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Color name
HEX #AD3988

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3988 it is the complementary color #52C677. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3988. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3988 shade: #B23983, #C34B96, #D45DA9, #E56FBC and #F681CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3988. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3988 shade: #AD3988, #9C2775, #8B1562, #7A034F and #69003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3988 shade: #AC3987, #AC3968, #AC3949 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3988 shade: #AC3987, #AC39A6, #9239AC, #7339AC and #5439AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3988 shade matches the following richer shades: #AC3987, #BE268E, #D11494 and #E3019B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3988 shade: #AC3987, #994B80, #865E7A, #747173 and #61836C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3988 shade: #9339AC, #AC39A6, #AC3987, #AC3969 and #AC394A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3988 shade: #6E2456, #8D2F6F, #AC3987, #C34B9D and #CD6AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3988 shade: #AD3988, #AC7439 and #39ACA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3988 shade: #AD3988, #87AC39 and #3987AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3988 shade: #AD3988, #AC7439, #39AC5D and #3970AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3988 shade: #AD3988, #AC9739, #39AC5D and #394EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

Complementary color

CMYK 59 / 0 / 40 / 22

HEX #52C677

RGB 82 198 119

HSL 139.14, 0.5%, 0.55%

LAB 71.9, -50.19, 30.03

 

CMYK 0 / 68 / 26 / 30

HEX #B23983

RGB 178 57 131

HSL 323.31, 0.51%, 0.46%

LAB 44.28, 55.87, -15.05

 

CMYK 0 / 62 / 23 / 24

HEX #C34B96

RGB 195 75 150

HSL 322.5, 0.5%, 0.53%

LAB 50.5, 55.8, -16.76

 

CMYK 0 / 56 / 20 / 17

HEX #D45DA9

RGB 212 93 169

HSL 321.68, 0.58%, 0.6%

LAB 56.77, 55.4, -18.11

 

CMYK 0 / 52 / 18 / 10

HEX #E56FBC

RGB 229 111 188

HSL 320.85, 0.69%, 0.67%

LAB 63.06, 54.83, -19.22

 

CMYK 0 / 48 / 16 / 4

HEX #F681CF

RGB 246 129 207

HSL 320, 0.87%, 0.74%

LAB 69.33, 54.16, -20.16

 

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

CMYK 0 / 75 / 25 / 39

HEX #9C2775

RGB 156 39 117

HSL 320, 0.6%, 0.38%

LAB 37.49, 54.69, -17.12

 

CMYK 0 / 85 / 29 / 45

HEX #8B1562

RGB 139 21 98

HSL 320.85, 0.74%, 0.31%

LAB 31.59, 53.26, -14.35

 

CMYK 0 / 98 / 35 / 52

HEX #7A034F

RGB 122 3 79

HSL 321.68, 0.95%, 0.25%

LAB 26.06, 50.5, -10.61

 

CMYK 0 / 100 / 43 / 59

HEX #69003C

RGB 105 0 60

HSL 325.71, 1%, 0.21%

LAB 21.32, 45.09, -5.15

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 67 / 40 / 33

HEX #AC3968

RGB 172 57 104

HSL 335.48, 0.5%, 0.45%

LAB 42.3, 50.85, -1.48

 

CMYK 0 / 67 / 58 / 33

HEX #AC3949

RGB 172 57 73

HSL 351.65, 0.5%, 0.45%

LAB 41.5, 47.96, 16.73

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 67 / 3 / 33

HEX #AC39A6

RGB 172 57 166

HSL 303.13, 0.5%, 0.45%

LAB 44.87, 59.51, -35.28

 

CMYK 15 / 67 / 0 / 33

HEX #9239AC

RGB 146 57 172

HSL 286.43, 0.5%, 0.45%

LAB 41.24, 54.4, -44.85

 

CMYK 33 / 67 / 0 / 33

HEX #7339AC

RGB 115 57 172

HSL 270.26, 0.5%, 0.45%

LAB 37.02, 47.42, -51.86

 

CMYK 51 / 67 / 0 / 33

HEX #5439AC

RGB 84 57 172

HSL 254.09, 0.5%, 0.45%

LAB 33.54, 41.18, -57.67

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 80 / 25 / 25

HEX #BE268E

RGB 190 38 142

HSL 318.95, 0.67%, 0.45%

LAB 44.64, 66.53, -21

 

CMYK 0 / 90 / 29 / 18

HEX #D11494

RGB 209 20 148

HSL 319.37, 0.83%, 0.45%

LAB 47.23, 74.9, -20.35

 

CMYK 0 / 100 / 32 / 11

HEX #E3019B

RGB 227 1 155

HSL 319.12, 0.99%, 0.45%

LAB 50.36, 81.04, -19.45

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 51 / 16 / 40

HEX #994B80

RGB 153 75 128

HSL 319.23, 0.34%, 0.45%

LAB 43.31, 39.52, -15.06

 

CMYK 0 / 30 / 9 / 47

HEX #865E7A

RGB 134 94 122

HSL 318, 0.18%, 0.45%

LAB 44.91, 21.07, -9.22

 

CMYK 0 / 3 / 1 / 55

HEX #747173

RGB 116 113 115

HSL 320, 0.01%, 0.45%

LAB 47.96, 1.56, -0.7

 

CMYK 26 / 0 / 18 / 49

HEX #61836C

RGB 97 131 108

HSL 139.41, 0.15%, 0.45%

LAB 51.67, -17.05, 8.59

 

CMYK 15 / 67 / 0 / 33

HEX #9339AC

RGB 147 57 172

HSL 286.96, 0.5%, 0.45%

LAB 41.39, 54.64, -44.61

 

CMYK 0 / 67 / 3 / 33

HEX #AC39A6

RGB 172 57 166

HSL 303.13, 0.5%, 0.45%

LAB 44.87, 59.51, -35.28

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 67 / 39 / 33

HEX #AC3969

RGB 172 57 105

HSL 334.96, 0.5%, 0.45%

LAB 42.33, 50.96, -2.05

 

CMYK 0 / 67 / 57 / 33

HEX #AC394A

RGB 172 57 74

HSL 351.13, 0.5%, 0.45%

LAB 41.52, 48.04, 16.13

 

CMYK 0 / 67 / 22 / 57

HEX #6E2456

RGB 110 36 86

HSL 319.46, 0.51%, 0.29%

LAB 27.43, 38.48, -13.37

 

CMYK 0 / 67 / 21 / 45

HEX #8D2F6F

RGB 141 47 111

HSL 319.15, 0.5%, 0.37%

LAB 35.68, 46.66, -16.35

 

CMYK 0 / 67 / 22 / 33

HEX #AC3987

RGB 172 57 135

HSL 319.3, 0.5%, 0.45%

LAB 43.43, 54.74, -18.87

 

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

CMYK 0 / 48 / 16 / 20

HEX #CD6AAD

RGB 205 106 173

HSL 319.39, 0.5%, 0.61%

LAB 58.32, 47.57, -18.15

 

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

CMYK 0 / 33 / 67 / 33

HEX #AC7439

RGB 172 116 57

HSL 30.78, 0.5%, 0.45%

LAB 53.55, 16.22, 40.7

 

CMYK 67 / 0 / 6 / 33

HEX #39ACA2

RGB 57 172 162

HSL 174.78, 0.5%, 0.45%

LAB 64.15, -34.06, -4.26

 

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 67 / 22 / 0 / 33

HEX #3987AC

RGB 57 135 172

HSL 199.3, 0.5%, 0.45%

LAB 53.14, -11.97, -26.58

 

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

CMYK 0 / 33 / 67 / 33

HEX #AC7439

RGB 172 116 57

HSL 30.78, 0.5%, 0.45%

LAB 53.55, 16.22, 40.7

 

CMYK 67 / 0 / 46 / 33

HEX #39AC5D

RGB 57 172 93

HSL 138.78, 0.5%, 0.45%

LAB 62.65, -49.67, 31.39

 

CMYK 67 / 35 / 0 / 33

HEX #3970AC

RGB 57 112 172

HSL 211.3, 0.5%, 0.45%

LAB 46.23, 1.55, -37.4

 

CMYK 0 / 67 / 21 / 32

HEX #AD3988

RGB 173 57 136

HSL 319.14, 0.5%, 0.45%

LAB 43.64, 55.16, -19.15

 

CMYK 0 / 12 / 67 / 33

HEX #AC9739

RGB 172 151 57

HSL 49.04, 0.5%, 0.45%

LAB 62.68, -3.22, 50.59

 

CMYK 67 / 0 / 46 / 33

HEX #39AC5D

RGB 57 172 93

HSL 138.78, 0.5%, 0.45%

LAB 62.65, -49.67, 31.39

 

CMYK 67 / 55 / 0 / 33

HEX #394EAC

RGB 57 78 172

HSL 229.04, 0.5%, 0.45%

LAB 36.55, 23.33, -52.87

 

Description

Color code: HEX #AD3988 | qconv.com Color code: HEX #AD3988 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 57 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 57 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 21 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 21% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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