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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC82DD it is the complementary color #537D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC82DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC82DD shade: #B182D8, #C294EB, #D3A6FE, #E4B8FF and #F5CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC82DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC82DD shade: #AC82DD, #9B70CA, #8A5EB7, #794CA4 and #683A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC82DD shade: #AC82DD, #C482DD, #DD82DC, #DD82C4 and #DD82AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC82DD shade: #AC82DD, #9482DD and #8282DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC82DD shade matches the following richer shades: #AC82DD, #AB76E9 and #AA69F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC82DD shade: #AC82DD, #AD8FD0, #AE9CC3, #AFA9B6 and #B0B6A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC82DD shade: #828ADD, #9382DD, #AB82DD, #C382DD and #DB82DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC82DD shade: #8142CB, #9662D4, #AC82DD, #C2A3E5 and #D7C3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC82DD shade: #AC82DD, #DD82A2 and #82DD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC82DD shade: #AC82DD, #DDAB82 and #82DDAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC82DD shade: #AC82DD, #DD82A2, #B4DD82 and #82DDBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC82DD shade: #AC82DD, #DD8287, #B4DD82 and #82DDD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

Complementary color

CMYK 34 / 0 / 73 / 51

HEX #537D22

RGB 83 125 34

HSL 87.69, 0.57%, 0.31%

LAB 47.78, -29.86, 42.76

 

CMYK 18 / 40 / 0 / 15

HEX #B182D8

RGB 177 130 216

HSL 272.79, 0.52%, 0.68%

LAB 61.89, 34.26, -37.32

 

CMYK 17 / 37 / 0 / 8

HEX #C294EB

RGB 194 148 235

HSL 271.72, 0.69%, 0.75%

LAB 68.5, 33.51, -37.41

 

CMYK 17 / 35 / 0 / 0

HEX #D3A6FE

RGB 211 166 254

HSL 270.68, 0.98%, 0.82%

LAB 75, 32.81, -37.52

 

CMYK 11 / 28 / 0 / 0

HEX #E4B8FF

RGB 228 184 255

HSL 277.18, 1%, 0.86%

LAB 80.74, 28.43, -29.07

 

CMYK 4 / 21 / 0 / 0

HEX #F5CAFF

RGB 245 202 255

HSL 288.68, 1%, 0.9%

LAB 86.44, 24.2, -20.25

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 23 / 45 / 0 / 21

HEX #9B70CA

RGB 155 112 202

HSL 268.67, 0.46%, 0.62%

LAB 54.89, 34.78, -40.56

 

CMYK 25 / 49 / 0 / 28

HEX #8A5EB7

RGB 138 94 183

HSL 269.66, 0.38%, 0.54%

LAB 48.04, 35.68, -40.55

 

CMYK 26 / 54 / 0 / 36

HEX #794CA4

RGB 121 76 164

HSL 270.68, 0.37%, 0.47%

LAB 41.08, 36.62, -40.54

 

CMYK 28 / 60 / 0 / 43

HEX #683A91

RGB 104 58 145

HSL 271.72, 0.43%, 0.4%

LAB 34.01, 37.57, -40.48

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 11 / 41 / 0 / 13

HEX #C482DD

RGB 196 130 221

HSL 283.52, 0.57%, 0.69%

LAB 64.1, 40.95, -36.51

 

CMYK 0 / 41 / 0 / 13

HEX #DD82DC

RGB 221 130 220

HSL 300.66, 0.57%, 0.69%

LAB 66.9, 48.21, -31.37

 

CMYK 0 / 41 / 11 / 13

HEX #DD82C4

RGB 221 130 196

HSL 316.48, 0.57%, 0.69%

LAB 66, 44.08, -19.36

 

CMYK 0 / 41 / 22 / 13

HEX #DD82AC

RGB 221 130 172

HSL 332.31, 0.57%, 0.69%

LAB 65.21, 40.36, -7.02

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 33 / 41 / 0 / 13

HEX #9482DD

RGB 148 130 221

HSL 251.87, 0.57%, 0.69%

LAB 59.42, 27.22, -44.18

 

CMYK 41 / 41 / 0 / 13

HEX #8282DD

RGB 130 130 221

HSL 240, 0.57%, 0.69%

LAB 57.97, 22.49, -46.56

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 27 / 49 / 0 / 9

HEX #AB76E9

RGB 171 118 233

HSL 267.65, 0.72%, 0.69%

LAB 59.43, 43.14, -50.71

 

CMYK 31 / 57 / 0 / 4

HEX #AA69F6

RGB 170 105 246

HSL 267.66, 0.89%, 0.69%

LAB 57.37, 52.94, -61.24

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 17 / 31 / 0 / 18

HEX #AD8FD0

RGB 173 143 208

HSL 267.69, 0.41%, 0.69%

LAB 64.23, 23.95, -29.24

 

CMYK 11 / 20 / 0 / 24

HEX #AE9CC3

RGB 174 156 195

HSL 267.69, 0.25%, 0.69%

LAB 67.06, 14.13, -17.65

 

CMYK 4 / 7 / 0 / 29

HEX #AFA9B6

RGB 175 169 182

HSL 267.69, 0.08%, 0.69%

LAB 70.08, 4.62, -5.9

 

CMYK 3 / 0 / 7 / 29

HEX #B0B6A9

RGB 176 182 169

HSL 87.69, 0.08%, 0.69%

LAB 73.25, -4.5, 5.88

 

CMYK 41 / 38 / 0 / 13

HEX #828ADD

RGB 130 138 221

HSL 234.73, 0.57%, 0.69%

LAB 60.02, 17.78, -43.33

 

CMYK 33 / 41 / 0 / 13

HEX #9382DD

RGB 147 130 221

HSL 251.21, 0.57%, 0.69%

LAB 59.33, 26.95, -44.32

 

CMYK 23 / 41 / 0 / 13

HEX #AB82DD

RGB 171 130 221

HSL 267.03, 0.57%, 0.69%

LAB 61.52, 33.65, -40.73

 

CMYK 12 / 41 / 0 / 13

HEX #C382DD

RGB 195 130 221

HSL 282.86, 0.57%, 0.69%

LAB 63.99, 40.66, -36.69

 

CMYK 1 / 41 / 0 / 13

HEX #DB82DD

RGB 219 130 221

HSL 298.68, 0.57%, 0.69%

LAB 66.71, 47.79, -32.25

 

CMYK 36 / 67 / 0 / 20

HEX #8142CB

RGB 129 66 203

HSL 267.59, 0.57%, 0.53%

LAB 42.57, 53.5, -60.98

 

CMYK 29 / 54 / 0 / 17

HEX #9662D4

RGB 150 98 212

HSL 267.37, 0.57%, 0.61%

LAB 51.81, 43.67, -51.17

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 15 / 29 / 0 / 10

HEX #C2A3E5

RGB 194 163 229

HSL 268.18, 0.56%, 0.77%

LAB 71.77, 23.92, -29.05

 

CMYK 10 / 18 / 0 / 7

HEX #D7C3EE

RGB 215 195 238

HSL 267.91, 0.56%, 0.85%

LAB 81.65, 14.99, -18.7

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 0 / 41 / 27 / 13

HEX #DD82A2

RGB 221 130 162

HSL 338.9, 0.57%, 0.69%

LAB 64.92, 38.94, -1.79

 

CMYK 41 / 0 / 39 / 13

HEX #82DD87

RGB 130 221 135

HSL 123.3, 0.57%, 0.69%

LAB 80.85, -44.55, 33.91

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 0 / 23 / 41 / 13

HEX #DDAB82

RGB 221 171 130

HSL 27.03, 0.57%, 0.69%

LAB 73.62, 13.03, 28.14

 

CMYK 41 / 0 / 23 / 13

HEX #82DDAB

RGB 130 221 171

HSL 147.03, 0.57%, 0.69%

LAB 81.51, -38.22, 16.16

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 0 / 41 / 27 / 13

HEX #DD82A2

RGB 221 130 162

HSL 338.9, 0.57%, 0.69%

LAB 64.92, 38.94, -1.79

 

CMYK 19 / 0 / 41 / 13

HEX #B4DD82

RGB 180 221 130

HSL 87.03, 0.57%, 0.69%

LAB 83.46, -28.57, 40.31

 

CMYK 41 / 0 / 14 / 13

HEX #82DDBD

RGB 130 221 189

HSL 158.9, 0.57%, 0.69%

LAB 81.91, -34.51, 7.23

 

CMYK 22 / 41 / 0 / 13

HEX #AC82DD

RGB 172 130 221

HSL 267.69, 0.57%, 0.69%

LAB 61.62, 33.94, -40.57

 

CMYK 0 / 41 / 39 / 13

HEX #DD8287

RGB 221 130 135

HSL 356.7, 0.57%, 0.69%

LAB 64.23, 35.54, 12.55

 

CMYK 19 / 0 / 41 / 13

HEX #B4DD82

RGB 180 221 130

HSL 87.03, 0.57%, 0.69%

LAB 83.46, -28.57, 40.31

 

CMYK 41 / 0 / 2 / 13

HEX #82DDD8

RGB 130 221 216

HSL 176.7, 0.57%, 0.69%

LAB 82.6, -28.34, -6.09

 

Description

Color code: HEX #AC82DD | qconv.com Color code: HEX #AC82DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 130 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 130 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 41 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 41% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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