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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3358 it is the complementary color #52CCA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3358 shade: #B23353, #C34566, #D45779, #E5698C and #F67B9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3358 shade: #AD3358, #9C2145, #8B0F32, #7A001F and #69000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3358 shade: #AC3358, #AC3337 and #AC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3358 shade: #AC3358, #AC3379, #AC3399, #9F33AC and #7E33AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3358 shade matches the following richer shades: #AC3358, #BE2151 and #D10F4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3358 shade: #AC3358, #9A455F, #885766, #766A6D and #647C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3358 shade: #AC339A, #AC337A, #AC3359, #AC3339 and #AC4D33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3358 shade: #6D2037, #8D2A48, #AC3358, #C6426A and #D06283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3358 shade: #AD3358, #AC9E33 and #338AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3358 shade: #AD3358, #59AC33 and #3359AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3358 shade: #AD3358, #AC9E33, #33AC86 and #3341AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3358 shade: #AD3358, #96AC33, #33AC86 and #4933AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

Complementary color

CMYK 60 / 0 / 18 / 20

HEX #52CCA7

RGB 82 204 167

HSL 161.8, 0.54%, 0.56%

LAB 74.68, -42.85, 8.38

 

CMYK 0 / 71 / 53 / 30

HEX #B23353

RGB 178 51 83

HSL 344.88, 0.55%, 0.45%

LAB 41.93, 53.06, 11.26

 

CMYK 0 / 65 / 48 / 24

HEX #C34566

RGB 195 69 102

HSL 344.29, 0.51%, 0.52%

LAB 48.03, 52.82, 8.52

 

CMYK 0 / 59 / 43 / 17

HEX #D45779

RGB 212 87 121

HSL 343.68, 0.59%, 0.59%

LAB 54.23, 52.25, 6.31

 

CMYK 0 / 54 / 39 / 10

HEX #E5698C

RGB 229 105 140

HSL 343.06, 0.7%, 0.65%

LAB 60.48, 51.5, 4.49

 

CMYK 0 / 50 / 35 / 4

HEX #F67B9F

RGB 246 123 159

HSL 342.44, 0.87%, 0.72%

LAB 66.72, 50.67, 2.94

 

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

CMYK 0 / 79 / 56 / 39

HEX #9C2145

RGB 156 33 69

HSL 342.44, 0.65%, 0.37%

LAB 35.17, 51.58, 10.15

 

CMYK 0 / 89 / 64 / 45

HEX #8B0F32

RGB 139 15 50

HSL 343.06, 0.81%, 0.3%

LAB 29.57, 50.13, 14.45

 

CMYK 0 / 100 / 75 / 52

HEX #7A001F

RGB 122 0 31

HSL 344.75, 1%, 0.24%

LAB 24.44, 47.29, 19.95

 

CMYK 0 / 100 / 89 / 59

HEX #69000C

RGB 105 0 12

HSL 353.14, 1%, 0.21%

LAB 20.16, 42.01, 25.87

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 70 / 68 / 33

HEX #AC3337

RGB 172 51 55

HSL 358.02, 0.54%, 0.44%

LAB 40.27, 49.23, 26.26

 

CMYK 0 / 70 / 70 / 33

HEX #AC3333

RGB 172 51 51

HSL 0, 0.54%, 0.44%

LAB 40.21, 49.02, 28.61

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 70 / 30 / 33

HEX #AC3379

RGB 172 51 121

HSL 325.29, 0.54%, 0.44%

LAB 42.03, 55.23, -12.42

 

CMYK 0 / 70 / 11 / 33

HEX #AC3399

RGB 172 51 153

HSL 309.42, 0.54%, 0.44%

LAB 43.42, 59.69, -29.79

 

CMYK 8 / 70 / 0 / 33

HEX #9F33AC

RGB 159 51 172

HSL 293.55, 0.54%, 0.44%

LAB 42.33, 59.81, -42.99

 

CMYK 27 / 70 / 0 / 33

HEX #7E33AC

RGB 126 51 172

HSL 277.19, 0.54%, 0.44%

LAB 37.45, 52.62, -51.1

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 83 / 57 / 25

HEX #BE2151

RGB 190 33 81

HSL 341.66, 0.7%, 0.44%

LAB 42.2, 61.91, 13.23

 

CMYK 0 / 93 / 65 / 18

HEX #D10F4A

RGB 209 15 74

HSL 341.75, 0.87%, 0.44%

LAB 44.79, 69.48, 21.76

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 55 / 38 / 40

HEX #9A455F

RGB 154 69 95

HSL 341.65, 0.38%, 0.44%

LAB 41.14, 38.26, 2.07

 

CMYK 0 / 36 / 25 / 47

HEX #885766

RGB 136 87 102

HSL 341.63, 0.22%, 0.44%

LAB 42.78, 22.49, -0.18

 

CMYK 0 / 10 / 8 / 54

HEX #766A6D

RGB 118 106 109

HSL 345, 0.05%, 0.44%

LAB 45.99, 5.28, 0.04

 

CMYK 19 / 0 / 6 / 51

HEX #647C74

RGB 100 124 116

HSL 160, 0.11%, 0.44%

LAB 49.96, -10.46, 1.48

 

CMYK 0 / 70 / 10 / 33

HEX #AC339A

RGB 172 51 154

HSL 308.93, 0.54%, 0.44%

LAB 43.47, 59.85, -30.31

 

CMYK 0 / 70 / 29 / 33

HEX #AC337A

RGB 172 51 122

HSL 324.79, 0.54%, 0.44%

LAB 42.07, 55.35, -12.98

 

CMYK 0 / 70 / 48 / 33

HEX #AC3359

RGB 172 51 89

HSL 341.16, 0.54%, 0.44%

LAB 40.99, 51.74, 6.01

 

CMYK 0 / 70 / 67 / 33

HEX #AC3339

RGB 172 51 57

HSL 357.02, 0.54%, 0.44%

LAB 40.3, 49.34, 25.07

 

CMYK 0 / 55 / 70 / 33

HEX #AC4D33

RGB 172 77 51

HSL 12.89, 0.54%, 0.44%

LAB 44.68, 37.13, 33.84

 

CMYK 0 / 71 / 50 / 57

HEX #6D2037

RGB 109 32 55

HSL 342.08, 0.55%, 0.28%

LAB 25.44, 35.95, 4.42

 

CMYK 0 / 70 / 49 / 45

HEX #8D2A48

RGB 141 42 72

HSL 341.82, 0.54%, 0.36%

LAB 33.53, 43.99, 5.48

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 53 / 37 / 18

HEX #D06283

RGB 208 98 131

HSL 342, 0.54%, 0.6%

LAB 55.87, 46.8, 2.69

 

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

CMYK 0 / 8 / 70 / 33

HEX #AC9E33

RGB 172 158 51

HSL 53.06, 0.54%, 0.44%

LAB 64.53, -7.31, 55.02

 

CMYK 70 / 20 / 0 / 33

HEX #338AAC

RGB 51 138 172

HSL 196.86, 0.54%, 0.44%

LAB 53.88, -14.6, -25.46

 

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

CMYK 48 / 0 / 70 / 33

HEX #59AC33

RGB 89 172 51

HSL 101.16, 0.54%, 0.44%

LAB 63.23, -46.78, 51.96

 

CMYK 70 / 48 / 0 / 33

HEX #3359AC

RGB 51 89 172

HSL 221.16, 0.54%, 0.44%

LAB 39.29, 15.17, -48.47

 

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

CMYK 0 / 8 / 70 / 33

HEX #AC9E33

RGB 172 158 51

HSL 53.06, 0.54%, 0.44%

LAB 64.53, -7.31, 55.02

 

CMYK 70 / 0 / 22 / 33

HEX #33AC86

RGB 51 172 134

HSL 161.16, 0.54%, 0.44%

LAB 63.29, -42.28, 10.06

 

CMYK 70 / 62 / 0 / 33

HEX #3341AC

RGB 51 65 172

HSL 233.06, 0.54%, 0.44%

LAB 32.84, 30.93, -58.92

 

CMYK 0 / 71 / 49 / 32

HEX #AD3358

RGB 173 51 88

HSL 341.8, 0.54%, 0.44%

LAB 41.15, 51.96, 6.88

 

CMYK 13 / 0 / 70 / 33

HEX #96AC33

RGB 150 172 51

HSL 70.91, 0.54%, 0.44%

LAB 66.69, -24.03, 56.59

 

CMYK 70 / 0 / 22 / 33

HEX #33AC86

RGB 51 172 134

HSL 161.16, 0.54%, 0.44%

LAB 63.29, -42.28, 10.06

 

CMYK 58 / 70 / 0 / 33

HEX #4933AC

RGB 73 51 172

HSL 250.91, 0.54%, 0.44%

LAB 31.26, 42.71, -61.44

 

Description

Color code: HEX #AD3358 | qconv.com Color code: HEX #AD3358 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 51 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 51 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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