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Color name
HEX #AD3A4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3A4E it is the complementary color #52C5B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3A4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3A4E shade: #B23A49, #C34C5C, #D45E6F, #E57082 and #F68295

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3A4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3A4E shade: #AD3A4E, #9C283B, #8B1628, #7A0415 and #690002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3A4E shade: #AC394D and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3A4E shade: #AC394D, #AC396C, #AC398B, #AC39AA and #8F39AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3A4E shade matches the following richer shades: #AC394D, #BE2641, #D11435 and #E30128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3A4E shade: #AC394D, #994B59, #865E65, #747171 and #61837D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3A4E shade: #AC398B, #AC396D, #AC394E, #AC4239 and #AC6139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3A4E shade: #6E2431, #8D2F3F, #AC394D, #C34B60 and #CD6A7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3A4E shade: #AD3A4E, #AAAC39 and #397CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3A4E shade: #AD3A4E, #4EAC39 and #394EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3A4E shade: #AD3A4E, #AAAC39, #39AC97 and #3B39AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3A4E shade: #AD3A4E, #87AC39, #39AC97 and #5D39AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

Complementary color

CMYK 58 / 0 / 10 / 23

HEX #52C5B1

RGB 82 197 177

HSL 169.57, 0.5%, 0.55%

LAB 72.83, -37.29, 0.29

 

CMYK 0 / 67 / 59 / 30

HEX #B23A49

RGB 178 58 73

HSL 352.5, 0.51%, 0.46%

LAB 42.72, 49.53, 18.55

 

CMYK 0 / 61 / 53 / 24

HEX #C34C5C

RGB 195 76 92

HSL 351.93, 0.5%, 0.53%

LAB 48.94, 48.87, 15.84

 

CMYK 0 / 56 / 48 / 17

HEX #D45E6F

RGB 212 94 111

HSL 351.36, 0.58%, 0.6%

LAB 55.23, 48.01, 13.62

 

CMYK 0 / 51 / 43 / 10

HEX #E57082

RGB 229 112 130

HSL 350.77, 0.69%, 0.67%

LAB 61.53, 47.06, 11.76

 

CMYK 0 / 47 / 39 / 4

HEX #F68295

RGB 246 130 149

HSL 350.17, 0.87%, 0.74%

LAB 67.82, 46.1, 10.17

 

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

CMYK 0 / 74 / 62 / 39

HEX #9C283B

RGB 156 40 59

HSL 350.17, 0.59%, 0.38%

LAB 35.79, 48.5, 17.43

 

CMYK 0 / 84 / 71 / 45

HEX #8B1628

RGB 139 22 40

HSL 350.77, 0.73%, 0.32%

LAB 29.95, 47.92, 21.55

 

CMYK 0 / 97 / 83 / 52

HEX #7A0415

RGB 122 4 21

HSL 351.36, 0.94%, 0.25%

LAB 24.57, 46.1, 26.68

 

CMYK 0 / 100 / 98 / 59

HEX #690002

RGB 105 0 2

HSL 358.86, 1%, 0.21%

LAB 20.07, 41.77, 29.89

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 67 / 19 / 33

HEX #AC398B

RGB 172 57 139

HSL 317.22, 0.5%, 0.45%

LAB 43.6, 55.31, -21.05

 

CMYK 0 / 67 / 1 / 33

HEX #AC39AA

RGB 172 57 170

HSL 301.04, 0.5%, 0.45%

LAB 45.08, 60.18, -37.32

 

CMYK 17 / 67 / 0 / 33

HEX #8F39AC

RGB 143 57 172

HSL 284.87, 0.5%, 0.45%

LAB 40.81, 53.71, -45.57

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 80 / 66 / 25

HEX #BE2641

RGB 190 38 65

HSL 349.34, 0.67%, 0.45%

LAB 42.33, 59.62, 23.42

 

CMYK 0 / 90 / 75 / 18

HEX #D11435

RGB 209 20 53

HSL 349.52, 0.83%, 0.45%

LAB 44.68, 67.9, 34.47

 

CMYK 0 / 100 / 82 / 11

HEX #E30128

RGB 227 1 40

HSL 349.65, 0.99%, 0.45%

LAB 47.63, 73.83, 46.1

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 51 / 42 / 40

HEX #994B59

RGB 153 75 89

HSL 349.23, 0.34%, 0.45%

LAB 42.04, 34.04, 7.06

 

CMYK 0 / 30 / 25 / 47

HEX #865E65

RGB 134 94 101

HSL 349.5, 0.18%, 0.45%

LAB 44.25, 17.42, 2.55

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 0 / 5 / 49

HEX #61837D

RGB 97 131 125

HSL 169.41, 0.15%, 0.45%

LAB 52.12, -13.33, -0.66

 

CMYK 0 / 67 / 19 / 33

HEX #AC398B

RGB 172 57 139

HSL 317.22, 0.5%, 0.45%

LAB 43.6, 55.31, -21.05

 

CMYK 0 / 67 / 37 / 33

HEX #AC396D

RGB 172 57 109

HSL 332.87, 0.5%, 0.45%

LAB 42.46, 51.41, -4.35

 

CMYK 0 / 67 / 55 / 33

HEX #AC394E

RGB 172 57 78

HSL 349.04, 0.5%, 0.45%

LAB 41.61, 48.36, 13.76

 

CMYK 0 / 62 / 67 / 33

HEX #AC4239

RGB 172 66 57

HSL 4.7, 0.5%, 0.45%

LAB 42.71, 42.85, 28.04

 

CMYK 0 / 44 / 67 / 33

HEX #AC6139

RGB 172 97 57

HSL 20.87, 0.5%, 0.45%

LAB 49.03, 26.83, 35.54

 

CMYK 0 / 67 / 55 / 57

HEX #6E2431

RGB 110 36 49

HSL 349.46, 0.51%, 0.29%

LAB 26.15, 33.86, 9.51

 

CMYK 0 / 67 / 55 / 45

HEX #8D2F3F

RGB 141 47 63

HSL 349.79, 0.5%, 0.37%

LAB 34.1, 41.01, 12.1

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 62 / 51 / 24

HEX #C34B60

RGB 195 75 96

HSL 349.5, 0.5%, 0.53%

LAB 48.86, 49.66, 13.32

 

CMYK 0 / 48 / 40 / 20

HEX #CD6A7B

RGB 205 106 123

HSL 349.7, 0.5%, 0.61%

LAB 56.8, 40.82, 8.65

 

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

CMYK 1 / 0 / 67 / 33

HEX #AAAC39

RGB 170 172 57

HSL 61.04, 0.5%, 0.45%

LAB 68.28, -15.17, 56.34

 

CMYK 67 / 28 / 0 / 33

HEX #397CAC

RGB 57 124 172

HSL 205.04, 0.5%, 0.45%

LAB 49.81, -5.66, -31.76

 

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

CMYK 55 / 0 / 67 / 33

HEX #4EAC39

RGB 78 172 57

HSL 109.04, 0.5%, 0.45%

LAB 62.86, -49.46, 49

 

CMYK 67 / 55 / 0 / 33

HEX #394EAC

RGB 57 78 172

HSL 229.04, 0.5%, 0.45%

LAB 36.55, 23.33, -52.87

 

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

CMYK 1 / 0 / 67 / 33

HEX #AAAC39

RGB 170 172 57

HSL 61.04, 0.5%, 0.45%

LAB 68.28, -15.17, 56.34

 

CMYK 67 / 0 / 12 / 33

HEX #39AC97

RGB 57 172 151

HSL 169.04, 0.5%, 0.45%

LAB 63.84, -37.04, 1.43

 

CMYK 66 / 67 / 0 / 33

HEX #3B39AC

RGB 59 57 172

HSL 241.04, 0.5%, 0.45%

LAB 31.43, 37.1, -61.21

 

CMYK 0 / 66 / 55 / 32

HEX #AD3A4E

RGB 173 58 78

HSL 349.57, 0.5%, 0.45%

LAB 41.94, 48.26, 14.24

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 67 / 0 / 12 / 33

HEX #39AC97

RGB 57 172 151

HSL 169.04, 0.5%, 0.45%

LAB 63.84, -37.04, 1.43

 

CMYK 46 / 67 / 0 / 33

HEX #5D39AC

RGB 93 57 172

HSL 258.78, 0.5%, 0.45%

LAB 34.46, 42.88, -56.13

 

Description

Color code: HEX #AD3A4E | qconv.com Color code: HEX #AD3A4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 58 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 58 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 55 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 55% 32% C M Y K

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Provide designers and agencies with accurate color values.

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