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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD1BD9 it is the complementary color #52E426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD1BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD1BD9 shade: #B21BD4, #C32DE7, #D43FFA, #E551FF and #F663FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD1BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD1BD9 shade: #AD1BD9, #9C09C6, #8B00B3, #7A00A0 and #69008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD1BD9 shade: #AD1AD9, #D91AD2, #D91A9F, #D91A6B and #D91A38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD1BD9 shade: #AD1AD9, #7A1AD9, #461AD9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD1BD9 shade matches the following richer shades: #AD1AD9 and #B807ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD1BD9 shade: #AD1AD9, #A32EC6, #9842B2, #8D569E and #836A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD1BD9 shade: #471AD9, #7A1AD9, #AD1AD9, #D91AD3 and #D91AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD1BD9 shade: #731190, #9016B5, #AD1AD9, #BD37E6 and #C95CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD1BD9 shade: #AD1BD9, #D91A21 and #1AD960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD1BD9 shade: #AD1BD9, #D9AD1A and #1AD9AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD1BD9 shade: #AD1BD9, #D91A21, #47D91A and #1AD9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD1BD9 shade: #AD1BD9, #D94D1A, #47D91A and #1AA6D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

Complementary color

CMYK 64 / 0 / 83 / 11

HEX #52E426

RGB 82 228 38

HSL 106.11, 0.78%, 0.52%

LAB 80.42, -69.3, 72.38

 

CMYK 16 / 87 / 0 / 17

HEX #B21BD4

RGB 178 27 212

HSL 288.97, 0.77%, 0.47%

LAB 45.64, 77.14, -60.89

 

CMYK 16 / 81 / 0 / 9

HEX #C32DE7

RGB 195 45 231

HSL 288.39, 0.79%, 0.54%

LAB 50.98, 79.22, -62.96

 

CMYK 15 / 75 / 0 / 2

HEX #D43FFA

RGB 212 63 250

HSL 287.81, 0.95%, 0.61%

LAB 56.54, 80.42, -64.51

 

CMYK 10 / 68 / 0 / 0

HEX #E551FF

RGB 229 81 255

HSL 291.03, 1%, 0.66%

LAB 61.45, 78.5, -59.27

 

CMYK 4 / 61 / 0 / 0

HEX #F663FF

RGB 246 99 255

HSL 296.54, 1%, 0.69%

LAB 66.32, 75.33, -51.38

 

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

CMYK 21 / 95 / 0 / 22

HEX #9C09C6

RGB 156 9 198

HSL 286.67, 0.91%, 0.41%

LAB 40.15, 74.02, -61.84

 

CMYK 22 / 100 / 0 / 30

HEX #8B00B3

RGB 139 0 179

HSL 286.59, 1%, 0.35%

LAB 35.49, 69.32, -58.36

 

CMYK 24 / 100 / 0 / 37

HEX #7A00A0

RGB 122 0 160

HSL 285.75, 1%, 0.31%

LAB 31.06, 63.54, -54.27

 

CMYK 26 / 100 / 0 / 45

HEX #69008D

RGB 105 0 141

HSL 284.68, 1%, 0.28%

LAB 26.52, 57.63, -50.11

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 0 / 88 / 3 / 15

HEX #D91AD2

RGB 217 26 210

HSL 302.2, 0.79%, 0.48%

LAB 52, 83.51, -49.17

 

CMYK 0 / 88 / 27 / 15

HEX #D91A9F

RGB 217 26 159

HSL 318.22, 0.79%, 0.48%

LAB 49.49, 76.93, -23.33

 

CMYK 0 / 88 / 51 / 15

HEX #D91A6B

RGB 217 26 107

HSL 334.55, 0.79%, 0.48%

LAB 47.69, 71.99, 5.52

 

CMYK 0 / 88 / 74 / 15

HEX #D91A38

RGB 217 26 56

HSL 350.58, 0.79%, 0.48%

LAB 46.68, 69.12, 35.41

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 44 / 88 / 0 / 15

HEX #7A1AD9

RGB 122 26 217

HSL 270.16, 0.79%, 0.48%

LAB 37.64, 70.69, -77.17

 

CMYK 68 / 88 / 0 / 15

HEX #461AD9

RGB 70 26 217

HSL 253.82, 0.79%, 0.48%

LAB 31.92, 66.14, -86.8

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 22 / 97 / 0 / 7

HEX #B807ED

RGB 184 7 237

HSL 286.17, 0.94%, 0.48%

LAB 47.57, 84.82, -71.95

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 18 / 77 / 0 / 22

HEX #A32EC6

RGB 163 46 198

HSL 286.18, 0.62%, 0.48%

LAB 43.97, 67.22, -55.6

 

CMYK 15 / 63 / 0 / 30

HEX #9842B2

RGB 152 66 178

HSL 286.07, 0.46%, 0.48%

LAB 43.92, 52.98, -44.06

 

CMYK 11 / 46 / 0 / 38

HEX #8D569E

RGB 141 86 158

HSL 285.83, 0.3%, 0.48%

LAB 45.34, 35.37, -30.09

 

CMYK 5 / 23 / 0 / 46

HEX #836A8A

RGB 131 106 138

HSL 286.88, 0.13%, 0.48%

LAB 48.22, 16.06, -13.85

 

CMYK 67 / 88 / 0 / 15

HEX #471AD9

RGB 71 26 217

HSL 254.14, 0.79%, 0.48%

LAB 32.01, 66.2, -86.66

 

CMYK 44 / 88 / 0 / 15

HEX #7A1AD9

RGB 122 26 217

HSL 270.16, 0.79%, 0.48%

LAB 37.64, 70.69, -77.17

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 0 / 88 / 3 / 15

HEX #D91AD3

RGB 217 26 211

HSL 301.88, 0.79%, 0.48%

LAB 52.06, 83.66, -49.65

 

CMYK 0 / 88 / 26 / 15

HEX #D91AA0

RGB 217 26 160

HSL 317.91, 0.79%, 0.48%

LAB 49.53, 77.04, -23.86

 

CMYK 20 / 88 / 0 / 44

HEX #731190

RGB 115 17 144

HSL 286.3, 0.79%, 0.32%

LAB 29.56, 56.55, -46.95

 

CMYK 20 / 88 / 0 / 29

HEX #9016B5

RGB 144 22 181

HSL 286.04, 0.78%, 0.4%

LAB 37.55, 67.2, -56.15

 

CMYK 20 / 88 / 0 / 15

HEX #AD1AD9

RGB 173 26 217

HSL 286.18, 0.79%, 0.48%

LAB 45.13, 77.43, -64.62

 

CMYK 18 / 76 / 0 / 10

HEX #BD37E6

RGB 189 55 230

HSL 285.94, 0.78%, 0.56%

LAB 51, 75.11, -62.41

 

CMYK 14 / 61 / 0 / 8

HEX #C95CEA

RGB 201 92 234

HSL 286.06, 0.77%, 0.64%

LAB 58.05, 63.96, -53.26

 

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

CMYK 0 / 88 / 85 / 15

HEX #D91A21

RGB 217 26 33

HSL 357.8, 0.79%, 0.48%

LAB 46.45, 68.44, 47.88

 

CMYK 88 / 0 / 56 / 15

HEX #1AD960

RGB 26 217 96

HSL 141.99, 0.79%, 0.48%

LAB 76.49, -68.57, 46.91

 

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

CMYK 0 / 20 / 88 / 15

HEX #D9AD1A

RGB 217 173 26

HSL 46.18, 0.79%, 0.48%

LAB 72.7, 3.7, 71.68

 

CMYK 88 / 0 / 20 / 15

HEX #1AD9AD

RGB 26 217 173

HSL 166.18, 0.79%, 0.48%

LAB 77.79, -53.64, 9.49

 

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

CMYK 0 / 88 / 85 / 15

HEX #D91A21

RGB 217 26 33

HSL 357.8, 0.79%, 0.48%

LAB 46.45, 68.44, 47.88

 

CMYK 67 / 0 / 88 / 15

HEX #47D91A

RGB 71 217 26

HSL 105.86, 0.79%, 0.48%

LAB 76.7, -68.49, 71.52

 

CMYK 88 / 0 / 3 / 15

HEX #1AD9D3

RGB 26 217 211

HSL 178.12, 0.79%, 0.48%

LAB 78.78, -43.46, -9.37

 

CMYK 20 / 88 / 0 / 15

HEX #AD1BD9

RGB 173 27 217

HSL 286.11, 0.78%, 0.48%

LAB 45.19, 77.25, -64.52

 

CMYK 0 / 65 / 88 / 15

HEX #D94D1A

RGB 217 77 26

HSL 16.02, 0.79%, 0.48%

LAB 51.99, 52.8, 55.47

 

CMYK 67 / 0 / 88 / 15

HEX #47D91A

RGB 71 217 26

HSL 105.86, 0.79%, 0.48%

LAB 76.7, -68.49, 71.52

 

CMYK 88 / 24 / 0 / 15

HEX #1AA6D9

RGB 26 166 217

HSL 196.02, 0.79%, 0.48%

LAB 63.76, -16.78, -35.53

 

Description

Color code: HEX #AD1BD9 | qconv.com Color code: HEX #AD1BD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 27 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 27 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 88 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 88% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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