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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD463C it is the complementary color #52B9C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD463C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD463C shade: #B24637, #C3584A, #D46A5D, #E57C70 and #F68E83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD463C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD463C shade: #AD463C, #9C3429, #8B2216, #7A1003 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD463C shade: #AD463C and #AD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD463C shade: #AD463C, #AD653C, #AD833C, #ADA23C and #9AAD3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD463C shade matches the following richer shades: #AD463C, #C0372A, #D32717 and #E61804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD463C shade: #AD463C, #9A564F, #876662, #747575 and #618588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD463C shade: #AD3C6F, #AD3C51, #AD463C, #AD643C and #AD823C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD463C shade: #702E27, #8F3A32, #AD463C, #C25B51 and #CC7870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD463C shade: #AD463C, #8DAD3C and #3C60AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD463C shade: #AD463C, #3CAD46 and #463CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD463C shade: #AD463C, #8DAD3C, #3CA4AD and #5C3CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD463C shade: #AD463C, #6BAD3C, #3CA4AD and #7E3CAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

Complementary color

CMYK 58 / 5 / 0 / 24

HEX #52B9C3

RGB 82 185 195

HSL 185.31, 0.48%, 0.54%

LAB 69.78, -26.74, -14.07

 

CMYK 0 / 61 / 69 / 30

HEX #B24637

RGB 178 70 55

HSL 7.32, 0.53%, 0.46%

LAB 44.41, 43.05, 31.49

 

CMYK 0 / 55 / 62 / 24

HEX #C3584A

RGB 195 88 74

HSL 6.94, 0.5%, 0.53%

LAB 50.78, 41.79, 28.91

 

CMYK 0 / 50 / 56 / 17

HEX #D46A5D

RGB 212 106 93

HSL 6.55, 0.58%, 0.6%

LAB 57.17, 40.53, 26.69

 

CMYK 0 / 46 / 51 / 10

HEX #E57C70

RGB 229 124 112

HSL 6.15, 0.69%, 0.67%

LAB 63.54, 39.32, 24.77

 

CMYK 0 / 42 / 47 / 4

HEX #F68E83

RGB 246 142 131

HSL 5.74, 0.86%, 0.74%

LAB 69.88, 38.18, 23.08

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 67 / 74 / 39

HEX #9C3429

RGB 156 52 41

HSL 5.74, 0.58%, 0.39%

LAB 37.27, 42.61, 30.39

 

CMYK 0 / 76 / 84 / 45

HEX #8B2216

RGB 139 34 22

HSL 6.15, 0.73%, 0.32%

LAB 31.09, 43.34, 33.77

 

CMYK 0 / 87 / 98 / 52

HEX #7A1003

RGB 122 16 3

HSL 6.55, 0.95%, 0.25%

LAB 25.3, 43.14, 36.14

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 65 / 65 / 32

HEX #AD3C3C

RGB 173 60 60

HSL 0, 0.48%, 0.46%

LAB 41.91, 46.11, 25.29

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 42 / 65 / 32

HEX #AD653C

RGB 173 101 60

HSL 21.77, 0.48%, 0.46%

LAB 50.12, 25.24, 35.22

 

CMYK 0 / 24 / 65 / 32

HEX #AD833C

RGB 173 131 60

HSL 37.7, 0.48%, 0.46%

LAB 57.5, 8.43, 43.64

 

CMYK 0 / 6 / 65 / 32

HEX #ADA23C

RGB 173 162 60

HSL 54.16, 0.48%, 0.46%

LAB 65.79, -8.48, 52.6

 

CMYK 11 / 0 / 65 / 32

HEX #9AAD3C

RGB 154 173 60

HSL 70.09, 0.48%, 0.46%

LAB 67.34, -22.28, 53.76

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 71 / 78 / 25

HEX #C0372A

RGB 192 55 42

HSL 5.2, 0.64%, 0.46%

LAB 44.38, 53.64, 39.49

 

CMYK 0 / 82 / 89 / 17

HEX #D32717

RGB 211 39 23

HSL 5.11, 0.8%, 0.46%

LAB 46.13, 63.89, 51.72

 

CMYK 0 / 90 / 98 / 10

HEX #E61804

RGB 230 24 4

HSL 5.31, 0.97%, 0.46%

LAB 48.87, 71.76, 61.35

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 44 / 49 / 40

HEX #9A564F

RGB 154 86 79

HSL 5.6, 0.32%, 0.46%

LAB 44.36, 27.3, 16.42

 

CMYK 0 / 24 / 27 / 47

HEX #876662

RGB 135 102 98

HSL 6.49, 0.16%, 0.46%

LAB 46.36, 12.63, 7.39

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 29 / 2 / 0 / 47

HEX #618588

RGB 97 133 136

HSL 184.62, 0.17%, 0.46%

LAB 53.05, -11.78, -5.7

 

CMYK 0 / 65 / 36 / 32

HEX #AD3C6F

RGB 173 60 111

HSL 332.92, 0.48%, 0.46%

LAB 43.16, 50.69, -4.53

 

CMYK 0 / 65 / 53 / 32

HEX #AD3C51

RGB 173 60 81

HSL 348.85, 0.48%, 0.46%

LAB 42.32, 47.65, 12.9

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 42 / 65 / 32

HEX #AD643C

RGB 173 100 60

HSL 21.24, 0.48%, 0.46%

LAB 49.89, 25.79, 34.95

 

CMYK 0 / 25 / 65 / 32

HEX #AD823C

RGB 173 130 60

HSL 37.17, 0.48%, 0.46%

LAB 57.25, 8.99, 43.36

 

CMYK 0 / 59 / 65 / 56

HEX #702E27

RGB 112 46 39

HSL 5.75, 0.48%, 0.3%

LAB 28.23, 28.69, 18.92

 

CMYK 0 / 59 / 65 / 44

HEX #8F3A32

RGB 143 58 50

HSL 5.16, 0.48%, 0.38%

LAB 36.17, 35.47, 23.1

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 0 / 53 / 58 / 24

HEX #C25B51

RGB 194 91 81

HSL 5.31, 0.48%, 0.54%

LAB 51.32, 40.43, 25.51

 

CMYK 0 / 41 / 45 / 20

HEX #CC7870

RGB 204 120 112

HSL 5.22, 0.47%, 0.62%

LAB 59.38, 31.9, 18.59

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 18 / 0 / 65 / 32

HEX #8DAD3C

RGB 141 173 60

HSL 76.99, 0.48%, 0.46%

LAB 66.43, -27.64, 52.51

 

CMYK 65 / 45 / 0 / 32

HEX #3C60AD

RGB 60 96 173

HSL 220.88, 0.48%, 0.46%

LAB 41.76, 12.5, -45.08

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 65 / 0 / 60 / 32

HEX #3CAD46

RGB 60 173 70

HSL 125.31, 0.48%, 0.46%

LAB 62.75, -52.78, 42.94

 

CMYK 60 / 65 / 0 / 32

HEX #463CAD

RGB 70 60 173

HSL 245.31, 0.48%, 0.46%

LAB 33.03, 37.28, -59.15

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 18 / 0 / 65 / 32

HEX #8DAD3C

RGB 141 173 60

HSL 76.99, 0.48%, 0.46%

LAB 66.43, -27.64, 52.51

 

CMYK 65 / 5 / 0 / 32

HEX #3CA4AD

RGB 60 164 173

HSL 184.78, 0.48%, 0.46%

LAB 62.11, -26.54, -13.45

 

CMYK 47 / 65 / 0 / 32

HEX #5C3CAD

RGB 92 60 173

HSL 256.99, 0.48%, 0.46%

LAB 35.05, 41.29, -55.77

 

CMYK 0 / 60 / 65 / 32

HEX #AD463C

RGB 173 70 60

HSL 5.31, 0.48%, 0.46%

LAB 43.64, 41.51, 27.44

 

CMYK 38 / 0 / 65 / 32

HEX #6BAD3C

RGB 107 173 60

HSL 95.04, 0.48%, 0.46%

LAB 64.43, -40.53, 49.79

 

CMYK 65 / 5 / 0 / 32

HEX #3CA4AD

RGB 60 164 173

HSL 184.78, 0.48%, 0.46%

LAB 62.11, -26.54, -13.45

 

CMYK 27 / 65 / 0 / 32

HEX #7E3CAD

RGB 126 60 173

HSL 275.04, 0.48%, 0.46%

LAB 39.04, 48.61, -49.12

 

Description

Color code: HEX #AD463C | qconv.com Color code: HEX #AD463C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 70 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 70 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 65 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 65% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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