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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD16D0 it is the complementary color #52E92F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD16D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD16D0 shade: #B216CB, #C328DE, #D43AF1, #E54CFF and #F65EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD16D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD16D0 shade: #AD16D0, #9C04BD, #8B00AA, #7A0097 and #690084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD16D0 shade: #AC15CF, #CF15C0, #CF158E, #CF155C and #CF152A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD16D0 shade: #AC15CF, #7A15CF, #4815CF, #1615CF and #1515CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD16D0 shade matches the following richer shades: #AC15CF and #B803E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD16D0 shade: #AC15CF, #A128BD, #953AAA, #894D97 and #7E6085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD16D0 shade: #4715CF, #7815CF, #AA15CF, #CF15C3 and #CF1591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD16D0 shade: #6E0D85, #8D11AA, #AC15CF, #C326E8 and #CE4BEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD16D0 shade: #AD16D0, #CF1515 and #15CF60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD16D0 shade: #AD16D0, #CFAA15 and #15CFAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD16D0 shade: #AD16D0, #CF1515, #3ACF15 and #15CFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD16D0 shade: #AD16D0, #CF4D15, #3ACF15 and #1597CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

Complementary color

CMYK 65 / 0 / 80 / 9

HEX #52E92F

RGB 82 233 47

HSL 108.71, 0.81%, 0.55%

LAB 81.99, -70.48, 71.54

 

CMYK 12 / 89 / 0 / 20

HEX #B216CB

RGB 178 22 203

HSL 291.71, 0.8%, 0.44%

LAB 44.73, 76.48, -57.15

 

CMYK 12 / 82 / 0 / 13

HEX #C328DE

RGB 195 40 222

HSL 291.1, 0.73%, 0.51%

LAB 49.97, 78.91, -59.48

 

CMYK 12 / 76 / 0 / 5

HEX #D43AF1

RGB 212 58 241

HSL 290.49, 0.87%, 0.59%

LAB 55.46, 80.37, -61.23

 

CMYK 10 / 70 / 0 / 0

HEX #E54CFF

RGB 229 76 255

HSL 291.28, 1%, 0.65%

LAB 60.82, 80.27, -60.27

 

CMYK 4 / 63 / 0 / 0

HEX #F65EFF

RGB 246 94 255

HSL 296.65, 1%, 0.68%

LAB 65.61, 77.3, -52.51

 

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

CMYK 17 / 98 / 0 / 26

HEX #9C04BD

RGB 156 4 189

HSL 289.3, 0.96%, 0.38%

LAB 39.29, 72.98, -57.96

 

CMYK 18 / 100 / 0 / 33

HEX #8B00AA

RGB 139 0 170

HSL 289.06, 1%, 0.33%

LAB 34.78, 67.72, -54.12

 

CMYK 19 / 100 / 0 / 41

HEX #7A0097

RGB 122 0 151

HSL 288.48, 1%, 0.3%

LAB 30.33, 61.89, -49.96

 

CMYK 20 / 100 / 0 / 48

HEX #690084

RGB 105 0 132

HSL 287.73, 1%, 0.26%

LAB 25.77, 55.92, -45.7

 

CMYK 17 / 90 / 0 / 19

HEX #AC15CF

RGB 172 21 207

HSL 288.71, 0.82%, 0.45%

LAB 43.96, 76.38, -60.76

 

CMYK 0 / 90 / 7 / 19

HEX #CF15C0

RGB 207 21 192

HSL 304.84, 0.82%, 0.45%

LAB 49.02, 79.89, -43.63

 

CMYK 0 / 90 / 31 / 19

HEX #CF158E

RGB 207 21 142

HSL 320.97, 0.82%, 0.45%

LAB 46.65, 73.69, -17.64

 

CMYK 0 / 90 / 56 / 19

HEX #CF155C

RGB 207 21 92

HSL 337.1, 0.82%, 0.45%

LAB 45.05, 69.3, 10.81

 

CMYK 0 / 90 / 80 / 19

HEX #CF152A

RGB 207 21 42

HSL 353.23, 0.82%, 0.45%

LAB 44.19, 66.87, 40.22

 

CMYK 17 / 90 / 0 / 19

HEX #AC15CF

RGB 172 21 207

HSL 288.71, 0.82%, 0.45%

LAB 43.96, 76.38, -60.76

 

CMYK 41 / 90 / 0 / 19

HEX #7A15CF

RGB 122 21 207

HSL 272.58, 0.82%, 0.45%

LAB 36.33, 69.64, -73.54

 

CMYK 65 / 90 / 0 / 19

HEX #4815CF

RGB 72 21 207

HSL 256.45, 0.82%, 0.45%

LAB 30.45, 65.13, -83.45

 

CMYK 89 / 90 / 0 / 19

HEX #1615CF

RGB 22 21 207

HSL 240.32, 0.82%, 0.45%

LAB 27.33, 63.1, -88.72

 

CMYK 90 / 90 / 0 / 19

HEX #1515CF

RGB 21 21 207

HSL 240, 0.82%, 0.45%

LAB 27.3, 63.08, -88.78

 

CMYK 17 / 90 / 0 / 19

HEX #AC15CF

RGB 172 21 207

HSL 288.71, 0.82%, 0.45%

LAB 43.96, 76.38, -60.76

 

CMYK 19 / 99 / 0 / 11

HEX #B803E2

RGB 184 3 226

HSL 288.7, 0.97%, 0.45%

LAB 46.64, 83.28, -67.22

 

CMYK 17 / 90 / 0 / 19

HEX #AC15CF

RGB 172 21 207

HSL 288.71, 0.82%, 0.45%

LAB 43.96, 76.38, -60.76

 

CMYK 15 / 79 / 0 / 26

HEX #A128BD

RGB 161 40 189

HSL 288.72, 0.65%, 0.45%

LAB 42.41, 67.04, -52.88

 

CMYK 12 / 66 / 0 / 33

HEX #953AAA

RGB 149 58 170

HSL 288.75, 0.49%, 0.45%

LAB 41.72, 54.27, -42.88

 

CMYK 9 / 49 / 0 / 41

HEX #894D97

RGB 137 77 151

HSL 288.65, 0.32%, 0.45%

LAB 42.55, 37.68, -30.31

 

CMYK 5 / 28 / 0 / 48

HEX #7E6085

RGB 126 96 133

HSL 288.65, 0.16%, 0.45%

LAB 44.93, 19.18, -15.91

 

CMYK 66 / 90 / 0 / 19

HEX #4715CF

RGB 71 21 207

HSL 256.13, 0.82%, 0.45%

LAB 30.35, 65.07, -83.61

 

CMYK 42 / 90 / 0 / 19

HEX #7815CF

RGB 120 21 207

HSL 271.94, 0.82%, 0.45%

LAB 36.05, 69.41, -74.01

 

CMYK 18 / 90 / 0 / 19

HEX #AA15CF

RGB 170 21 207

HSL 288.06, 0.82%, 0.45%

LAB 43.64, 76.07, -61.31

 

CMYK 0 / 90 / 6 / 19

HEX #CF15C3

RGB 207 21 195

HSL 303.87, 0.82%, 0.45%

LAB 49.18, 80.31, -45.11

 

CMYK 0 / 90 / 30 / 19

HEX #CF1591

RGB 207 21 145

HSL 320, 0.82%, 0.45%

LAB 46.77, 74.02, -19.27

 

CMYK 17 / 90 / 0 / 48

HEX #6E0D85

RGB 110 13 133

HSL 288.5, 0.82%, 0.29%

LAB 27.56, 54.47, -43.38

 

CMYK 17 / 90 / 0 / 33

HEX #8D11AA

RGB 141 17 170

HSL 288.63, 0.82%, 0.37%

LAB 35.92, 65.67, -52.26

 

CMYK 17 / 90 / 0 / 19

HEX #AC15CF

RGB 172 21 207

HSL 288.71, 0.82%, 0.45%

LAB 43.96, 76.38, -60.76

 

CMYK 16 / 84 / 0 / 9

HEX #C326E8

RGB 195 38 232

HSL 288.56, 0.81%, 0.53%

LAB 50.47, 81.07, -64.34

 

CMYK 13 / 68 / 0 / 7

HEX #CE4BEC

RGB 206 75 236

HSL 288.82, 0.81%, 0.61%

LAB 56.3, 72.54, -57.13

 

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

CMYK 0 / 90 / 90 / 19

HEX #CF1515

RGB 207 21 21

HSL 0, 0.82%, 0.45%

LAB 44.03, 66.41, 50.67

 

CMYK 90 / 0 / 54 / 19

HEX #15CF60

RGB 21 207 96

HSL 144.19, 0.82%, 0.45%

LAB 73.3, -65.72, 43.06

 

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

CMYK 0 / 18 / 90 / 19

HEX #CFAA15

RGB 207 170 21

HSL 48.06, 0.82%, 0.45%

LAB 70.92, 0.8, 70.87

 

CMYK 90 / 0 / 18 / 19

HEX #15CFAA

RGB 21 207 170

HSL 168.06, 0.82%, 0.45%

LAB 74.63, -50.67, 6.55

 

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

CMYK 0 / 90 / 90 / 19

HEX #CF1515

RGB 207 21 21

HSL 0, 0.82%, 0.45%

LAB 44.03, 66.41, 50.67

 

CMYK 72 / 0 / 90 / 19

HEX #3ACF15

RGB 58 207 21

HSL 108.06, 0.82%, 0.45%

LAB 73.27, -67.92, 69.35

 

CMYK 90 / 0 / 0 / 19

HEX #15CFCF

RGB 21 207 207

HSL 180, 0.82%, 0.45%

LAB 75.63, -40.43, -11.92

 

CMYK 17 / 89 / 0 / 18

HEX #AD16D0

RGB 173 22 208

HSL 288.71, 0.81%, 0.45%

LAB 44.25, 76.54, -60.86

 

CMYK 0 / 63 / 90 / 19

HEX #CF4D15

RGB 207 77 21

HSL 18.06, 0.82%, 0.45%

LAB 50.25, 49.19, 55.18

 

CMYK 72 / 0 / 90 / 19

HEX #3ACF15

RGB 58 207 21

HSL 108.06, 0.82%, 0.45%

LAB 73.27, -67.92, 69.35

 

CMYK 90 / 27 / 0 / 19

HEX #1597CF

RGB 21 151 207

HSL 198.06, 0.82%, 0.45%

LAB 58.79, -12.42, -37.72

 

Description

Color code: HEX #AD16D0 | qconv.com Color code: HEX #AD16D0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 22 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 22 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 89 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 89% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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