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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2EB2 it is the complementary color #52D14D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2EB2 shade: #B22EAD, #C340C0, #D452D3, #E564E6 and #F676F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2EB2 shade: #AD2EB2, #9C1C9F, #8B0A8C, #7A0079 and #690066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2EB2 shade: #AD2EB2, #B22E93, #B22E70, #B22E4C and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2EB2 shade: #AD2EB2, #892EB2, #652EB2, #422EB2 and #2E2EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2EB2 shade matches the following richer shades: #AD2EB2, #BE1BC4 and #CE09D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2EB2 shade: #AD2EB2, #9C40A0, #8B528E, #7B647B and #6A7669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2EB2 shade: #652EB2, #882EB2, #AB2EB2, #B22E95 and #B22E72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2EB2 shade: #6D1D70, #8D2591, #AD2EB2, #C73CCC and #D05DD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2EB2 shade: #AD2EB2, #B2412E and #2EB276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2EB2 shade: #AD2EB2, #B2AB2E and #2EB2AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2EB2 shade: #AD2EB2, #B2412E, #34B22E and #2E9EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2EB2 shade: #AD2EB2, #B2692E, #34B22E and #2E76B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

Complementary color

CMYK 61 / 0 / 63 / 18

HEX #52D14D

RGB 82 209 77

HSL 117.73, 0.59%, 0.56%

LAB 74.78, -60.12, 53.65

 

CMYK 0 / 74 / 3 / 30

HEX #B22EAD

RGB 178 46 173

HSL 302.27, 0.59%, 0.44%

LAB 44.85, 65.9, -39.39

 

CMYK 0 / 67 / 2 / 24

HEX #C340C0

RGB 195 64 192

HSL 301.37, 0.52%, 0.51%

LAB 50.77, 66.6, -40.97

 

CMYK 0 / 61 / 0 / 17

HEX #D452D3

RGB 212 82 211

HSL 300.46, 0.6%, 0.58%

LAB 56.82, 66.75, -42.16

 

CMYK 0 / 57 / 0 / 10

HEX #E564E6

RGB 229 100 230

HSL 299.54, 0.72%, 0.65%

LAB 62.92, 66.55, -43.08

 

CMYK 1 / 53 / 0 / 2

HEX #F676F9

RGB 246 118 249

HSL 298.63, 0.92%, 0.72%

LAB 69.03, 66.14, -43.82

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 2 / 82 / 0 / 38

HEX #9C1C9F

RGB 156 28 159

HSL 298.63, 0.7%, 0.37%

LAB 38.55, 64.14, -41.27

 

CMYK 1 / 93 / 0 / 45

HEX #8B0A8C

RGB 139 10 140

HSL 299.54, 0.87%, 0.29%

LAB 33.13, 61.32, -38.5

 

CMYK 0 / 100 / 1 / 52

HEX #7A0079

RGB 122 0 121

HSL 300.49, 1%, 0.24%

LAB 28.16, 56.78, -34.73

 

CMYK 0 / 100 / 3 / 59

HEX #690066

RGB 105 0 102

HSL 301.71, 1%, 0.21%

LAB 23.55, 50.69, -30.05

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 0 / 74 / 17 / 30

HEX #B22E93

RGB 178 46 147

HSL 314.09, 0.59%, 0.44%

LAB 43.54, 62, -25.89

 

CMYK 0 / 74 / 37 / 30

HEX #B22E70

RGB 178 46 112

HSL 330, 0.59%, 0.44%

LAB 42.14, 57.62, -6.58

 

CMYK 0 / 74 / 57 / 30

HEX #B22E4C

RGB 178 46 76

HSL 346.36, 0.59%, 0.44%

LAB 41.12, 54.33, 14.53

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 23 / 74 / 0 / 30

HEX #892EB2

RGB 137 46 178

HSL 281.36, 0.59%, 0.44%

LAB 38.7, 58.25, -52.56

 

CMYK 43 / 74 / 0 / 30

HEX #652EB2

RGB 101 46 178

HSL 265, 0.59%, 0.44%

LAB 33.85, 51.57, -60.67

 

CMYK 63 / 74 / 0 / 30

HEX #422EB2

RGB 66 46 178

HSL 249.09, 0.59%, 0.44%

LAB 30.22, 46.33, -66.75

 

CMYK 74 / 74 / 0 / 30

HEX #2E2EB2

RGB 46 46 178

HSL 240, 0.59%, 0.44%

LAB 28.77, 44.16, -69.2

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 3 / 86 / 0 / 23

HEX #BE1BC4

RGB 190 27 196

HSL 297.87, 0.76%, 0.44%

LAB 46.6, 76.52, -49.98

 

CMYK 4 / 96 / 0 / 16

HEX #CE09D6

RGB 206 9 214

HSL 297.66, 0.92%, 0.44%

LAB 49.7, 84.13, -55.24

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 2 / 60 / 0 / 37

HEX #9C40A0

RGB 156 64 160

HSL 297.5, 0.43%, 0.44%

LAB 43.17, 51.43, -34.55

 

CMYK 2 / 42 / 0 / 44

HEX #8B528E

RGB 139 82 142

HSL 297, 0.27%, 0.44%

LAB 43.47, 33.66, -23.44

 

CMYK 0 / 19 / 0 / 52

HEX #7B647B

RGB 123 100 123

HSL 300, 0.1%, 0.44%

LAB 45.3, 13.58, -9.37

 

CMYK 10 / 0 / 11 / 54

HEX #6A7669

RGB 106 118 105

HSL 115.38, 0.06%, 0.44%

LAB 48.31, -7.17, 5.64

 

CMYK 43 / 74 / 0 / 30

HEX #652EB2

RGB 101 46 178

HSL 265, 0.59%, 0.44%

LAB 33.85, 51.57, -60.67

 

CMYK 24 / 74 / 0 / 30

HEX #882EB2

RGB 136 46 178

HSL 280.91, 0.59%, 0.44%

LAB 38.56, 58.05, -52.81

 

CMYK 4 / 74 / 0 / 30

HEX #AB2EB2

RGB 171 46 178

HSL 296.82, 0.59%, 0.44%

LAB 43.98, 65.23, -43.8

 

CMYK 0 / 74 / 16 / 30

HEX #B22E95

RGB 178 46 149

HSL 313.18, 0.59%, 0.44%

LAB 43.64, 62.28, -26.96

 

CMYK 0 / 74 / 36 / 30

HEX #B22E72

RGB 178 46 114

HSL 329.09, 0.59%, 0.44%

LAB 42.21, 57.84, -7.72

 

CMYK 3 / 74 / 0 / 56

HEX #6D1D70

RGB 109 29 112

HSL 297.83, 0.59%, 0.28%

LAB 27.57, 45.61, -30.07

 

CMYK 3 / 74 / 0 / 43

HEX #8D2591

RGB 141 37 145

HSL 297.78, 0.59%, 0.36%

LAB 36.04, 56.04, -36.92

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 2 / 71 / 0 / 20

HEX #C73CCC

RGB 199 60 204

HSL 297.92, 0.59%, 0.52%

LAB 51.53, 70.89, -46.65

 

CMYK 2 / 56 / 0 / 16

HEX #D05DD5

RGB 208 93 213

HSL 297.5, 0.59%, 0.6%

LAB 58.08, 61.35, -41.34

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 0 / 63 / 74 / 30

HEX #B2412E

RGB 178 65 46

HSL 8.64, 0.59%, 0.44%

LAB 43.42, 44.9, 35.49

 

CMYK 74 / 0 / 34 / 30

HEX #2EB276

RGB 46 178 118

HSL 152.73, 0.59%, 0.44%

LAB 64.75, -49.09, 20.84

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 0 / 4 / 74 / 30

HEX #B2AB2E

RGB 178 171 46

HSL 56.82, 0.59%, 0.44%

LAB 68.6, -11.75, 61.02

 

CMYK 74 / 0 / 4 / 30

HEX #2EB2AB

RGB 46 178 171

HSL 176.82, 0.59%, 0.44%

LAB 66.03, -35.81, -6.51

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 0 / 63 / 74 / 30

HEX #B2412E

RGB 178 65 46

HSL 8.64, 0.59%, 0.44%

LAB 43.42, 44.9, 35.49

 

CMYK 71 / 0 / 74 / 30

HEX #34B22E

RGB 52 178 46

HSL 117.27, 0.59%, 0.44%

LAB 63.97, -58.49, 54.22

 

CMYK 74 / 11 / 0 / 30

HEX #2E9EB2

RGB 46 158 178

HSL 189.09, 0.59%, 0.44%

LAB 60.11, -23.94, -19.32

 

CMYK 3 / 74 / 0 / 30

HEX #AD2EB2

RGB 173 46 178

HSL 297.73, 0.59%, 0.44%

LAB 44.31, 65.65, -43.26

 

CMYK 0 / 41 / 74 / 30

HEX #B2692E

RGB 178 105 46

HSL 26.82, 0.59%, 0.44%

LAB 51.57, 24.36, 44.22

 

CMYK 71 / 0 / 74 / 30

HEX #34B22E

RGB 52 178 46

HSL 117.27, 0.59%, 0.44%

LAB 63.97, -58.49, 54.22

 

CMYK 74 / 34 / 0 / 30

HEX #2E76B2

RGB 46 118 178

HSL 207.27, 0.59%, 0.44%

LAB 47.95, -1.63, -38.2

 

Description

Color code: HEX #AD2EB2 | qconv.com Color code: HEX #AD2EB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 46 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 46 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 74 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 74% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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