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Color name
HEX #AD4801

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD4801 it is the complementary color #52B7FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD4801. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD4801 shade: #B24800, #C35A0F, #D46C22, #E57E35 and #F69048

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD4801. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD4801 shade: #AD4801, #9C3600, #8B2400, #7A1200 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD4801 shade: #AC4700, #AC1900 and #AC0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD4801 shade: #AC4700, #AC7600, #ACA400, #86AC00 and #58AC00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD4801 shade matches the following richer shades: #AC4700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD4801 shade: #AC4700, #9E4A0E, #904C1C, #824F2A and #745138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD4801 shade: #AC0017, #AC1700, #AC4500, #AC7300 and #ACA100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD4801 shade: #5A2500, #833600, #AC4700, #D55801 and #FD6A02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD4801 shade: #AD4801, #45AC00 and #0000AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD4801 shade: #AD4801, #00AC45 and #4500AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD4801 shade: #AD4801, #45AC00, #0067AC and #6700AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD4801 shade: #AD4801, #12AC00, #0067AC and #9B00AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

Complementary color

CMYK 68 / 28 / 0 / 0

HEX #52B7FE

RGB 82 183 254

HSL 204.77, 0.99%, 0.66%

LAB 71.43, -7.54, -43.67

 

CMYK 0 / 60 / 100 / 30

HEX #B24800

RGB 178 72 0

HSL 24.27, 1%, 0.35%

LAB 44.38, 40.48, 54.79

 

CMYK 0 / 54 / 92 / 24

HEX #C35A0F

RGB 195 90 15

HSL 25, 0.86%, 0.41%

LAB 50.63, 38.42, 56.37

 

CMYK 0 / 49 / 84 / 17

HEX #D46C22

RGB 212 108 34

HSL 24.94, 0.72%, 0.48%

LAB 56.92, 36.42, 56.17

 

CMYK 0 / 45 / 77 / 10

HEX #E57E35

RGB 229 126 53

HSL 24.89, 0.77%, 0.55%

LAB 63.21, 34.58, 55.01

 

CMYK 0 / 41 / 71 / 4

HEX #F69048

RGB 246 144 72

HSL 24.83, 0.91%, 0.62%

LAB 69.47, 32.9, 53.49

 

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

CMYK 0 / 65 / 100 / 39

HEX #9C3600

RGB 156 54 0

HSL 20.77, 1%, 0.31%

LAB 37.31, 40.59, 48.92

 

CMYK 0 / 74 / 100 / 45

HEX #8B2400

RGB 139 36 0

HSL 15.54, 1%, 0.27%

LAB 31.23, 42.11, 43.71

 

CMYK 0 / 85 / 100 / 52

HEX #7A1200

RGB 122 18 0

HSL 8.85, 1%, 0.24%

LAB 25.47, 42.55, 37.52

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 85 / 100 / 33

HEX #AC1900

RGB 172 25 0

HSL 8.72, 1%, 0.34%

LAB 36.87, 55.82, 50.52

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 31 / 100 / 33

HEX #AC7600

RGB 172 118 0

HSL 41.16, 1%, 0.34%

LAB 53.74, 13.19, 60.13

 

CMYK 0 / 5 / 100 / 33

HEX #ACA400

RGB 172 164 0

HSL 57.21, 1%, 0.34%

LAB 66, -11.92, 68.71

 

CMYK 22 / 0 / 100 / 33

HEX #86AC00

RGB 134 172 0

HSL 73.26, 1%, 0.34%

LAB 65.42, -32.35, 66.99

 

CMYK 49 / 0 / 100 / 33

HEX #58AC00

RGB 88 172 0

HSL 89.3, 1%, 0.34%

LAB 62.99, -49.29, 64.07

 

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 53 / 91 / 38

HEX #9E4A0E

RGB 158 74 14

HSL 25, 0.84%, 0.34%

LAB 41.53, 31.67, 47.37

 

CMYK 0 / 47 / 81 / 44

HEX #904C1C

RGB 144 76 28

HSL 24.83, 0.67%, 0.34%

LAB 39.89, 25.02, 39.48

 

CMYK 0 / 39 / 68 / 49

HEX #824F2A

RGB 130 79 42

HSL 25.23, 0.51%, 0.34%

LAB 38.73, 17.8, 30.39

 

CMYK 0 / 30 / 52 / 55

HEX #745138

RGB 116 81 56

HSL 25, 0.35%, 0.34%

LAB 37.63, 11.44, 20.49

 

CMYK 0 / 100 / 87 / 33

HEX #AC0017

RGB 172 0 23

HSL 351.98, 1%, 0.34%

LAB 35.66, 59.97, 39.97

 

CMYK 0 / 87 / 100 / 33

HEX #AC1700

RGB 172 23 0

HSL 8.02, 1%, 0.34%

LAB 36.71, 56.26, 50.45

 

CMYK 0 / 60 / 100 / 33

HEX #AC4500

RGB 172 69 0

HSL 24.07, 1%, 0.34%

LAB 42.8, 39.61, 53.38

 

CMYK 0 / 33 / 100 / 33

HEX #AC7300

RGB 172 115 0

HSL 40.12, 1%, 0.34%

LAB 52.98, 14.88, 59.63

 

CMYK 0 / 6 / 100 / 33

HEX #ACA100

RGB 172 161 0

HSL 56.16, 1%, 0.34%

LAB 65.17, -10.35, 68.11

 

CMYK 0 / 59 / 100 / 65

HEX #5A2500

RGB 90 37 0

HSL 24.67, 1%, 0.18%

LAB 21.93, 22.31, 31.84

 

CMYK 0 / 59 / 100 / 49

HEX #833600

RGB 131 54 0

HSL 24.73, 1%, 0.26%

LAB 32.84, 30.75, 44.07

 

CMYK 0 / 59 / 100 / 33

HEX #AC4700

RGB 172 71 0

HSL 24.77, 1%, 0.34%

LAB 43.18, 38.64, 53.59

 

CMYK 0 / 59 / 100 / 16

HEX #D55801

RGB 213 88 1

HSL 24.62, 0.99%, 0.42%

LAB 53.09, 46.14, 62.45

 

CMYK 0 / 58 / 99 / 1

HEX #FD6A02

RGB 253 106 2

HSL 24.86, 0.98%, 0.5%

LAB 62.67, 52.53, 71.03

 

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

CMYK 60 / 0 / 100 / 33

HEX #45AC00

RGB 69 172 0

HSL 95.93, 1%, 0.34%

LAB 62.31, -54.71, 63.25

 

CMYK 100 / 100 / 0 / 33

HEX #0000AC

RGB 0 0 172

HSL 240, 1%, 0.34%

LAB 19.96, 58.96, -80.3

 

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

CMYK 100 / 0 / 60 / 33

HEX #00AC45

RGB 0 172 69

HSL 144.07, 1%, 0.34%

LAB 61.6, -59.4, 41.86

 

CMYK 60 / 100 / 0 / 33

HEX #4500AC

RGB 69 0 172

HSL 264.07, 1%, 0.34%

LAB 24.46, 60.86, -72.67

 

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

CMYK 60 / 0 / 100 / 33

HEX #45AC00

RGB 69 172 0

HSL 95.93, 1%, 0.34%

LAB 62.31, -54.71, 63.25

 

CMYK 100 / 40 / 0 / 33

HEX #0067AC

RGB 0 103 172

HSL 204.07, 1%, 0.34%

LAB 42.28, 1.69, -43.75

 

CMYK 40 / 100 / 0 / 33

HEX #6700AC

RGB 103 0 172

HSL 275.93, 1%, 0.34%

LAB 29.06, 63.65, -64.92

 

CMYK 0 / 58 / 99 / 32

HEX #AD4801

RGB 173 72 1

HSL 24.77, 0.99%, 0.34%

LAB 43.54, 38.55, 53.59

 

CMYK 90 / 0 / 100 / 33

HEX #12AC00

RGB 18 172 0

HSL 113.72, 1%, 0.34%

LAB 61.34, -63.14, 62.06

 

CMYK 100 / 40 / 0 / 33

HEX #0067AC

RGB 0 103 172

HSL 204.07, 1%, 0.34%

LAB 42.28, 1.69, -43.75

 

CMYK 10 / 100 / 0 / 33

HEX #9B00AC

RGB 155 0 172

HSL 294.07, 1%, 0.34%

LAB 37.75, 70.43, -50.39

 

Description

Color code: HEX #AD4801 | qconv.com Color code: HEX #AD4801 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 72 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 72 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 99 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 99% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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