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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8BD9 it is the complementary color #537426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8BD9 shade: #B18BD4, #C29DE7, #D3AFFA, #E4C1FF and #F5D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8BD9 shade: #AC8BD9, #9B79C6, #8A67B3, #7955A0 and #68438D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8BD9 shade: #AC8BD9, #C18BD9, #D68BD9, #D98BC7 and #D98BB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8BD9 shade: #AC8BD9, #978BD9 and #8B8BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8BD9 shade matches the following richer shades: #AC8BD9, #AA7FE5, #A872F2 and #A666FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8BD9 shade: #AC8BD9, #AE97CD, #B0A4C0, #B2B0B4 and #B4BCA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8BD9 shade: #8B94D9, #978BD9, #AB8BD9, #C08BD9 and #D58BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8BD9 shade: #7F4DC5, #966CCF, #AC8BD9, #C2AAE3 and #D8C9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8BD9 shade: #AC8BD9, #D98BA9 and #8BD98C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8BD9 shade: #AC8BD9, #D9AB8B and #8BD9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8BD9 shade: #AC8BD9, #D98BA9, #B9D98B and #8BD9BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8BD9 shade: #AC8BD9, #D98B91, #B9D98B and #8BD9D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

Complementary color

CMYK 28 / 0 / 67 / 55

HEX #537426

RGB 83 116 38

HSL 85.38, 0.51%, 0.3%

LAB 44.9, -25.18, 38.01

 

CMYK 17 / 34 / 0 / 17

HEX #B18BD4

RGB 177 139 212

HSL 271.23, 0.46%, 0.69%

LAB 63.81, 28.33, -32.09

 

CMYK 16 / 32 / 0 / 9

HEX #C29DE7

RGB 194 157 231

HSL 270, 0.61%, 0.76%

LAB 70.42, 27.67, -32.23

 

CMYK 16 / 30 / 0 / 2

HEX #D3AFFA

RGB 211 175 250

HSL 268.8, 0.88%, 0.83%

LAB 76.93, 27.05, -32.38

 

CMYK 11 / 24 / 0 / 0

HEX #E4C1FF

RGB 228 193 255

HSL 273.87, 1%, 0.88%

LAB 82.84, 23.61, -25.86

 

CMYK 4 / 17 / 0 / 0

HEX #F5D3FF

RGB 245 211 255

HSL 286.36, 1%, 0.91%

LAB 88.55, 19.45, -17.06

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 22 / 39 / 0 / 22

HEX #9B79C6

RGB 155 121 198

HSL 266.49, 0.4%, 0.63%

LAB 56.8, 28.69, -35.28

 

CMYK 23 / 42 / 0 / 30

HEX #8A67B3

RGB 138 103 179

HSL 267.63, 0.33%, 0.55%

LAB 49.93, 29.51, -35.26

 

CMYK 24 / 47 / 0 / 37

HEX #7955A0

RGB 121 85 160

HSL 268.8, 0.31%, 0.48%

LAB 42.91, 30.4, -35.25

 

CMYK 26 / 52 / 0 / 45

HEX #68438D

RGB 104 67 141

HSL 270, 0.36%, 0.41%

LAB 35.75, 31.36, -35.25

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 11 / 36 / 0 / 15

HEX #C18BD9

RGB 193 139 217

HSL 281.54, 0.51%, 0.7%

LAB 65.6, 34.32, -31.97

 

CMYK 1 / 36 / 0 / 15

HEX #D68BD9

RGB 214 139 217

HSL 297.69, 0.51%, 0.7%

LAB 67.85, 40.82, -28.31

 

CMYK 0 / 36 / 8 / 15

HEX #D98BC7

RGB 217 139 199

HSL 313.85, 0.51%, 0.7%

LAB 67.53, 38.55, -18.76

 

CMYK 0 / 36 / 18 / 15

HEX #D98BB2

RGB 217 139 178

HSL 330, 0.51%, 0.7%

LAB 66.85, 35.13, -8.02

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 30 / 36 / 0 / 15

HEX #978BD9

RGB 151 139 217

HSL 249.23, 0.51%, 0.7%

LAB 61.7, 21.82, -38.34

 

CMYK 36 / 36 / 0 / 15

HEX #8B8BD9

RGB 139 139 217

HSL 240, 0.51%, 0.7%

LAB 60.75, 18.48, -39.9

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 26 / 45 / 0 / 10

HEX #AA7FE5

RGB 170 127 229

HSL 265.29, 0.66%, 0.7%

LAB 61.12, 36.94, -45.83

 

CMYK 31 / 53 / 0 / 5

HEX #A872F2

RGB 168 114 242

HSL 265.31, 0.83%, 0.7%

LAB 58.76, 46.72, -56.8

 

CMYK 35 / 60 / 0 / 0

HEX #A666FE

RGB 166 102 254

HSL 265.26, 0.99%, 0.7%

LAB 56.85, 55.53, -66.53

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 15 / 26 / 0 / 20

HEX #AE97CD

RGB 174 151 205

HSL 265.56, 0.35%, 0.7%

LAB 66.17, 19.09, -24.58

 

CMYK 8 / 15 / 0 / 25

HEX #B0A4C0

RGB 176 164 192

HSL 265.71, 0.18%, 0.7%

LAB 69.17, 9.72, -12.78

 

CMYK 1 / 2 / 0 / 29

HEX #B2B0B4

RGB 178 176 180

HSL 270, 0.03%, 0.7%

LAB 72.1, 1.46, -1.8

 

CMYK 4 / 0 / 11 / 26

HEX #B4BCA8

RGB 180 188 168

HSL 84, 0.13%, 0.7%

LAB 75.14, -6.41, 9.16

 

CMYK 36 / 32 / 0 / 15

HEX #8B94D9

RGB 139 148 217

HSL 233.08, 0.51%, 0.7%

LAB 63.08, 13.26, -36.26

 

CMYK 30 / 36 / 0 / 15

HEX #978BD9

RGB 151 139 217

HSL 249.23, 0.51%, 0.7%

LAB 61.7, 21.82, -38.34

 

CMYK 21 / 36 / 0 / 15

HEX #AB8BD9

RGB 171 139 217

HSL 264.62, 0.51%, 0.7%

LAB 63.45, 27.65, -35.48

 

CMYK 12 / 36 / 0 / 15

HEX #C08BD9

RGB 192 139 217

HSL 280.77, 0.51%, 0.7%

LAB 65.5, 34.01, -32.14

 

CMYK 2 / 36 / 0 / 15

HEX #D58BD9

RGB 213 139 217

HSL 296.92, 0.51%, 0.7%

LAB 67.74, 40.51, -28.49

 

CMYK 36 / 61 / 0 / 23

HEX #7F4DC5

RGB 127 77 197

HSL 265, 0.51%, 0.54%

LAB 44.02, 45.88, -55.19

 

CMYK 28 / 48 / 0 / 19

HEX #966CCF

RGB 150 108 207

HSL 265.45, 0.51%, 0.62%

LAB 53.72, 36.86, -45.28

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 15 / 25 / 0 / 11

HEX #C2AAE3

RGB 194 170 227

HSL 265.26, 0.5%, 0.78%

LAB 73.39, 19.62, -25.47

 

CMYK 9 / 15 / 0 / 7

HEX #D8C9ED

RGB 216 201 237

HSL 265, 0.5%, 0.86%

LAB 83.17, 11.9, -15.86

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 0 / 36 / 22 / 15

HEX #D98BA9

RGB 217 139 169

HSL 336.92, 0.51%, 0.7%

LAB 66.58, 33.77, -3.35

 

CMYK 36 / 0 / 35 / 15

HEX #8BD98C

RGB 139 217 140

HSL 120.77, 0.51%, 0.7%

LAB 80.18, -39.29, 30.55

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 0 / 21 / 36 / 15

HEX #D9AB8B

RGB 217 171 139

HSL 24.62, 0.51%, 0.7%

LAB 73.38, 12.48, 22.9

 

CMYK 36 / 0 / 21 / 15

HEX #8BD9AB

RGB 139 217 171

HSL 144.62, 0.51%, 0.7%

LAB 80.77, -33.84, 15.18

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 0 / 36 / 22 / 15

HEX #D98BA9

RGB 217 139 169

HSL 336.92, 0.51%, 0.7%

LAB 66.58, 33.77, -3.35

 

CMYK 15 / 0 / 36 / 15

HEX #B9D98B

RGB 185 217 139

HSL 84.62, 0.51%, 0.7%

LAB 82.81, -23.68, 35.01

 

CMYK 36 / 0 / 14 / 15

HEX #8BD9BB

RGB 139 217 187

HSL 156.92, 0.51%, 0.7%

LAB 81.13, -30.61, 7.22

 

CMYK 21 / 36 / 0 / 15

HEX #AC8BD9

RGB 172 139 217

HSL 265.38, 0.51%, 0.7%

LAB 63.55, 27.95, -35.32

 

CMYK 0 / 36 / 33 / 15

HEX #D98B91

RGB 217 139 145

HSL 355.38, 0.51%, 0.7%

LAB 65.95, 30.47, 9.26

 

CMYK 15 / 0 / 36 / 15

HEX #B9D98B

RGB 185 217 139

HSL 84.62, 0.51%, 0.7%

LAB 82.81, -23.68, 35.01

 

CMYK 36 / 0 / 3 / 15

HEX #8BD9D3

RGB 139 217 211

HSL 175.38, 0.51%, 0.7%

LAB 81.74, -25.29, -4.66

 

Description

Color code: HEX #AC8BD9 | qconv.com Color code: HEX #AC8BD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 139 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 139 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 36 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 36% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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