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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3945 it is the complementary color #52C6BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3945 shade: #B23940, #C34B53, #D45D66, #E56F79 and #F6818C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3945 shade: #AD3945, #9C2732, #8B151F, #7A030C and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3945 shade: #AC3945 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3945 shade: #AC3945, #AC3964, #AC3983, #AC39A2 and #9739AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3945 shade matches the following richer shades: #AC3945, #BE2636, #D11427 and #E30119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3945 shade: #AC3945, #994B53, #865E62, #747171 and #618380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3945 shade: #AC3983, #AC3965, #AC3946, #AC4A39 and #AC6939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3945 shade: #6E242C, #8D2F38, #AC3945, #C34B57 and #CD6A74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3945 shade: #AD3945, #A2AC39 and #3974AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3945 shade: #AD3945, #46AC39 and #3946AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3945 shade: #AD3945, #A2AC39, #39AC9E and #4239AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3945 shade: #AD3945, #80AC39, #39AC9E and #6539AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

Complementary color

CMYK 59 / 0 / 6 / 22

HEX #52C6BA

RGB 82 198 186

HSL 173.79, 0.5%, 0.55%

LAB 73.37, -35.44, -3.8

 

CMYK 0 / 68 / 64 / 30

HEX #B23940

RGB 178 57 64

HSL 356.53, 0.51%, 0.46%

LAB 42.4, 49.33, 23.67

 

CMYK 0 / 62 / 57 / 24

HEX #C34B53

RGB 195 75 83

HSL 356, 0.5%, 0.53%

LAB 48.58, 48.6, 20.78

 

CMYK 0 / 56 / 52 / 17

HEX #D45D66

RGB 212 93 102

HSL 355.46, 0.58%, 0.6%

LAB 54.85, 47.67, 18.39

 

CMYK 0 / 52 / 47 / 10

HEX #E56F79

RGB 229 111 121

HSL 354.92, 0.69%, 0.67%

LAB 61.14, 46.67, 16.39

 

CMYK 0 / 48 / 43 / 4

HEX #F6818C

RGB 246 129 140

HSL 354.36, 0.87%, 0.74%

LAB 67.42, 45.65, 14.67

 

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

CMYK 0 / 75 / 68 / 39

HEX #9C2732

RGB 156 39 50

HSL 354.36, 0.6%, 0.38%

LAB 35.5, 48.3, 22.78

 

CMYK 0 / 85 / 78 / 45

HEX #8B151F

RGB 139 21 31

HSL 354.92, 0.74%, 0.31%

LAB 29.72, 47.77, 27.05

 

CMYK 0 / 98 / 90 / 52

HEX #7A030C

RGB 122 3 12

HSL 355.46, 0.95%, 0.25%

LAB 24.42, 46.05, 31.57

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 67 / 60 / 33

HEX #AC3945

RGB 172 57 69

HSL 353.74, 0.5%, 0.45%

LAB 41.42, 47.67, 19.1

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 60 / 33

HEX #AC3945

RGB 172 57 69

HSL 353.74, 0.5%, 0.45%

LAB 41.42, 47.67, 19.1

 

CMYK 0 / 67 / 42 / 33

HEX #AC3964

RGB 172 57 100

HSL 337.57, 0.5%, 0.45%

LAB 42.18, 50.42, 0.84

 

CMYK 0 / 67 / 24 / 33

HEX #AC3983

RGB 172 57 131

HSL 321.39, 0.5%, 0.45%

LAB 43.26, 54.19, -16.68

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A2

RGB 172 57 162

HSL 305.22, 0.5%, 0.45%

LAB 44.67, 58.85, -33.22

 

CMYK 12 / 67 / 0 / 33

HEX #9739AC

RGB 151 57 172

HSL 289.04, 0.5%, 0.45%

LAB 41.98, 55.57, -43.64

 

CMYK 0 / 67 / 60 / 33

HEX #AC3945

RGB 172 57 69

HSL 353.74, 0.5%, 0.45%

LAB 41.42, 47.67, 19.1

 

CMYK 0 / 80 / 72 / 25

HEX #BE2636

RGB 190 38 54

HSL 353.68, 0.67%, 0.45%

LAB 42.15, 59.07, 29.95

 

CMYK 0 / 90 / 81 / 18

HEX #D11427

RGB 209 20 39

HSL 353.97, 0.83%, 0.45%

LAB 44.52, 67.45, 42.36

 

CMYK 0 / 100 / 89 / 11

HEX #E30119

RGB 227 1 25

HSL 353.63, 0.99%, 0.45%

LAB 47.52, 73.53, 53.37

 

CMYK 0 / 67 / 60 / 33

HEX #AC3945

RGB 172 57 69

HSL 353.74, 0.5%, 0.45%

LAB 41.42, 47.67, 19.1

 

CMYK 0 / 51 / 46 / 40

HEX #994B53

RGB 153 75 83

HSL 353.85, 0.34%, 0.45%

LAB 41.89, 33.37, 10.56

 

CMYK 0 / 30 / 27 / 47

HEX #865E62

RGB 134 94 98

HSL 354, 0.18%, 0.45%

LAB 44.17, 16.95, 4.25

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 0 / 2 / 49

HEX #618380

RGB 97 131 128

HSL 174.71, 0.15%, 0.45%

LAB 52.21, -12.62, -2.28

 

CMYK 0 / 67 / 24 / 33

HEX #AC3983

RGB 172 57 131

HSL 321.39, 0.5%, 0.45%

LAB 43.26, 54.19, -16.68

 

CMYK 0 / 67 / 41 / 33

HEX #AC3965

RGB 172 57 101

HSL 337.04, 0.5%, 0.45%

LAB 42.21, 50.52, 0.26

 

CMYK 0 / 67 / 59 / 33

HEX #AC3946

RGB 172 57 70

HSL 353.22, 0.5%, 0.45%

LAB 41.44, 47.74, 18.51

 

CMYK 0 / 57 / 67 / 33

HEX #AC4A39

RGB 172 74 57

HSL 8.87, 0.5%, 0.45%

LAB 44.18, 38.99, 29.82

 

CMYK 0 / 39 / 67 / 33

HEX #AC6939

RGB 172 105 57

HSL 25.04, 0.5%, 0.45%

LAB 50.88, 22.39, 37.68

 

CMYK 0 / 67 / 60 / 57

HEX #6E242C

RGB 110 36 44

HSL 353.51, 0.51%, 0.29%

LAB 26.04, 33.42, 12.71

 

CMYK 0 / 67 / 60 / 45

HEX #8D2F38

RGB 141 47 56

HSL 354.26, 0.5%, 0.37%

LAB 33.94, 40.44, 16.39

 

CMYK 0 / 67 / 60 / 33

HEX #AC3945

RGB 172 57 69

HSL 353.74, 0.5%, 0.45%

LAB 41.42, 47.67, 19.1

 

CMYK 0 / 62 / 55 / 24

HEX #C34B57

RGB 195 75 87

HSL 354, 0.5%, 0.53%

LAB 48.66, 48.91, 18.48

 

CMYK 0 / 48 / 43 / 20

HEX #CD6A74

RGB 205 106 116

HSL 353.94, 0.5%, 0.61%

LAB 56.63, 40.06, 12.5

 

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

CMYK 6 / 0 / 67 / 33

HEX #A2AC39

RGB 162 172 57

HSL 65.22, 0.5%, 0.45%

LAB 67.64, -18.6, 55.48

 

CMYK 67 / 33 / 0 / 33

HEX #3974AC

RGB 57 116 172

HSL 209.22, 0.5%, 0.45%

LAB 47.42, -0.89, -35.52

 

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

CMYK 59 / 0 / 67 / 33

HEX #46AC39

RGB 70 172 57

HSL 113.22, 0.5%, 0.45%

LAB 62.59, -51.55, 48.63

 

CMYK 67 / 59 / 0 / 33

HEX #3946AC

RGB 57 70 172

HSL 233.22, 0.5%, 0.45%

LAB 34.45, 28.55, -56.27

 

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

CMYK 6 / 0 / 67 / 33

HEX #A2AC39

RGB 162 172 57

HSL 65.22, 0.5%, 0.45%

LAB 67.64, -18.6, 55.48

 

CMYK 67 / 0 / 8 / 33

HEX #39AC9E

RGB 57 172 158

HSL 172.7, 0.5%, 0.45%

LAB 64.03, -35.16, -2.2

 

CMYK 62 / 67 / 0 / 33

HEX #4239AC

RGB 66 57 172

HSL 244.7, 0.5%, 0.45%

LAB 31.95, 38.13, -60.33

 

CMYK 0 / 67 / 60 / 32

HEX #AD3945

RGB 173 57 69

HSL 353.79, 0.5%, 0.45%

LAB 41.6, 48, 19.37

 

CMYK 26 / 0 / 67 / 33

HEX #80AC39

RGB 128 172 57

HSL 82.96, 0.5%, 0.45%

LAB 65.27, -32.56, 52.29

 

CMYK 67 / 0 / 8 / 33

HEX #39AC9E

RGB 57 172 158

HSL 172.7, 0.5%, 0.45%

LAB 64.03, -35.16, -2.2

 

CMYK 41 / 67 / 0 / 33

HEX #6539AC

RGB 101 57 172

HSL 262.96, 0.5%, 0.45%

LAB 35.34, 44.47, -54.66

 

Description

Color code: HEX #AD3945 | qconv.com Color code: HEX #AD3945 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 57 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 57 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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