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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD4D14 it is the complementary color #52B2EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD4D14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD4D14 shade: #B24D0F, #C35F22, #D47135, #E58348 and #F6955B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD4D14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD4D14 shade: #AD4D14, #9C3B01, #8B2900, #7A1700 and #690500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD4D14 shade: #AD4D14, #AD2414 and #AD1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD4D14 shade: #AD4D14, #AD7614, #AD9F14, #91AD14 and #68AD14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD4D14 shade matches the following richer shades: #AD4D14 and #BD4904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD4D14 shade: #AD4D14, #9D5124, #8E5533, #7E5943 and #6E5D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD4D14 shade: #AD142D, #AD2314, #AD4C14, #AD7514 and #AD9E14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD4D14 shade: #632C0B, #883C10, #AD4D14, #D25D18 and #E6722D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD4D14 shade: #AD4D14, #56AD14 and #1419AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD4D14 shade: #AD4D14, #14AD4C and #4C14AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD4D14 shade: #AD4D14, #56AD14, #1475AD and #6B14AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD4D14 shade: #AD4D14, #28AD14, #1475AD and #9914AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

Complementary color

CMYK 65 / 24 / 0 / 8

HEX #52B2EB

RGB 82 178 235

HSL 202.35, 0.79%, 0.62%

LAB 69.21, -10.97, -36.84

 

CMYK 0 / 57 / 92 / 30

HEX #B24D0F

RGB 178 77 15

HSL 22.82, 0.84%, 0.38%

LAB 45.37, 38.23, 51.35

 

CMYK 0 / 51 / 83 / 24

HEX #C35F22

RGB 195 95 34

HSL 22.73, 0.7%, 0.45%

LAB 51.73, 36.3, 50.63

 

CMYK 0 / 47 / 75 / 17

HEX #D47135

RGB 212 113 53

HSL 22.64, 0.65%, 0.52%

LAB 58.1, 34.5, 49.1

 

CMYK 0 / 43 / 69 / 10

HEX #E58348

RGB 229 131 72

HSL 22.55, 0.75%, 0.59%

LAB 64.45, 32.85, 47.35

 

CMYK 0 / 39 / 63 / 4

HEX #F6955B

RGB 246 149 91

HSL 22.45, 0.9%, 0.66%

LAB 70.76, 31.37, 45.6

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 62 / 99 / 39

HEX #9C3B01

RGB 156 59 1

HSL 22.45, 0.99%, 0.31%

LAB 38.2, 38.27, 49.03

 

CMYK 0 / 71 / 100 / 45

HEX #8B2900

RGB 139 41 0

HSL 17.7, 1%, 0.27%

LAB 31.98, 40.08, 44.22

 

CMYK 0 / 81 / 100 / 52

HEX #7A1700

RGB 122 23 0

HSL 11.31, 1%, 0.24%

LAB 26.01, 41.03, 38.01

 

CMYK 0 / 95 / 100 / 59

HEX #690500

RGB 105 5 0

HSL 2.86, 1%, 0.21%

LAB 20.49, 40.48, 31.16

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 79 / 88 / 32

HEX #AD2414

RGB 173 36 20

HSL 6.27, 0.79%, 0.38%

LAB 38.19, 53.49, 43.63

 

CMYK 0 / 88 / 88 / 32

HEX #AD1414

RGB 173 20 20

HSL 0, 0.79%, 0.38%

LAB 36.81, 57.42, 42.53

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 32 / 88 / 32

HEX #AD7614

RGB 173 118 20

HSL 38.43, 0.79%, 0.38%

LAB 53.91, 13.97, 56.16

 

CMYK 0 / 8 / 88 / 32

HEX #AD9F14

RGB 173 159 20

HSL 54.51, 0.79%, 0.38%

LAB 64.75, -8.54, 64.83

 

CMYK 16 / 0 / 88 / 32

HEX #91AD14

RGB 145 173 20

HSL 70.98, 0.79%, 0.38%

LAB 66.49, -27.9, 65.31

 

CMYK 40 / 0 / 88 / 32

HEX #68AD14

RGB 104 173 20

HSL 87.06, 0.79%, 0.38%

LAB 64.06, -43.9, 62.3

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 61 / 98 / 26

HEX #BD4904

RGB 189 73 4

HSL 22.38, 0.96%, 0.38%

LAB 46.44, 44.21, 55.85

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 48 / 77 / 38

HEX #9D5124

RGB 157 81 36

HSL 22.31, 0.63%, 0.38%

LAB 43.03, 28.17, 39.37

 

CMYK 0 / 40 / 64 / 44

HEX #8E5533

RGB 142 85 51

HSL 22.42, 0.47%, 0.38%

LAB 41.98, 20.3, 29.55

 

CMYK 0 / 29 / 47 / 51

HEX #7E5943

RGB 126 89 67

HSL 22.37, 0.31%, 0.38%

LAB 41.19, 12.34, 18.76

 

CMYK 0 / 15 / 25 / 57

HEX #6E5D53

RGB 110 93 83

HSL 22.22, 0.14%, 0.38%

LAB 40.85, 5.15, 8.3

 

CMYK 0 / 88 / 74 / 32

HEX #AD142D

RGB 173 20 45

HSL 350.2, 0.79%, 0.38%

LAB 37.07, 58.17, 28.61

 

CMYK 0 / 80 / 88 / 32

HEX #AD2314

RGB 173 35 20

HSL 5.88, 0.79%, 0.38%

LAB 38.09, 53.79, 43.54

 

CMYK 0 / 56 / 88 / 32

HEX #AD4C14

RGB 173 76 20

HSL 21.96, 0.79%, 0.38%

LAB 44.38, 36.86, 48.56

 

CMYK 0 / 32 / 88 / 32

HEX #AD7514

RGB 173 117 20

HSL 38.04, 0.79%, 0.38%

LAB 53.66, 14.54, 55.96

 

CMYK 0 / 9 / 88 / 32

HEX #AD9E14

RGB 173 158 20

HSL 54.12, 0.79%, 0.38%

LAB 64.47, -8.01, 64.61

 

CMYK 0 / 56 / 89 / 61

HEX #632C0B

RGB 99 44 11

HSL 22.5, 0.8%, 0.22%

LAB 25.19, 22.7, 31.15

 

CMYK 0 / 56 / 88 / 47

HEX #883C10

RGB 136 60 16

HSL 22, 0.79%, 0.3%

LAB 35.01, 30, 39.94

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 0 / 56 / 89 / 18

HEX #D25D18

RGB 210 93 24

HSL 22.26, 0.79%, 0.46%

LAB 53.6, 42.92, 56.91

 

CMYK 0 / 50 / 80 / 10

HEX #E6722D

RGB 230 114 45

HSL 22.38, 0.79%, 0.54%

LAB 60.82, 40.8, 56.23

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 50 / 0 / 88 / 32

HEX #56AD14

RGB 86 173 20

HSL 94.12, 0.79%, 0.38%

LAB 63.27, -49.82, 61.32

 

CMYK 88 / 86 / 0 / 32

HEX #1419AD

RGB 20 25 173

HSL 238.04, 0.79%, 0.38%

LAB 23.21, 51.75, -75.46

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 88 / 0 / 56 / 32

HEX #14AD4C

RGB 20 173 76

HSL 141.96, 0.79%, 0.38%

LAB 62.13, -57.65, 39.19

 

CMYK 56 / 88 / 0 / 32

HEX #4C14AD

RGB 76 20 173

HSL 261.96, 0.79%, 0.38%

LAB 26.89, 57.12, -69.23

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 50 / 0 / 88 / 32

HEX #56AD14

RGB 86 173 20

HSL 94.12, 0.79%, 0.38%

LAB 63.27, -49.82, 61.32

 

CMYK 88 / 32 / 0 / 32

HEX #1475AD

RGB 20 117 173

HSL 201.96, 0.79%, 0.38%

LAB 46.83, -5.55, -37.1

 

CMYK 38 / 88 / 0 / 32

HEX #6B14AD

RGB 107 20 173

HSL 274.12, 0.79%, 0.38%

LAB 30.98, 60.65, -62.34

 

CMYK 0 / 55 / 88 / 32

HEX #AD4D14

RGB 173 77 20

HSL 22.35, 0.79%, 0.38%

LAB 44.58, 36.35, 48.71

 

CMYK 77 / 0 / 88 / 32

HEX #28AD14

RGB 40 173 20

HSL 112.16, 0.79%, 0.38%

LAB 61.99, -60.4, 59.7

 

CMYK 88 / 32 / 0 / 32

HEX #1475AD

RGB 20 117 173

HSL 201.96, 0.79%, 0.38%

LAB 46.83, -5.55, -37.1

 

CMYK 12 / 88 / 0 / 32

HEX #9914AD

RGB 153 20 173

HSL 292.16, 0.79%, 0.38%

LAB 38.36, 67.63, -50.02

 

Description

Color code: HEX #AD4D14 | qconv.com Color code: HEX #AD4D14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 77 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 77 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 88 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 88% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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