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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3C34 it is the complementary color #52C3CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3C34 shade: #B23C2F, #C34E42, #D46055, #E57268 and #F6847B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3C34 shade: #AD3C34, #9C2A21, #8B180E, #7A0600 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3C34 shade: #AC3B33 and #AC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3C34 shade: #AC3B33, #AC5C33, #AC7C33, #AC9D33 and #9BAC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3C34 shade matches the following richer shades: #AC3B33, #BE2B21 and #D11C0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3C34 shade: #AC3B33, #9A4B45, #885B57, #766A6A and #647A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3C34 shade: #AC336E, #AC334D, #AC3933, #AC5933 and #AC7A33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3C34 shade: #6D2520, #8D302A, #AC3B33, #C64B42 and #D06962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3C34 shade: #AD3C34, #8EAC33 and #335EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3C34 shade: #AD3C34, #33AC39 and #3933AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3C34 shade: #AD3C34, #8EAC33, #33A6AC and #5133AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3C34 shade: #AD3C34, #6AAC33, #33A6AC and #7633AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

Complementary color

CMYK 60 / 4 / 0 / 20

HEX #52C3CB

RGB 82 195 203

HSL 183.97, 0.54%, 0.56%

LAB 72.98, -29.39, -13.62

 

CMYK 0 / 66 / 74 / 30

HEX #B23C2F

RGB 178 60 47

HSL 5.95, 0.58%, 0.44%

LAB 42.62, 47.15, 34.03

 

CMYK 0 / 60 / 66 / 24

HEX #C34E42

RGB 195 78 66

HSL 5.58, 0.52%, 0.51%

LAB 48.81, 46.09, 31.1

 

CMYK 0 / 55 / 60 / 17

HEX #D46055

RGB 212 96 85

HSL 5.2, 0.6%, 0.58%

LAB 55.09, 44.9, 28.59

 

CMYK 0 / 50 / 55 / 10

HEX #E57268

RGB 229 114 104

HSL 4.8, 0.71%, 0.65%

LAB 61.39, 43.7, 26.42

 

CMYK 0 / 46 / 50 / 4

HEX #F6847B

RGB 246 132 123

HSL 4.39, 0.87%, 0.72%

LAB 67.67, 42.53, 24.54

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 0 / 73 / 79 / 39

HEX #9C2A21

RGB 156 42 33

HSL 4.39, 0.65%, 0.37%

LAB 35.66, 46.39, 33.28

 

CMYK 0 / 83 / 90 / 45

HEX #8B180E

RGB 139 24 14

HSL 4.8, 0.82%, 0.3%

LAB 29.85, 46.44, 36.82

 

CMYK 0 / 95 / 100 / 52

HEX #7A0600

RGB 122 6 0

HSL 2.95, 1%, 0.24%

LAB 24.54, 45.22, 36.62

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 66 / 70 / 33

HEX #AC3B33

RGB 172 59 51

HSL 3.97, 0.54%, 0.44%

LAB 41.43, 45.69, 30.06

 

CMYK 0 / 70 / 70 / 33

HEX #AC3333

RGB 172 51 51

HSL 0, 0.54%, 0.44%

LAB 40.21, 49.02, 28.61

 

CMYK 0 / 66 / 70 / 33

HEX #AC3B33

RGB 172 59 51

HSL 3.97, 0.54%, 0.44%

LAB 41.43, 45.69, 30.06

 

CMYK 0 / 47 / 70 / 33

HEX #AC5C33

RGB 172 92 51

HSL 20.33, 0.54%, 0.44%

LAB 47.83, 29.21, 37.41

 

CMYK 0 / 28 / 70 / 33

HEX #AC7C33

RGB 172 124 51

HSL 36.2, 0.54%, 0.44%

LAB 55.51, 11.36, 45.75

 

CMYK 0 / 9 / 70 / 33

HEX #AC9D33

RGB 172 157 51

HSL 52.56, 0.54%, 0.44%

LAB 64.26, -6.78, 54.75

 

CMYK 10 / 0 / 70 / 33

HEX #9BAC33

RGB 155 172 51

HSL 68.43, 0.54%, 0.44%

LAB 67.06, -21.93, 57.08

 

CMYK 0 / 66 / 70 / 33

HEX #AC3B33

RGB 172 59 51

HSL 3.97, 0.54%, 0.44%

LAB 41.43, 45.69, 30.06

 

CMYK 0 / 77 / 83 / 25

HEX #BE2B21

RGB 190 43 33

HSL 3.82, 0.7%, 0.44%

LAB 42.44, 56.84, 42.24

 

CMYK 0 / 87 / 93 / 18

HEX #D11C0F

RGB 209 28 15

HSL 4.02, 0.87%, 0.44%

LAB 44.83, 65.66, 53.71

 

CMYK 0 / 66 / 70 / 33

HEX #AC3B33

RGB 172 59 51

HSL 3.97, 0.54%, 0.44%

LAB 41.43, 45.69, 30.06

 

CMYK 0 / 51 / 55 / 40

HEX #9A4B45

RGB 154 75 69

HSL 4.24, 0.38%, 0.44%

LAB 41.74, 32.38, 18.98

 

CMYK 0 / 33 / 36 / 47

HEX #885B57

RGB 136 91 87

HSL 4.9, 0.22%, 0.44%

LAB 43.37, 17.95, 9.83

 

CMYK 0 / 10 / 10 / 54

HEX #766A6A

RGB 118 106 106

HSL 0, 0.05%, 0.44%

LAB 45.91, 4.71, 1.71

 

CMYK 19 / 2 / 0 / 51

HEX #647A7C

RGB 100 122 124

HSL 185, 0.11%, 0.44%

LAB 49.6, -7.52, -3.77

 

CMYK 0 / 70 / 36 / 33

HEX #AC336E

RGB 172 51 110

HSL 330.74, 0.54%, 0.44%

LAB 41.63, 53.91, -6.2

 

CMYK 0 / 70 / 55 / 33

HEX #AC334D

RGB 172 51 77

HSL 347.11, 0.54%, 0.44%

LAB 40.69, 50.71, 13.13

 

CMYK 0 / 67 / 70 / 33

HEX #AC3933

RGB 172 57 51

HSL 2.98, 0.54%, 0.44%

LAB 41.11, 46.55, 29.68

 

CMYK 0 / 48 / 70 / 33

HEX #AC5933

RGB 172 89 51

HSL 18.84, 0.54%, 0.44%

LAB 47.18, 30.84, 36.67

 

CMYK 0 / 29 / 70 / 33

HEX #AC7A33

RGB 172 122 51

HSL 35.21, 0.54%, 0.44%

LAB 55, 12.48, 45.21

 

CMYK 0 / 66 / 71 / 57

HEX #6D2520

RGB 109 37 32

HSL 3.9, 0.55%, 0.28%

LAB 25.8, 31.68, 20.3

 

CMYK 0 / 66 / 70 / 45

HEX #8D302A

RGB 141 48 42

HSL 3.64, 0.54%, 0.36%

LAB 33.87, 39.06, 25.12

 

CMYK 0 / 66 / 70 / 33

HEX #AC3B33

RGB 172 59 51

HSL 3.97, 0.54%, 0.44%

LAB 41.43, 45.69, 30.06

 

CMYK 0 / 62 / 67 / 22

HEX #C64B42

RGB 198 75 66

HSL 4.09, 0.54%, 0.52%

LAB 48.8, 48.52, 31.2

 

CMYK 0 / 50 / 53 / 18

HEX #D06962

RGB 208 105 98

HSL 3.82, 0.54%, 0.6%

LAB 56.48, 39.95, 22.81

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 17 / 0 / 70 / 33

HEX #8EAC33

RGB 142 172 51

HSL 74.88, 0.54%, 0.44%

LAB 66.13, -27.35, 55.84

 

CMYK 70 / 45 / 0 / 33

HEX #335EAC

RGB 51 94 172

HSL 218.68, 0.54%, 0.44%

LAB 40.72, 11.92, -46.18

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 70 / 0 / 67 / 33

HEX #33AC39

RGB 51 172 57

HSL 122.98, 0.54%, 0.44%

LAB 62.09, -55.66, 47.93

 

CMYK 67 / 70 / 0 / 33

HEX #3933AC

RGB 57 51 172

HSL 242.98, 0.54%, 0.44%

LAB 29.95, 40.45, -63.64

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 17 / 0 / 70 / 33

HEX #8EAC33

RGB 142 172 51

HSL 74.88, 0.54%, 0.44%

LAB 66.13, -27.35, 55.84

 

CMYK 70 / 3 / 0 / 33

HEX #33A6AC

RGB 51 166 172

HSL 182.98, 0.54%, 0.44%

LAB 62.47, -29.17, -12.37

 

CMYK 53 / 70 / 0 / 33

HEX #5133AC

RGB 81 51 172

HSL 254.88, 0.54%, 0.44%

LAB 32.02, 44, -60.16

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 38 / 0 / 70 / 33

HEX #6AAC33

RGB 106 172 51

HSL 92.73, 0.54%, 0.44%

LAB 64.01, -41.18, 53

 

CMYK 70 / 3 / 0 / 33

HEX #33A6AC

RGB 51 166 172

HSL 182.98, 0.54%, 0.44%

LAB 62.47, -29.17, -12.37

 

CMYK 31 / 70 / 0 / 33

HEX #7633AC

RGB 118 51 172

HSL 273.22, 0.54%, 0.44%

LAB 36.36, 50.96, -52.91

 

Description

Color code: HEX #AD3C34 | qconv.com Color code: HEX #AD3C34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 60 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 60 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 70 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 70% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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