67%

LAB 61.12, 31.43, -35.18

 

CMYK 0 / 37 / 38 / 18

HEX #D28483

RGB 210 132 131

HSL 0.76, 0.47%, 0.67%

LAB 63.21, 29.88, 13.19

 

CMYK 20 / 0 / 38 / 18

HEX #A9D283

RGB 169 210 131

HSL 91.14, 0.47%, 0.67%

LAB 79.71, -27.2, 34.84

 

CMYK 38 / 0 / 0 / 18

HEX #83D1D2

RGB 131 209 210

HSL 180.76, 0.47%, 0.67%

LAB 79.09, -23.67, -8.09

 

Description

Color code: HEX #AC82D2 | qconv.com Color code: HEX #AC82D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 130 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 130 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 38 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 38% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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