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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD4EF8 it is the complementary color #52B107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD4EF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD4EF8 shade: #B24EF3, #C360FF, #D472FF, #E584FF and #F696FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD4EF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD4EF8 shade: #AD4EF8, #9C3CE5, #8B2AD2, #7A18BF and #6906AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD4EF8 shade: #AD4EF7, #DA4EF7, #F74EE7, #F74EB9 and #F74E8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD4EF8 shade: #AD4EF7, #7F4EF7, #524EF7 and #4E4EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD4EF8 shade matches the following richer shades: #AD4EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD4EF8 shade: #AD4EF7, #AB5DE8, #A96CD9, #A77BCB and #A68ABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD4EF8 shade: #514EF7, #7E4EF7, #AB4EF7, #D84EF7 and #F74EE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD4EF8 shade: #8709EA, #9A27F6, #AD4EF7, #BF76F9 and #D19DFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD4EF8 shade: #AD4EF8, #F74E78 and #4EF768

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD4EF8 shade: #AD4EF8, #F7AB4E and #4EF7AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD4EF8 shade: #AD4EF8, #F74E78, #9AF74E and #4EF7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD4EF8 shade: #AD4EF8, #F7574E, #9AF74E and #4EEFF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

Complementary color

CMYK 54 / 0 / 96 / 31

HEX #52B107

RGB 82 177 7

HSL 93.53, 0.92%, 0.36%

LAB 64.37, -52.82, 64.16

 

CMYK 27 / 68 / 0 / 5

HEX #B24EF3

RGB 178 78 243

HSL 276.36, 0.87%, 0.63%

LAB 53.37, 66.94, -65.96

 

CMYK 24 / 62 / 0 / 0

HEX #C360FF

RGB 195 96 255

HSL 277.36, 1%, 0.69%

LAB 59.15, 65.03, -63.21

 

CMYK 17 / 55 / 0 / 0

HEX #D472FF

RGB 212 114 255

HSL 281.7, 1%, 0.72%

LAB 64.36, 60.48, -54.76

 

CMYK 10 / 48 / 0 / 0

HEX #E584FF

RGB 229 132 255

HSL 287.32, 1%, 0.76%

LAB 69.74, 56.02, -46.13

 

CMYK 4 / 41 / 0 / 0

HEX #F696FF

RGB 246 150 255

HSL 294.86, 1%, 0.79%

LAB 75.22, 51.73, -37.43

 

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

CMYK 32 / 74 / 0 / 10

HEX #9C3CE5

RGB 156 60 229

HSL 274.08, 0.76%, 0.57%

LAB 46.92, 67.21, -68.66

 

CMYK 34 / 80 / 0 / 18

HEX #8B2AD2

RGB 139 42 210

HSL 274.64, 0.67%, 0.49%

LAB 40.89, 66.84, -67.71

 

CMYK 36 / 87 / 0 / 25

HEX #7A18BF

RGB 122 24 191

HSL 275.21, 0.78%, 0.42%

LAB 35.11, 65.54, -66.19

 

CMYK 39 / 97 / 0 / 33

HEX #6906AC

RGB 105 6 172

HSL 275.78, 0.93%, 0.35%

LAB 29.69, 62.87, -63.87

 

CMYK 30 / 68 / 0 / 3

HEX #AD4EF7

RGB 173 78 247

HSL 273.73, 0.91%, 0.64%

LAB 53, 66.82, -68.81

 

CMYK 12 / 68 / 0 / 3

HEX #DA4EF7

RGB 218 78 247

HSL 289.7, 0.91%, 0.64%

LAB 59.04, 75.9, -58.78

 

CMYK 0 / 68 / 6 / 3

HEX #F74EE7

RGB 247 78 231

HSL 305.68, 0.91%, 0.64%

LAB 62.5, 79.56, -44.11

 

CMYK 0 / 68 / 25 / 3

HEX #F74EB9

RGB 247 78 185

HSL 322.01, 0.91%, 0.64%

LAB 60.54, 73.29, -21.11

 

CMYK 0 / 68 / 44 / 3

HEX #F74E8B

RGB 247 78 139

HSL 338.34, 0.91%, 0.64%

LAB 59.05, 68.32, 3.38

 

CMYK 30 / 68 / 0 / 3

HEX #AD4EF7

RGB 173 78 247

HSL 273.73, 0.91%, 0.64%

LAB 53, 66.82, -68.81

 

CMYK 49 / 68 / 0 / 3

HEX #7F4EF7

RGB 127 78 247

HSL 257.4, 0.91%, 0.64%

LAB 47.85, 58.53, -77.42

 

CMYK 67 / 68 / 0 / 3

HEX #524EF7

RGB 82 78 247

HSL 241.42, 0.91%, 0.64%

LAB 44.17, 52.18, -83.59

 

CMYK 68 / 68 / 0 / 3

HEX #4E4EF7

RGB 78 78 247

HSL 240, 0.91%, 0.64%

LAB 43.92, 51.73, -84.01

 

CMYK 30 / 68 / 0 / 3

HEX #AD4EF7

RGB 173 78 247

HSL 273.73, 0.91%, 0.64%

LAB 53, 66.82, -68.81

 

CMYK 30 / 68 / 0 / 3

HEX #AD4EF7

RGB 173 78 247

HSL 273.73, 0.91%, 0.64%

LAB 53, 66.82, -68.81

 

CMYK 26 / 60 / 0 / 9

HEX #AB5DE8

RGB 171 93 232

HSL 273.67, 0.75%, 0.64%

LAB 54.36, 56.05, -58.25

 

CMYK 22 / 50 / 0 / 15

HEX #A96CD9

RGB 169 108 217

HSL 273.58, 0.59%, 0.64%

LAB 56.26, 44.35, -46.8

 

CMYK 18 / 39 / 0 / 20

HEX #A77BCB

RGB 167 123 203

HSL 273, 0.43%, 0.64%

LAB 58.69, 32.3, -35.08

 

CMYK 12 / 27 / 0 / 26

HEX #A68ABC

RGB 166 138 188

HSL 273.6, 0.27%, 0.64%

LAB 61.58, 20.16, -22.13

 

CMYK 67 / 68 / 0 / 3

HEX #514EF7

RGB 81 78 247

HSL 241.07, 0.91%, 0.64%

LAB 44.11, 52.06, -83.7

 

CMYK 49 / 68 / 0 / 3

HEX #7E4EF7

RGB 126 78 247

HSL 257.04, 0.91%, 0.64%

LAB 47.75, 58.36, -77.58

 

CMYK 31 / 68 / 0 / 3

HEX #AB4EF7

RGB 171 78 247

HSL 273.02, 0.91%, 0.64%

LAB 52.75, 66.44, -69.23

 

CMYK 13 / 68 / 0 / 3

HEX #D84EF7

RGB 216 78 247

HSL 288.99, 0.91%, 0.64%

LAB 58.75, 75.49, -59.25

 

CMYK 0 / 68 / 6 / 3

HEX #F74EE9

RGB 247 78 233

HSL 304.97, 0.91%, 0.64%

LAB 62.6, 79.86, -45.07

 

CMYK 42 / 96 / 0 / 8

HEX #8709EA

RGB 135 9 234

HSL 273.6, 0.93%, 0.48%

LAB 40.06, 78.47, -82.84

 

CMYK 37 / 84 / 0 / 4

HEX #9A27F6

RGB 154 39 246

HSL 273.33, 0.92%, 0.56%

LAB 45.6, 77.49, -80.42

 

CMYK 30 / 68 / 0 / 3

HEX #AD4EF7

RGB 173 78 247

HSL 273.73, 0.91%, 0.64%

LAB 53, 66.82, -68.81

 

CMYK 23 / 53 / 0 / 2

HEX #BF76F9

RGB 191 118 249

HSL 273.44, 0.92%, 0.72%

LAB 62.4, 51.95, -54.73

 

CMYK 16 / 37 / 0 / 2

HEX #D19DFA

RGB 209 157 250

HSL 273.55, 0.9%, 0.8%

LAB 72.61, 36.25, -39.08

 

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

CMYK 0 / 68 / 51 / 3

HEX #F74E78

RGB 247 78 120

HSL 345.09, 0.91%, 0.64%

LAB 58.58, 66.69, 13.86

 

CMYK 68 / 0 / 58 / 3

HEX #4EF768

RGB 78 247 104

HSL 129.23, 0.91%, 0.64%

LAB 86.57, -70.9, 55.38

 

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

CMYK 0 / 31 / 68 / 3

HEX #F7AB4E

RGB 247 171 78

HSL 33.02, 0.91%, 0.64%

LAB 75.73, 19.48, 57.47

 

CMYK 68 / 0 / 31 / 3

HEX #4EF7AB

RGB 78 247 171

HSL 153.02, 0.91%, 0.64%

LAB 87.52, -60.16, 24.25

 

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

CMYK 0 / 68 / 51 / 3

HEX #F74E78

RGB 247 78 120

HSL 345.09, 0.91%, 0.64%

LAB 58.58, 66.69, 13.86

 

CMYK 38 / 0 / 68 / 3

HEX #9AF74E

RGB 154 247 78

HSL 93.02, 0.91%, 0.64%

LAB 88.89, -54.07, 69.19

 

CMYK 68 / 0 / 17 / 3

HEX #4EF7CD

RGB 78 247 205

HSL 165.09, 0.91%, 0.64%

LAB 88.23, -52.71, 7.71

 

CMYK 30 / 69 / 0 / 3

HEX #AD4EF8

RGB 173 78 248

HSL 273.53, 0.92%, 0.64%

LAB 53.07, 67.04, -69.26

 

CMYK 0 / 65 / 68 / 3

HEX #F7574E

RGB 247 87 78

HSL 3.2, 0.91%, 0.64%

LAB 59.1, 60.53, 38.74

 

CMYK 38 / 0 / 68 / 3

HEX #9AF74E

RGB 154 247 78

HSL 93.02, 0.91%, 0.64%

LAB 88.89, -54.07, 69.19

 

CMYK 68 / 3 / 0 / 3

HEX #4EEFF7

RGB 78 239 247

HSL 182.84, 0.91%, 0.64%

LAB 87.03, -38.34, -16.02

 

Description

Color code: HEX #AD4EF8 | qconv.com Color code: HEX #AD4EF8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 78 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 78 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 69 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 69% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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