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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD38A3 it is the complementary color #52C75C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD38A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD38A3 shade: #B2389E, #C34AB1, #D45CC4, #E56ED7 and #F680EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD38A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD38A3 shade: #AD38A3, #9C2690, #8B147D, #7A026A and #690057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD38A3 shade: #AD38A3, #AD3883, #AD3864, #AD3844 and #AD3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD38A3 shade: #AD38A3, #9738AD, #7838AD, #5838AD and #3938AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD38A3 shade matches the following richer shades: #AD38A3, #BF25B2, #D213C2 and #E400D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD38A3 shade: #AD38A3, #9A4A93, #885D84, #756F75 and #638265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD38A3 shade: #7838AD, #9738AD, #AD38A3, #AD3884 and #AD3865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD38A3 shade: #6E2468, #8E2E85, #AD38A3, #C44AB9 and #CE69C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD38A3 shade: #AD38A3, #AD5938 and #38AD88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD38A3 shade: #AD38A3, #A3AD38 and #38A3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD38A3 shade: #AD38A3, #AD5938, #38AD41 and #388CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD38A3 shade: #AD38A3, #AD7C38, #38AD41 and #3868AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

Complementary color

CMYK 59 / 0 / 54 / 22

HEX #52C75C

RGB 82 199 92

HSL 125.13, 0.51%, 0.55%

LAB 71.83, -54.71, 43.44

 

CMYK 0 / 69 / 11 / 30

HEX #B2389E

RGB 178 56 158

HSL 309.84, 0.52%, 0.46%

LAB 45.31, 60.1, -29.76

 

CMYK 0 / 62 / 9 / 24

HEX #C34AB1

RGB 195 74 177

HSL 308.93, 0.5%, 0.53%

LAB 51.47, 60.23, -31.16

 

CMYK 0 / 57 / 8 / 17

HEX #D45CC4

RGB 212 92 196

HSL 308, 0.58%, 0.6%

LAB 57.69, 59.98, -32.24

 

CMYK 0 / 52 / 6 / 10

HEX #E56ED7

RGB 229 110 215

HSL 307.06, 0.7%, 0.66%

LAB 63.93, 59.52, -33.11

 

CMYK 0 / 48 / 5 / 4

HEX #F680EA

RGB 246 128 234

HSL 306.1, 0.87%, 0.73%

LAB 70.16, 58.92, -33.83

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 76 / 8 / 39

HEX #9C2690

RGB 156 38 144

HSL 306.1, 0.61%, 0.38%

LAB 38.67, 58.94, -31.98

 

CMYK 0 / 86 / 10 / 45

HEX #8B147D

RGB 139 20 125

HSL 307.06, 0.75%, 0.31%

LAB 32.85, 57.2, -29.6

 

CMYK 0 / 98 / 13 / 52

HEX #7A026A

RGB 122 2 106

HSL 308, 0.97%, 0.24%

LAB 27.36, 54.16, -26.39

 

CMYK 0 / 100 / 17 / 59

HEX #690057

RGB 105 0 87

HSL 310.29, 1%, 0.21%

LAB 22.62, 48.41, -21.59

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 68 / 24 / 32

HEX #AD3883

RGB 173 56 131

HSL 321.54, 0.51%, 0.45%

LAB 43.29, 54.87, -16.63

 

CMYK 0 / 68 / 42 / 32

HEX #AD3864

RGB 173 56 100

HSL 337.44, 0.51%, 0.45%

LAB 42.2, 51.14, 0.89

 

CMYK 0 / 68 / 61 / 32

HEX #AD3844

RGB 173 56 68

HSL 353.85, 0.51%, 0.45%

LAB 41.42, 48.35, 19.76

 

CMYK 0 / 68 / 68 / 32

HEX #AD3838

RGB 173 56 56

HSL 0, 0.51%, 0.45%

LAB 41.21, 47.59, 26.85

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

CMYK 31 / 68 / 0 / 32

HEX #7838AD

RGB 120 56 173

HSL 272.82, 0.51%, 0.45%

LAB 37.55, 49.24, -51.57

 

CMYK 49 / 68 / 0 / 32

HEX #5838AD

RGB 88 56 173

HSL 256.41, 0.51%, 0.45%

LAB 33.82, 42.77, -57.8

 

CMYK 67 / 68 / 0 / 32

HEX #3938AD

RGB 57 56 173

HSL 240.51, 0.51%, 0.45%

LAB 31.15, 37.78, -62.27

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 81 / 7 / 25

HEX #BF25B2

RGB 191 37 178

HSL 305.06, 0.68%, 0.45%

LAB 46.46, 71.88, -39.65

 

CMYK 0 / 91 / 8 / 18

HEX #D213C2

RGB 210 19 194

HSL 305.03, 0.83%, 0.45%

LAB 49.57, 80.96, -43.87

 

CMYK 0 / 100 / 8 / 11

HEX #E400D1

RGB 228 0 209

HSL 305, 1%, 0.45%

LAB 53.06, 87.67, -46.8

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 52 / 5 / 40

HEX #9A4A93

RGB 154 74 147

HSL 305.25, 0.35%, 0.45%

LAB 44.05, 43.63, -25.4

 

CMYK 0 / 32 / 3 / 47

HEX #885D84

RGB 136 93 132

HSL 305.58, 0.19%, 0.45%

LAB 45.26, 24.31, -14.71

 

CMYK 0 / 5 / 0 / 54

HEX #756F75

RGB 117 111 117

HSL 300, 0.03%, 0.45%

LAB 47.54, 3.52, -2.5

 

CMYK 24 / 0 / 22 / 49

HEX #638265

RGB 99 130 101

HSL 123.87, 0.14%, 0.45%

LAB 51.33, -17.19, 12.18

 

CMYK 31 / 68 / 0 / 32

HEX #7838AD

RGB 120 56 173

HSL 272.82, 0.51%, 0.45%

LAB 37.55, 49.24, -51.57

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 68 / 24 / 32

HEX #AD3884

RGB 173 56 132

HSL 321.03, 0.51%, 0.45%

LAB 43.33, 55, -17.18

 

CMYK 0 / 68 / 42 / 32

HEX #AD3865

RGB 173 56 101

HSL 336.92, 0.51%, 0.45%

LAB 42.23, 51.25, 0.31

 

CMYK 0 / 67 / 5 / 57

HEX #6E2468

RGB 110 36 104

HSL 304.86, 0.51%, 0.29%

LAB 28.32, 41.51, -23.73

 

CMYK 0 / 68 / 6 / 44

HEX #8E2E85

RGB 142 46 133

HSL 305.63, 0.51%, 0.37%

LAB 36.74, 50.84, -28.42

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 62 / 6 / 23

HEX #C44AB9

RGB 196 74 185

HSL 305.41, 0.51%, 0.53%

LAB 51.99, 61.77, -34.98

 

CMYK 0 / 49 / 4 / 19

HEX #CE69C5

RGB 206 105 197

HSL 305.35, 0.51%, 0.61%

LAB 59.21, 52.32, -30.51

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 49 / 68 / 32

HEX #AD5938

RGB 173 89 56

HSL 16.92, 0.51%, 0.45%

LAB 47.38, 31.54, 34.22

 

CMYK 68 / 0 / 21 / 32

HEX #38AD88

RGB 56 173 136

HSL 161.03, 0.51%, 0.45%

LAB 63.76, -41.43, 9.64

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 6 / 0 / 68 / 32

HEX #A3AD38

RGB 163 173 56

HSL 65.13, 0.51%, 0.45%

LAB 67.99, -18.74, 56.27

 

CMYK 68 / 6 / 0 / 32

HEX #38A3AD

RGB 56 163 173

HSL 185.13, 0.51%, 0.45%

LAB 61.7, -26.66, -14.08

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 49 / 68 / 32

HEX #AD5938

RGB 173 89 56

HSL 16.92, 0.51%, 0.45%

LAB 47.38, 31.54, 34.22

 

CMYK 68 / 0 / 62 / 32

HEX #38AD41

RGB 56 173 65

HSL 124.62, 0.51%, 0.45%

LAB 62.6, -54.19, 45.04

 

CMYK 68 / 19 / 0 / 32

HEX #388CAD

RGB 56 140 173

HSL 196.92, 0.51%, 0.45%

LAB 54.67, -14.59, -24.8

 

CMYK 0 / 68 / 6 / 32

HEX #AD38A3

RGB 173 56 163

HSL 305.13, 0.51%, 0.45%

LAB 44.74, 59.65, -33.69

 

CMYK 0 / 28 / 68 / 32

HEX #AD7C38

RGB 173 124 56

HSL 34.87, 0.51%, 0.45%

LAB 55.67, 12.1, 43.57

 

CMYK 68 / 0 / 62 / 32

HEX #38AD41

RGB 56 173 65

HSL 124.62, 0.51%, 0.45%

LAB 62.6, -54.19, 45.04

 

CMYK 68 / 40 / 0 / 32

HEX #3868AD

RGB 56 104 173

HSL 215.38, 0.51%, 0.45%

LAB 43.88, 6.71, -41.7

 

Description

Color code: HEX #AD38A3 | qconv.com Color code: HEX #AD38A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 56 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 56 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 6 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 6% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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