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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD46D6 it is the complementary color #52B929. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD46D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD46D6 shade: #B246D1, #C358E4, #D46AF7, #E57CFF and #F68EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD46D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD46D6 shade: #AD46D6, #9C34C3, #8B22B0, #7A109D and #69008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD46D6 shade: #AD46D6, #D446D6, #D646B2, #D6468B and #D64664

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD46D6 shade: #AD46D6, #8646D6, #6046D6 and #4646D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD46D6 shade matches the following richer shades: #AD46D6, #B534E8 and #BD22FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD46D6 shade: #AD46D6, #A559C4, #9E6BB2, #967DA0 and #8E8F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD46D6 shade: #5E46D6, #8546D6, #AB46D6, #D146D6 and #D646B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD46D6 shade: #8124A6, #9B2BC8, #AD46D6, #BC68DE and #CB8AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD46D6 shade: #AD46D6, #D64655 and #46D672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD46D6 shade: #AD46D6, #D6AB46 and #46D6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD46D6 shade: #AD46D6, #D64655, #72D646 and #46D6C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD46D6 shade: #AD46D6, #D66346, #72D646 and #46B9D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

Complementary color

CMYK 56 / 0 / 78 / 27

HEX #52B929

RGB 82 185 41

HSL 102.92, 0.64%, 0.44%

LAB 67.02, -54.46, 59.18

 

CMYK 15 / 67 / 0 / 18

HEX #B246D1

RGB 178 70 209

HSL 286.62, 0.6%, 0.55%

LAB 50.04, 63.41, -52.09

 

CMYK 14 / 61 / 0 / 11

HEX #C358E4

RGB 195 88 228

HSL 285.86, 0.72%, 0.62%

LAB 56.27, 63.18, -52.77

 

CMYK 14 / 57 / 0 / 3

HEX #D46AF7

RGB 212 106 247

HSL 285.11, 0.9%, 0.69%

LAB 62.52, 62.7, -53.27

 

CMYK 10 / 51 / 0 / 0

HEX #E57CFF

RGB 229 124 255

HSL 288.09, 1%, 0.74%

LAB 68.24, 59.96, -48.5

 

CMYK 4 / 44 / 0 / 0

HEX #F68EFF

RGB 246 142 255

HSL 295.22, 1%, 0.78%

LAB 73.65, 55.74, -39.87

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 20 / 73 / 0 / 24

HEX #9C34C3

RGB 156 52 195

HSL 283.64, 0.58%, 0.48%

LAB 43.45, 63.19, -54.74

 

CMYK 21 / 81 / 0 / 31

HEX #8B22B0

RGB 139 34 176

HSL 284.37, 0.68%, 0.41%

LAB 37.42, 62.37, -53.43

 

CMYK 22 / 90 / 0 / 38

HEX #7A109D

RGB 122 16 157

HSL 285.11, 0.82%, 0.34%

LAB 31.68, 60.42, -51.44

 

CMYK 24 / 100 / 0 / 46

HEX #69008A

RGB 105 0 138

HSL 285.65, 1%, 0.27%

LAB 26.27, 57.06, -48.65

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 1 / 67 / 0 / 16

HEX #D446D6

RGB 212 70 214

HSL 299.17, 0.64%, 0.56%

LAB 55.31, 71.88, -46.24

 

CMYK 0 / 67 / 17 / 16

HEX #D646B2

RGB 214 70 178

HSL 315, 0.64%, 0.56%

LAB 53.91, 66.87, -27.71

 

CMYK 0 / 67 / 35 / 16

HEX #D6468B

RGB 214 70 139

HSL 331.25, 0.64%, 0.56%

LAB 52.44, 61.94, -6.97

 

CMYK 0 / 67 / 53 / 16

HEX #D64664

RGB 214 70 100

HSL 347.5, 0.64%, 0.56%

LAB 51.38, 58.22, 14.89

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 37 / 67 / 0 / 16

HEX #8646D6

RGB 134 70 214

HSL 266.67, 0.64%, 0.56%

LAB 44.67, 55.24, -63.9

 

CMYK 55 / 67 / 0 / 16

HEX #6046D6

RGB 96 70 214

HSL 250.83, 0.64%, 0.56%

LAB 40.77, 48.43, -70.41

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 22 / 78 / 0 / 9

HEX #B534E8

RGB 181 52 232

HSL 283, 0.8%, 0.56%

LAB 49.62, 75, -65.81

 

CMYK 24 / 86 / 0 / 2

HEX #BD22FA

RGB 189 34 250

HSL 283.06, 0.96%, 0.56%

LAB 50.53, 84.19, -74.4

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 16 / 55 / 0 / 23

HEX #A559C4

RGB 165 89 196

HSL 282.62, 0.48%, 0.56%

LAB 50.84, 48.72, -43.45

 

CMYK 11 / 40 / 0 / 30

HEX #9E6BB2

RGB 158 107 178

HSL 283.1, 0.32%, 0.56%

LAB 52.95, 33.08, -29.8

 

CMYK 6 / 22 / 0 / 37

HEX #967DA0

RGB 150 125 160

HSL 282.86, 0.16%, 0.56%

LAB 55.78, 16.26, -15.11

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8D

RGB 142 143 141

HSL 90, 0.01%, 0.56%

LAB 59.27, -0.75, 0.93

 

CMYK 56 / 67 / 0 / 16

HEX #5E46D6

RGB 94 70 214

HSL 250, 0.64%, 0.56%

LAB 40.6, 48.11, -70.7

 

CMYK 38 / 67 / 0 / 16

HEX #8546D6

RGB 133 70 214

HSL 266.25, 0.64%, 0.56%

LAB 44.55, 55.04, -64.09

 

CMYK 20 / 67 / 0 / 16

HEX #AB46D6

RGB 171 70 214

HSL 282.08, 0.64%, 0.56%

LAB 49.37, 62.87, -56.07

 

CMYK 2 / 67 / 0 / 16

HEX #D146D6

RGB 209 70 214

HSL 297.92, 0.64%, 0.56%

LAB 54.86, 71.21, -46.99

 

CMYK 0 / 67 / 15 / 16

HEX #D646B5

RGB 214 70 181

HSL 313.75, 0.64%, 0.56%

LAB 54.04, 67.29, -29.26

 

CMYK 22 / 78 / 0 / 35

HEX #8124A6

RGB 129 36 166

HSL 282.92, 0.64%, 0.4%

LAB 35.36, 57.9, -50.85

 

CMYK 23 / 79 / 0 / 22

HEX #9B2BC8

RGB 155 43 200

HSL 282.8, 0.65%, 0.48%

LAB 42.56, 67.11, -59.1

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 15 / 53 / 0 / 13

HEX #BC68DE

RGB 188 104 222

HSL 282.71, 0.64%, 0.64%

LAB 57.91, 52.57, -46.85

 

CMYK 11 / 40 / 0 / 10

HEX #CB8AE5

RGB 203 138 229

HSL 282.86, 0.64%, 0.72%

LAB 66.92, 40.36, -36.48

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 0 / 67 / 60 / 16

HEX #D64655

RGB 214 70 85

HSL 353.75, 0.64%, 0.56%

LAB 51.07, 57.13, 23.46

 

CMYK 67 / 0 / 47 / 16

HEX #46D672

RGB 70 214 114

HSL 138.33, 0.64%, 0.56%

LAB 76.44, -59.51, 38.36

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 0 / 20 / 67 / 16

HEX #D6AB46

RGB 214 171 70

HSL 42.08, 0.64%, 0.56%

LAB 72.14, 5.12, 56.14

 

CMYK 67 / 0 / 20 / 16

HEX #46D6AB

RGB 70 214 171

HSL 162.08, 0.64%, 0.56%

LAB 77.48, -48.27, 10.19

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 0 / 67 / 60 / 16

HEX #D64655

RGB 214 70 85

HSL 353.75, 0.64%, 0.56%

LAB 51.07, 57.13, 23.46

 

CMYK 47 / 0 / 67 / 16

HEX #72D646

RGB 114 214 70

HSL 101.67, 0.64%, 0.56%

LAB 77.35, -54.2, 59.61

 

CMYK 67 / 0 / 7 / 16

HEX #46D6C8

RGB 70 214 200

HSL 174.17, 0.64%, 0.56%

LAB 78.21, -40.99, -4.26

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 0 / 54 / 67 / 16

HEX #D66346

RGB 214 99 70

HSL 12.08, 0.64%, 0.56%

LAB 55.75, 43.22, 37.87

 

CMYK 47 / 0 / 67 / 16

HEX #72D646

RGB 114 214 70

HSL 101.67, 0.64%, 0.56%

LAB 77.35, -54.2, 59.61

 

CMYK 67 / 14 / 0 / 16

HEX #46B9D6

RGB 70 185 214

HSL 192.08, 0.64%, 0.56%

LAB 70.07, -23.13, -24.06

 

Description

Color code: HEX #AD46D6 | qconv.com Color code: HEX #AD46D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 70 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 70 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 67% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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