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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD003F it is the complementary color #52FFC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD003F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD003F shade: #B2003A, #C3124D, #D42460, #E53673 and #F64886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD003F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD003F shade: #AD003F, #9C002C, #8B0019, #7A0006 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD003F shade: #AD003F, #AD0010 and #AD0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD003F shade: #AD003F, #AD006D, #AD009C, #8F00AD and #6000AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD003F shade matches the following richer shades: #AD003F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD003F shade: #AD003F, #9F0E42, #911C46, #832A4A and #75384E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD003F shade: #AD009C, #AD006D, #AD003F, #AD0011 and #AD1C00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD003F shade: #5A0021, #840030, #AD003F, #D6004E and #FF005D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD003F shade: #AD003F, #AD9000 and #0084AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD003F shade: #AD003F, #3FAD00 and #003FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD003F shade: #AD003F, #AD9000, #00AD6D and #001CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD003F shade: #AD003F, #96AD00, #00AD6D and #1700AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

Complementary color

CMYK 68 / 0 / 25 / 0

HEX #52FFC0

RGB 82 255 192

HSL 158.15, 1%, 0.66%

LAB 90.38, -58.27, 17.47

 

CMYK 0 / 100 / 67 / 30

HEX #B2003A

RGB 178 0 58

HSL 340.45, 1%, 0.35%

LAB 37.43, 62.7, 21.07

 

CMYK 0 / 91 / 61 / 24

HEX #C3124D

RGB 195 18 77

HSL 340, 0.83%, 0.42%

LAB 42.11, 65.83, 15.8

 

CMYK 0 / 83 / 55 / 17

HEX #D42460

RGB 212 36 96

HSL 339.55, 0.71%, 0.49%

LAB 47.11, 68, 11.35

 

CMYK 0 / 76 / 50 / 10

HEX #E53673

RGB 229 54 115

HSL 339.09, 0.77%, 0.55%

LAB 52.44, 69.2, 7.73

 

CMYK 0 / 71 / 46 / 4

HEX #F64886

RGB 246 72 134

HSL 338.62, 0.91%, 0.62%

LAB 57.99, 69.7, 4.75

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 72 / 39

HEX #9C002C

RGB 156 0 44

HSL 343.08, 1%, 0.31%

LAB 32.37, 56.6, 22.75

 

CMYK 0 / 100 / 82 / 45

HEX #8B0019

RGB 139 0 25

HSL 349.21, 1%, 0.27%

LAB 28.27, 51.52, 29.23

 

CMYK 0 / 100 / 95 / 52

HEX #7A0006

RGB 122 0 6

HSL 357.05, 1%, 0.24%

LAB 24.16, 46.54, 33.81

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 91 / 32

HEX #AD0010

RGB 173 0 16

HSL 354.45, 1%, 0.34%

LAB 35.83, 60.09, 43.67

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 37 / 32

HEX #AD006D

RGB 173 0 109

HSL 322.2, 1%, 0.34%

LAB 37.82, 65.38, -11.28

 

CMYK 0 / 100 / 10 / 32

HEX #AD009C

RGB 173 0 156

HSL 305.9, 1%, 0.34%

LAB 40.06, 71.01, -36.88

 

CMYK 17 / 100 / 0 / 32

HEX #8F00AD

RGB 143 0 173

HSL 289.6, 1%, 0.34%

LAB 35.71, 68.81, -54.39

 

CMYK 45 / 100 / 0 / 32

HEX #6000AD

RGB 96 0 173

HSL 273.29, 1%, 0.34%

LAB 28.12, 63.17, -67.1

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 91 / 58 / 38

HEX #9F0E42

RGB 159 14 66

HSL 338.48, 0.84%, 0.34%

LAB 34.15, 56.66, 10.78

 

CMYK 0 / 81 / 52 / 43

HEX #911C46

RGB 145 28 70

HSL 338.46, 0.68%, 0.34%

LAB 32.46, 50.02, 5.37

 

CMYK 0 / 68 / 44 / 49

HEX #832A4A

RGB 131 42 74

HSL 338.43, 0.51%, 0.34%

LAB 31.75, 40.93, 1.37

 

CMYK 0 / 52 / 33 / 54

HEX #75384E

RGB 117 56 78

HSL 338.36, 0.35%, 0.34%

LAB 32.17, 29.4, -0.91

 

CMYK 0 / 100 / 10 / 32

HEX #AD009C

RGB 173 0 156

HSL 305.9, 1%, 0.34%

LAB 40.06, 71.01, -36.88

 

CMYK 0 / 100 / 37 / 32

HEX #AD006D

RGB 173 0 109

HSL 322.2, 1%, 0.34%

LAB 37.82, 65.38, -11.28

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 90 / 32

HEX #AD0011

RGB 173 0 17

HSL 354.1, 1%, 0.34%

LAB 35.84, 60.11, 43.21

 

CMYK 0 / 84 / 100 / 32

HEX #AD1C00

RGB 173 28 0

HSL 9.71, 1%, 0.34%

LAB 37.33, 55.4, 50.84

 

CMYK 0 / 100 / 63 / 65

HEX #5A0021

RGB 90 0 33

HSL 338, 1%, 0.18%

LAB 16.91, 38.91, 7.32

 

CMYK 0 / 100 / 64 / 48

HEX #840030

RGB 132 0 48

HSL 338.18, 1%, 0.26%

LAB 27.07, 50.78, 12.19

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 100 / 64 / 16

HEX #D6004E

RGB 214 0 78

HSL 338.13, 1%, 0.42%

LAB 45.42, 72.27, 20.29

 

CMYK 0 / 100 / 64 / 0

HEX #FF005D

RGB 255 0 93

HSL 338.12, 1%, 0.5%

LAB 54.08, 82.41, 24.06

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 100 / 24 / 0 / 32

HEX #0084AD

RGB 0 132 173

HSL 194.22, 1%, 0.34%

LAB 51.29, -15.15, -30.11

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 100 / 64 / 0 / 32

HEX #003FAD

RGB 0 63 173

HSL 218.15, 1%, 0.34%

LAB 30.81, 28.79, -62.9

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 0 / 17 / 100 / 32

HEX #AD9000

RGB 173 144 0

HSL 49.94, 1%, 0.34%

LAB 60.63, -0.79, 64.92

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 100 / 84 / 0 / 32

HEX #001CAD

RGB 0 28 173

HSL 230.29, 1%, 0.34%

LAB 23.16, 49.94, -75.55

 

CMYK 0 / 100 / 64 / 32

HEX #AD003F

RGB 173 0 63

HSL 338.15, 1%, 0.34%

LAB 36.45, 61.76, 16.36

 

CMYK 13 / 0 / 100 / 32

HEX #96AD00

RGB 150 173 0

HSL 67.98, 1%, 0.34%

LAB 66.8, -26.12, 68.52

 

CMYK 100 / 0 / 37 / 32

HEX #00AD6D

RGB 0 173 109

HSL 157.8, 1%, 0.34%

LAB 62.5, -52.81, 22.58

 

CMYK 87 / 100 / 0 / 32

HEX #1700AD

RGB 23 0 173

HSL 247.98, 1%, 0.34%

LAB 20.82, 59.44, -79.43

 

Description

Color code: HEX #AD003F | qconv.com Color code: HEX #AD003F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, none green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 0 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 64 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 64% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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