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Color name
HEX #AD1E70

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD1E70 it is the complementary color #52E18F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD1E70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD1E70 shade: #B21E6B, #C3307E, #D44291, #E554A4 and #F666B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD1E70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD1E70 shade: #AD1E70, #9C0C5D, #8B004A, #7A0037 and #690024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD1E70 shade: #AD1E70, #AD1E49, #AD1E23 and #AD1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD1E70 shade: #AD1E70, #AD1E97, #9D1EAD, #761EAD and #501EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD1E70 shade matches the following richer shades: #AD1E70 and #BD0E72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD1E70 shade: #AD1E70, #9C2F6E, #8C3F6B, #7B5069 and #6B6066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD1E70 shade: #9C1EAD, #AD1E97, #AD1E71, #AD1E4B and #AD1E25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD1E70 shade: #671242, #8A1859, #AD1E70, #D02487 and #DD419A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD1E70 shade: #AD1E70, #AD761E and #1EABAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD1E70 shade: #AD1E70, #71AD1E and #1E71AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD1E70 shade: #AD1E70, #AD761E, #1EAD5A and #1E55AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD1E70 shade: #AD1E70, #ADA11E, #1EAD5A and #1E2AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

Complementary color

CMYK 64 / 0 / 36 / 12

HEX #52E18F

RGB 82 225 143

HSL 145.59, 0.7%, 0.6%

LAB 80.53, -56.47, 29.11

 

CMYK 0 / 83 / 40 / 30

HEX #B21E6B

RGB 178 30 107

HSL 328.78, 0.71%, 0.41%

LAB 40.34, 61.72, -6.14

 

CMYK 0 / 75 / 35 / 24

HEX #C3307E

RGB 195 48 126

HSL 328.16, 0.6%, 0.48%

LAB 45.94, 63.04, -9.2

 

CMYK 0 / 69 / 32 / 17

HEX #D44291

RGB 212 66 145

HSL 327.53, 0.63%, 0.55%

LAB 51.77, 63.57, -11.59

 

CMYK 0 / 63 / 28 / 10

HEX #E554A4

RGB 229 84 164

HSL 326.9, 0.74%, 0.61%

LAB 57.73, 63.59, -13.51

 

CMYK 0 / 59 / 26 / 4

HEX #F666B7

RGB 246 102 183

HSL 326.25, 0.89%, 0.68%

LAB 63.77, 63.29, -15.08

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 92 / 40 / 39

HEX #9C0C5D

RGB 156 12 93

HSL 326.25, 0.86%, 0.33%

LAB 34.23, 58.5, -6.79

 

CMYK 0 / 100 / 47 / 45

HEX #8B004A

RGB 139 0 74

HSL 328.06, 1%, 0.27%

LAB 29.37, 54.46, -1.92

 

CMYK 0 / 100 / 55 / 52

HEX #7A0037

RGB 122 0 55

HSL 332.95, 1%, 0.24%

LAB 24.99, 48.77, 4.15

 

CMYK 0 / 100 / 66 / 59

HEX #690024

RGB 105 0 36

HSL 339.43, 1%, 0.21%

LAB 20.56, 43.08, 10.71

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 83 / 58 / 32

HEX #AD1E49

RGB 173 30 73

HSL 341.96, 0.7%, 0.4%

LAB 38.36, 57.51, 12.51

 

CMYK 0 / 83 / 80 / 32

HEX #AD1E23

RGB 173 30 35

HSL 357.9, 0.7%, 0.4%

LAB 37.72, 55.57, 35.34

 

CMYK 0 / 83 / 83 / 32

HEX #AD1E1E

RGB 173 30 30

HSL 0, 0.7%, 0.4%

LAB 37.67, 55.42, 38.11

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 83 / 13 / 32

HEX #AD1E97

RGB 173 30 151

HSL 309.23, 0.7%, 0.4%

LAB 41.29, 65.91, -31.91

 

CMYK 9 / 83 / 0 / 32

HEX #9D1EAD

RGB 157 30 173

HSL 293.29, 0.7%, 0.4%

LAB 39.77, 66.19, -47.71

 

CMYK 32 / 83 / 0 / 32

HEX #761EAD

RGB 118 30 173

HSL 276.92, 0.7%, 0.4%

LAB 33.56, 59.44, -58.06

 

CMYK 54 / 83 / 0 / 32

HEX #501EAD

RGB 80 30 173

HSL 260.98, 0.7%, 0.4%

LAB 28.51, 54.1, -66.53

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 93 / 40 / 26

HEX #BD0E72

RGB 189 14 114

HSL 325.71, 0.86%, 0.4%

LAB 41.76, 67.84, -8.16

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 70 / 29 / 39

HEX #9C2F6E

RGB 156 47 110

HSL 325.32, 0.54%, 0.4%

LAB 38.25, 50.85, -11.57

 

CMYK 0 / 55 / 24 / 45

HEX #8C3F6B

RGB 140 63 107

HSL 325.71, 0.38%, 0.4%

LAB 38.18, 38.12, -10.04

 

CMYK 0 / 35 / 15 / 52

HEX #7B5069

RGB 123 80 105

HSL 325.12, 0.21%, 0.4%

LAB 39.53, 22.09, -7.02

 

CMYK 0 / 10 / 5 / 58

HEX #6B6066

RGB 107 96 102

HSL 327.27, 0.05%, 0.4%

LAB 41.92, 5.57, -1.81

 

CMYK 10 / 83 / 0 / 32

HEX #9C1EAD

RGB 156 30 173

HSL 292.87, 0.7%, 0.4%

LAB 39.6, 66.01, -47.99

 

CMYK 0 / 83 / 13 / 32

HEX #AD1E97

RGB 173 30 151

HSL 309.23, 0.7%, 0.4%

LAB 41.29, 65.91, -31.91

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E71

RGB 173 30 113

HSL 325.17, 0.7%, 0.4%

LAB 39.59, 61.11, -11.12

 

CMYK 0 / 83 / 57 / 32

HEX #AD1E4B

RGB 173 30 75

HSL 341.12, 0.7%, 0.4%

LAB 38.41, 57.65, 11.29

 

CMYK 0 / 83 / 79 / 32

HEX #AD1E25

RGB 173 30 37

HSL 357.06, 0.7%, 0.4%

LAB 37.75, 55.64, 34.2

 

CMYK 0 / 83 / 36 / 60

HEX #671242

RGB 103 18 66

HSL 326.12, 0.7%, 0.24%

LAB 22.69, 40.74, -7.28

 

CMYK 0 / 83 / 36 / 46

HEX #8A1859

RGB 138 24 89

HSL 325.79, 0.7%, 0.32%

LAB 31.3, 51.16, -8.98

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 83 / 35 / 18

HEX #D02487

RGB 208 36 135

HSL 325.47, 0.7%, 0.48%

LAB 47.52, 70.43, -12.05

 

CMYK 0 / 71 / 30 / 13

HEX #DD419A

RGB 221 65 154

HSL 325.77, 0.7%, 0.56%

LAB 53.48, 67.39, -14.2

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 32 / 83 / 32

HEX #AD761E

RGB 173 118 30

HSL 36.92, 0.7%, 0.4%

LAB 53.96, 14.25, 53.04

 

CMYK 83 / 1 / 0 / 32

HEX #1EABAD

RGB 30 171 173

HSL 180.84, 0.7%, 0.4%

LAB 63.69, -33.53, -11.14

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 35 / 0 / 83 / 32

HEX #71AD1E

RGB 113 173 30

HSL 85.17, 0.7%, 0.4%

LAB 64.56, -40.29, 60.59

 

CMYK 83 / 35 / 0 / 32

HEX #1E71AD

RGB 30 113 173

HSL 205.17, 0.7%, 0.4%

LAB 45.78, -2.32, -38.75

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 32 / 83 / 32

HEX #AD761E

RGB 173 118 30

HSL 36.92, 0.7%, 0.4%

LAB 53.96, 14.25, 53.04

 

CMYK 83 / 0 / 48 / 32

HEX #1EAD5A

RGB 30 173 90

HSL 145.17, 0.7%, 0.4%

LAB 62.42, -54.54, 32.56

 

CMYK 83 / 51 / 0 / 32

HEX #1E55AD

RGB 30 85 173

HSL 216.92, 0.7%, 0.4%

LAB 37.46, 15.61, -52.04

 

CMYK 0 / 83 / 35 / 32

HEX #AD1E70

RGB 173 30 112

HSL 325.59, 0.7%, 0.4%

LAB 39.55, 61, -10.55

 

CMYK 0 / 7 / 83 / 32

HEX #ADA11E

RGB 173 161 30

HSL 54.97, 0.7%, 0.4%

LAB 65.33, -9.33, 62.92

 

CMYK 83 / 0 / 48 / 32

HEX #1EAD5A

RGB 30 173 90

HSL 145.17, 0.7%, 0.4%

LAB 62.42, -54.54, 32.56

 

CMYK 83 / 76 / 0 / 32

HEX #1E2AAD

RGB 30 42 173

HSL 234.97, 0.7%, 0.4%

LAB 26.59, 43.53, -69.84

 

Description

Color code: HEX #AD1E70 | qconv.com Color code: HEX #AD1E70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 30 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 30 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 35% 32% C M Y K

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Provide designers and agencies with accurate color values.

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