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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD54F1 it is the complementary color #52AB0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD54F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD54F1 shade: #B254EC, #C366FF, #D478FF, #E58AFF and #F69CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD54F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD54F1 shade: #AD54F1, #9C42DE, #8B30CB, #7A1EB8 and #690CA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD54F1 shade: #AD55F1, #D755F1, #F155E0, #F155B6 and #F1558C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD54F1 shade: #AD55F1, #8355F1, #5955F1 and #5555F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD54F1 shade matches the following richer shades: #AD55F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD54F1 shade: #AD55F1, #AB64E2, #A972D3, #A781C4 and #A590B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD54F1 shade: #5A55F1, #8355F1, #AD55F1, #D755F1 and #F155E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD54F1 shade: #8712E1, #9B2FEE, #AD55F1, #BF7BF4 and #D2A1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD54F1 shade: #AD54F1, #F15579 and #55F16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD54F1 shade: #AD54F1, #F1AD55 and #55F1AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD54F1 shade: #AD54F1, #F15579, #98F155 and #55F1CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD54F1 shade: #AD54F1, #F15F55, #98F155 and #55E6F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

Complementary color

CMYK 52 / 0 / 92 / 33

HEX #52AB0E

RGB 82 171 14

HSL 94.01, 0.85%, 0.36%

LAB 62.47, -50.44, 61.65

 

CMYK 25 / 64 / 0 / 7

HEX #B254EC

RGB 178 84 236

HSL 277.11, 0.8%, 0.63%

LAB 53.88, 62.79, -61.22

 

CMYK 24 / 60 / 0 / 0

HEX #C366FF

RGB 195 102 255

HSL 276.47, 1%, 0.7%

LAB 60.18, 62.22, -61.55

 

CMYK 17 / 53 / 0 / 0

HEX #D478FF

RGB 212 120 255

HSL 280.89, 1%, 0.74%

LAB 65.48, 57.54, -52.99

 

CMYK 10 / 46 / 0 / 0

HEX #E58AFF

RGB 229 138 255

HSL 286.67, 1%, 0.77%

LAB 70.91, 53, -44.3

 

CMYK 4 / 39 / 0 / 0

HEX #F69CFF

RGB 246 156 255

HSL 294.55, 1%, 0.81%

LAB 76.43, 48.67, -35.56

 

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

CMYK 30 / 70 / 0 / 13

HEX #9C42DE

RGB 156 66 222

HSL 274.62, 0.7%, 0.56%

LAB 47.29, 63.22, -64.09

 

CMYK 32 / 76 / 0 / 20

HEX #8B30CB

RGB 139 48 203

HSL 275.23, 0.62%, 0.49%

LAB 41.08, 63.19, -63.35

 

CMYK 34 / 84 / 0 / 28

HEX #7A1EB8

RGB 122 30 184

HSL 275.84, 0.72%, 0.42%

LAB 35.06, 62.42, -62.14

 

CMYK 36 / 93 / 0 / 35

HEX #690CA5

RGB 105 12 165

HSL 276.47, 0.86%, 0.35%

LAB 29.37, 60.39, -60.18

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 11 / 65 / 0 / 5

HEX #D755F1

RGB 215 85 241

HSL 290, 0.85%, 0.64%

LAB 59.25, 71.47, -55.14

 

CMYK 0 / 65 / 7 / 5

HEX #F155E0

RGB 241 85 224

HSL 306.54, 0.85%, 0.64%

LAB 62.15, 74.63, -40.81

 

CMYK 0 / 65 / 24 / 5

HEX #F155B6

RGB 241 85 182

HSL 322.69, 0.85%, 0.64%

LAB 60.4, 68.75, -19.68

 

CMYK 0 / 65 / 42 / 5

HEX #F1558C

RGB 241 85 140

HSL 338.85, 0.85%, 0.64%

LAB 59.06, 64.01, 2.67

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 46 / 65 / 0 / 5

HEX #8355F1

RGB 131 85 241

HSL 257.69, 0.85%, 0.64%

LAB 49.1, 54.01, -72.01

 

CMYK 63 / 65 / 0 / 5

HEX #5955F1

RGB 89 85 241

HSL 241.54, 0.85%, 0.64%

LAB 45.6, 47.18, -77.87

 

CMYK 65 / 65 / 0 / 5

HEX #5555F1

RGB 85 85 241

HSL 240, 0.85%, 0.64%

LAB 45.33, 46.64, -78.32

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 24 / 56 / 0 / 11

HEX #AB64E2

RGB 171 100 226

HSL 273.81, 0.68%, 0.64%

LAB 55.34, 51.14, -53.31

 

CMYK 20 / 46 / 0 / 17

HEX #A972D3

RGB 169 114 211

HSL 274.02, 0.52%, 0.64%

LAB 57.24, 39.71, -41.85

 

CMYK 15 / 34 / 0 / 23

HEX #A781C4

RGB 167 129 196

HSL 274.03, 0.36%, 0.64%

LAB 59.8, 27.34, -29.39

 

CMYK 9 / 20 / 0 / 29

HEX #A590B5

RGB 165 144 181

HSL 274.05, 0.2%, 0.64%

LAB 62.75, 14.93, -16.42

 

CMYK 63 / 65 / 0 / 5

HEX #5A55F1

RGB 90 85 241

HSL 241.92, 0.85%, 0.64%

LAB 45.66, 47.32, -77.76

 

CMYK 46 / 65 / 0 / 5

HEX #8355F1

RGB 131 85 241

HSL 257.69, 0.85%, 0.64%

LAB 49.1, 54.01, -72.01

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 11 / 65 / 0 / 5

HEX #D755F1

RGB 215 85 241

HSL 290, 0.85%, 0.64%

LAB 59.25, 71.47, -55.14

 

CMYK 0 / 65 / 7 / 5

HEX #F155E1

RGB 241 85 225

HSL 306.15, 0.85%, 0.64%

LAB 62.2, 74.78, -41.29

 

CMYK 40 / 92 / 0 / 12

HEX #8712E1

RGB 135 18 225

HSL 273.91, 0.85%, 0.48%

LAB 39.61, 75.43, -78.44

 

CMYK 35 / 80 / 0 / 7

HEX #9B2FEE

RGB 155 47 238

HSL 273.93, 0.85%, 0.56%

LAB 45.87, 73.61, -75.46

 

CMYK 28 / 65 / 0 / 5

HEX #AD55F1

RGB 173 85 241

HSL 273.85, 0.85%, 0.64%

LAB 53.74, 62.35, -64.27

 

CMYK 22 / 50 / 0 / 4

HEX #BF7BF4

RGB 191 123 244

HSL 273.72, 0.85%, 0.72%

LAB 63.16, 48.22, -50.77

 

CMYK 15 / 35 / 0 / 3

HEX #D2A1F7

RGB 210 161 247

HSL 274.19, 0.84%, 0.8%

LAB 73.49, 33.73, -36.08

 

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

CMYK 0 / 65 / 50 / 5

HEX #F15579

RGB 241 85 121

HSL 346.15, 0.85%, 0.64%

LAB 58.58, 62.29, 13.12

 

CMYK 65 / 0 / 54 / 5

HEX #55F16F

RGB 85 241 111

HSL 130, 0.85%, 0.64%

LAB 84.99, -66.74, 50.41

 

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

CMYK 0 / 28 / 65 / 5

HEX #F1AD55

RGB 241 173 85

HSL 33.85, 0.85%, 0.64%

LAB 75.6, 16.34, 53.93

 

CMYK 65 / 0 / 28 / 5

HEX #55F1AD

RGB 85 241 173

HSL 153.85, 0.85%, 0.64%

LAB 85.94, -56.3, 21.06

 

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

CMYK 0 / 65 / 50 / 5

HEX #F15579

RGB 241 85 121

HSL 346.15, 0.85%, 0.64%

LAB 58.58, 62.29, 13.12

 

CMYK 37 / 0 / 65 / 5

HEX #98F155

RGB 152 241 85

HSL 94.23, 0.85%, 0.64%

LAB 87.12, -51.77, 64.62

 

CMYK 65 / 0 / 15 / 5

HEX #55F1CC

RGB 85 241 204

HSL 165.77, 0.85%, 0.64%

LAB 86.6, -49.41, 5.9

 

CMYK 28 / 65 / 0 / 5

HEX #AD54F1

RGB 173 84 241

HSL 274.01, 0.85%, 0.64%

LAB 53.57, 62.81, -64.54

 

CMYK 0 / 61 / 65 / 5

HEX #F15F55

RGB 241 95 85

HSL 3.85, 0.85%, 0.64%

LAB 59.47, 55.55, 35.05

 

CMYK 37 / 0 / 65 / 5

HEX #98F155

RGB 152 241 85

HSL 94.23, 0.85%, 0.64%

LAB 87.12, -51.77, 64.62

 

CMYK 65 / 5 / 0 / 5

HEX #55E6F1

RGB 85 230 241

HSL 184.23, 0.85%, 0.64%

LAB 84.42, -34.89, -16.77

 

Description

Color code: HEX #AD54F1 | qconv.com Color code: HEX #AD54F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 84 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 84 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 65 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 65% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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