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Color name
HEX #AD440A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD440A it is the complementary color #52BBF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD440A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD440A shade: #B24405, #C35618, #D4682B, #E57A3E and #F68C51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD440A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD440A shade: #AD440A, #9C3200, #8B2000, #7A0E00 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD440A shade: #AD440A, #AD180A and #AD0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD440A shade: #AD440A, #AD700A, #AD9C0A, #92AD0A and #66AD0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD440A shade matches the following richer shades: #AD440A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD440A shade: #AD440A, #9E4818, #8F4C27, #805136 and #725545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD440A shade: #AD0A28, #AD170A, #AD430A, #AD6E0A and #AD9A0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD440A shade: #5F2505, #863407, #AD440A, #D4530C and #F16518

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD440A shade: #AD440A, #53AD0A and #0A12AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD440A shade: #AD440A, #0AAD43 and #430AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD440A shade: #AD440A, #53AD0A, #0A74AD and #630AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD440A shade: #AD440A, #22AD0A, #0A74AD and #940AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

Complementary color

CMYK 67 / 24 / 0 / 4

HEX #52BBF5

RGB 82 187 245

HSL 201.35, 0.89%, 0.64%

LAB 72.18, -12.61, -37.64

 

CMYK 0 / 62 / 97 / 30

HEX #B24405

RGB 178 68 5

HSL 21.85, 0.95%, 0.36%

LAB 43.67, 42.44, 52.96

 

CMYK 0 / 56 / 88 / 24

HEX #C35618

RGB 195 86 24

HSL 21.75, 0.78%, 0.43%

LAB 49.89, 40.58, 52.99

 

CMYK 0 / 51 / 80 / 17

HEX #D4682B

RGB 212 104 43

HSL 21.66, 0.66%, 0.5%

LAB 56.16, 38.74, 51.77

 

CMYK 0 / 47 / 73 / 10

HEX #E57A3E

RGB 229 122 62

HSL 21.56, 0.76%, 0.57%

LAB 62.44, 37.02, 50.07

 

CMYK 0 / 43 / 67 / 4

HEX #F68C51

RGB 246 140 81

HSL 21.45, 0.9%, 0.64%

LAB 68.71, 35.43, 48.27

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 68 / 100 / 39

HEX #9C3200

RGB 156 50 0

HSL 19.23, 1%, 0.31%

LAB 36.65, 42.37, 48.59

 

CMYK 0 / 77 / 100 / 45

HEX #8B2000

RGB 139 32 0

HSL 13.81, 1%, 0.27%

LAB 30.69, 43.6, 43.33

 

CMYK 0 / 89 / 100 / 52

HEX #7A0E00

RGB 122 14 0

HSL 6.89, 1%, 0.24%

LAB 25.11, 43.58, 37.17

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 86 / 94 / 32

HEX #AD180A

RGB 173 24 10

HSL 5.15, 0.89%, 0.36%

LAB 37.04, 56.45, 46.89

 

CMYK 0 / 94 / 94 / 32

HEX #AD0A0A

RGB 173 10 10

HSL 0, 0.89%, 0.36%

LAB 36.22, 58.8, 46.39

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 35 / 94 / 32

HEX #AD700A

RGB 173 112 10

HSL 37.55, 0.89%, 0.36%

LAB 52.39, 17.16, 57.33

 

CMYK 0 / 10 / 94 / 32

HEX #AD9C0A

RGB 173 156 10

HSL 53.74, 0.89%, 0.36%

LAB 63.9, -7.12, 65.87

 

CMYK 16 / 0 / 94 / 32

HEX #92AD0A

RGB 146 173 10

HSL 69.94, 0.89%, 0.36%

LAB 66.54, -27.67, 66.94

 

CMYK 41 / 0 / 94 / 32

HEX #66AD0A

RGB 102 173 10

HSL 86.13, 0.89%, 0.36%

LAB 63.94, -44.84, 63.79

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 54 / 85 / 38

HEX #9E4818

RGB 158 72 24

HSL 21.49, 0.74%, 0.36%

LAB 41.17, 32.98, 43.27

 

CMYK 0 / 47 / 73 / 44

HEX #8F4C27

RGB 143 76 39

HSL 21.35, 0.57%, 0.36%

LAB 39.84, 25.11, 33.79

 

CMYK 0 / 37 / 58 / 50

HEX #805136

RGB 128 81 54

HSL 21.89, 0.41%, 0.36%

LAB 39.14, 16.67, 23.91

 

CMYK 0 / 25 / 39 / 55

HEX #725545

RGB 114 85 69

HSL 21.33, 0.25%, 0.36%

LAB 38.73, 9.67, 14

 

CMYK 0 / 94 / 77 / 32

HEX #AD0A28

RGB 173 10 40

HSL 348.96, 0.89%, 0.36%

LAB 36.47, 59.5, 31.02

 

CMYK 0 / 87 / 94 / 32

HEX #AD170A

RGB 173 23 10

HSL 4.79, 0.89%, 0.36%

LAB 36.96, 56.66, 46.85

 

CMYK 0 / 61 / 94 / 32

HEX #AD430A

RGB 173 67 10

HSL 20.98, 0.89%, 0.36%

LAB 42.64, 41.09, 50.5

 

CMYK 0 / 36 / 94 / 32

HEX #AD6E0A

RGB 173 110 10

HSL 36.81, 0.89%, 0.36%

LAB 51.9, 18.28, 56.98

 

CMYK 0 / 11 / 94 / 32

HEX #AD9A0A

RGB 173 154 10

HSL 53.01, 0.89%, 0.36%

LAB 63.36, -6.05, 65.46

 

CMYK 0 / 61 / 95 / 63

HEX #5F2505

RGB 95 37 5

HSL 21.33, 0.9%, 0.2%

LAB 22.89, 24.7, 31.08

 

CMYK 0 / 61 / 95 / 47

HEX #863407

RGB 134 52 7

HSL 21.26, 0.9%, 0.28%

LAB 33.01, 33.15, 41.63

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 0 / 61 / 94 / 17

HEX #D4530C

RGB 212 83 12

HSL 21.3, 0.89%, 0.44%

LAB 52.07, 48.18, 59.4

 

CMYK 0 / 58 / 90 / 5

HEX #F16518

RGB 241 101 24

HSL 21.29, 0.89%, 0.52%

LAB 59.96, 50.69, 63.83

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 52 / 0 / 94 / 32

HEX #53AD0A

RGB 83 173 10

HSL 93.13, 0.89%, 0.36%

LAB 63.13, -50.99, 62.79

 

CMYK 94 / 90 / 0 / 32

HEX #0A12AD

RGB 10 18 173

HSL 237.06, 0.89%, 0.36%

LAB 22, 54.29, -77.49

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 94 / 0 / 61 / 32

HEX #0AAD43

RGB 10 173 67

HSL 140.98, 0.89%, 0.36%

LAB 61.96, -59.49, 43.22

 

CMYK 61 / 94 / 0 / 32

HEX #430AAD

RGB 67 10 173

HSL 260.98, 0.89%, 0.36%

LAB 25.04, 58.89, -72.32

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 52 / 0 / 94 / 32

HEX #53AD0A

RGB 83 173 10

HSL 93.13, 0.89%, 0.36%

LAB 63.13, -50.99, 62.79

 

CMYK 94 / 33 / 0 / 32

HEX #0A74AD

RGB 10 116 173

HSL 200.98, 0.89%, 0.36%

LAB 46.41, -5.49, -37.76

 

CMYK 43 / 94 / 0 / 32

HEX #630AAD

RGB 99 10 173

HSL 272.76, 0.89%, 0.36%

LAB 29.13, 61.76, -65.43

 

CMYK 0 / 61 / 94 / 32

HEX #AD440A

RGB 173 68 10

HSL 21.35, 0.89%, 0.36%

LAB 42.82, 40.61, 50.62

 

CMYK 80 / 0 / 94 / 32

HEX #22AD0A

RGB 34 173 10

HSL 111.17, 0.89%, 0.36%

LAB 61.87, -61.54, 61.23

 

CMYK 94 / 33 / 0 / 32

HEX #0A74AD

RGB 10 116 173

HSL 200.98, 0.89%, 0.36%

LAB 46.41, -5.49, -37.76

 

CMYK 14 / 94 / 0 / 32

HEX #940AAD

RGB 148 10 173

HSL 290.8, 0.89%, 0.36%

LAB 36.99, 68.33, -52.28

 

Description

Color code: HEX #AD440A | qconv.com Color code: HEX #AD440A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 68 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 68 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 94 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 94% 32% C M Y K

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Provide designers and agencies with accurate color values.

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