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Color name
HEX #AD566C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD566C it is the complementary color #52A993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD566C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD566C shade: #B25667, #C3687A, #D47A8D, #E58CA0 and #F69EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD566C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD566C shade: #AD566C, #9C4459, #8B3246, #7A2033 and #690E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD566C shade: #AD566C and #AD5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD566C shade: #AD566C, #AD5684, #AD569B, #A856AD and #9056AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD566C shade matches the following richer shades: #AD566C, #C14262, #D62D58, #EA194E and #FE0544

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD566C shade: #AD566C, #996A76, #857E80, #71928A and #5CA794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD566C shade: #AD569C, #AD5684, #AD566D, #AD5656 and #AD6D56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD566C shade: #773949, #93475A, #AD566C, #BB7284 and #C88E9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD566C shade: #AD566C, #ADA756 and #5690AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD566C shade: #AD566C, #6DAD56 and #566DAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD566C shade: #AD566C, #ADA756, #56AD96 and #565CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD566C shade: #AD566C, #99AD56, #56AD96 and #6A56AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

Complementary color

CMYK 51 / 0 / 13 / 34

HEX #52A993

RGB 82 169 147

HSL 164.83, 0.35%, 0.49%

LAB 63.57, -31.7, 3.36

 

CMYK 0 / 52 / 42 / 30

HEX #B25667

RGB 178 86 103

HSL 348.91, 0.37%, 0.52%

LAB 48.39, 39.1, 8.04

 

CMYK 0 / 47 / 37 / 24

HEX #C3687A

RGB 195 104 122

HSL 348.13, 0.43%, 0.59%

LAB 54.98, 38.12, 6.45

 

CMYK 0 / 42 / 33 / 17

HEX #D47A8D

RGB 212 122 141

HSL 347.33, 0.51%, 0.65%

LAB 61.52, 37.17, 5.1

 

CMYK 0 / 39 / 30 / 10

HEX #E58CA0

RGB 229 140 160

HSL 346.52, 0.63%, 0.72%

LAB 67.99, 36.27, 3.93

 

CMYK 0 / 36 / 27 / 4

HEX #F69EB3

RGB 246 158 179

HSL 345.68, 0.83%, 0.79%

LAB 74.38, 35.42, 2.88

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 56 / 43 / 39

HEX #9C4459

RGB 156 68 89

HSL 345.68, 0.39%, 0.44%

LAB 41.09, 38.79, 5.78

 

CMYK 0 / 64 / 50 / 45

HEX #8B3246

RGB 139 50 70

HSL 346.52, 0.47%, 0.37%

LAB 34.42, 39.58, 7.97

 

CMYK 0 / 74 / 58 / 52

HEX #7A2033

RGB 122 32 51

HSL 347.33, 0.58%, 0.3%

LAB 27.87, 39.97, 10.89

 

CMYK 0 / 87 / 70 / 59

HEX #690E20

RGB 105 14 32

HSL 348.13, 0.76%, 0.23%

LAB 21.66, 39.42, 14.96

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 50 / 50 / 32

HEX #AD5656

RGB 173 86 86

HSL 0, 0.35%, 0.51%

LAB 47.25, 35.48, 16.58

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 50 / 24 / 32

HEX #AD5684

RGB 173 86 132

HSL 328.28, 0.35%, 0.51%

LAB 48.52, 41.09, -9.32

 

CMYK 0 / 50 / 10 / 32

HEX #AD569B

RGB 173 86 155

HSL 312.41, 0.35%, 0.51%

LAB 49.38, 44.73, -21.71

 

CMYK 3 / 50 / 0 / 32

HEX #A856AD

RGB 168 86 173

HSL 296.55, 0.35%, 0.51%

LAB 49.49, 46.46, -32.19

 

CMYK 17 / 50 / 0 / 32

HEX #9056AD

RGB 144 86 173

HSL 280, 0.35%, 0.51%

LAB 46.45, 39.54, -37.18

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 66 / 49 / 24

HEX #C14262

RGB 193 66 98

HSL 344.88, 0.51%, 0.51%

LAB 47.13, 53.08, 9.63

 

CMYK 0 / 79 / 59 / 16

HEX #D62D58

RGB 214 45 88

HSL 344.73, 0.67%, 0.51%

LAB 48.11, 65.74, 17.7

 

CMYK 0 / 89 / 67 / 8

HEX #EA194E

RGB 234 25 78

HSL 344.78, 0.83%, 0.51%

LAB 50.38, 74.49, 27.5

 

CMYK 0 / 98 / 73 / 0

HEX #FE0544

RGB 254 5 68

HSL 344.82, 0.99%, 0.51%

LAB 53.6, 80.76, 38.28

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 31 / 23 / 40

HEX #996A76

RGB 153 106 118

HSL 344.68, 0.19%, 0.51%

LAB 49.96, 20.61, 0.9

 

CMYK 0 / 5 / 4 / 48

HEX #857E80

RGB 133 126 128

HSL 342.86, 0.03%, 0.51%

LAB 53.46, 3.03, -0.14

 

CMYK 23 / 0 / 5 / 43

HEX #71928A

RGB 113 146 138

HSL 165.45, 0.13%, 0.51%

LAB 57.95, -13.25, 0.46

 

CMYK 45 / 0 / 11 / 35

HEX #5CA794

RGB 92 167 148

HSL 164.8, 0.3%, 0.51%

LAB 63.38, -28.01, 2.58

 

CMYK 0 / 50 / 10 / 32

HEX #AD569C

RGB 173 86 156

HSL 311.72, 0.35%, 0.51%

LAB 49.42, 44.9, -22.24

 

CMYK 0 / 50 / 24 / 32

HEX #AD5684

RGB 173 86 132

HSL 328.28, 0.35%, 0.51%

LAB 48.52, 41.09, -9.32

 

CMYK 0 / 50 / 37 / 32

HEX #AD566D

RGB 173 86 109

HSL 344.14, 0.35%, 0.51%

LAB 47.81, 37.99, 3.49

 

CMYK 0 / 50 / 50 / 32

HEX #AD5656

RGB 173 86 86

HSL 0, 0.35%, 0.51%

LAB 47.25, 35.48, 16.58

 

CMYK 0 / 37 / 50 / 32

HEX #AD6D56

RGB 173 109 86

HSL 15.86, 0.35%, 0.51%

LAB 52.39, 22.91, 23.45

 

CMYK 0 / 52 / 39 / 53

HEX #773949

RGB 119 57 73

HSL 344.52, 0.35%, 0.35%

LAB 32.54, 28.93, 2.91

 

CMYK 0 / 52 / 39 / 42

HEX #93475A

RGB 147 71 90

HSL 345, 0.35%, 0.43%

LAB 40.32, 34.05, 3.87

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 39 / 29 / 27

HEX #BB7284

RGB 187 114 132

HSL 345.21, 0.35%, 0.59%

LAB 56.35, 31.11, 2.45

 

CMYK 0 / 29 / 22 / 22

HEX #C88E9C

RGB 200 142 156

HSL 345.52, 0.35%, 0.67%

LAB 64.98, 24.04, 1.41

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 3 / 50 / 32

HEX #ADA756

RGB 173 167 86

HSL 55.86, 0.35%, 0.51%

LAB 67.42, -9.11, 42.27

 

CMYK 50 / 17 / 0 / 32

HEX #5690AD

RGB 86 144 173

HSL 200, 0.35%, 0.51%

LAB 57.02, -10.78, -21.09

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 37 / 0 / 50 / 32

HEX #6DAD56

RGB 109 173 86

HSL 104.14, 0.35%, 0.51%

LAB 64.81, -37.06, 38.09

 

CMYK 50 / 37 / 0 / 32

HEX #566DAD

RGB 86 109 173

HSL 224.14, 0.35%, 0.51%

LAB 46.89, 9.82, -36.84

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 0 / 3 / 50 / 32

HEX #ADA756

RGB 173 167 86

HSL 55.86, 0.35%, 0.51%

LAB 67.42, -9.11, 42.27

 

CMYK 50 / 0 / 13 / 32

HEX #56AD96

RGB 86 173 150

HSL 164.14, 0.35%, 0.51%

LAB 65.02, -31.93, 3.8

 

CMYK 50 / 47 / 0 / 32

HEX #565CAD

RGB 86 92 173

HSL 235.86, 0.35%, 0.51%

LAB 42.23, 20.45, -44.23

 

CMYK 0 / 50 / 38 / 32

HEX #AD566C

RGB 173 86 108

HSL 344.83, 0.35%, 0.51%

LAB 47.78, 37.87, 4.06

 

CMYK 12 / 0 / 50 / 32

HEX #99AD56

RGB 153 173 86

HSL 73.79, 0.35%, 0.51%

LAB 67.52, -20.5, 42.01

 

CMYK 50 / 0 / 13 / 32

HEX #56AD96

RGB 86 173 150

HSL 164.14, 0.35%, 0.51%

LAB 65.02, -31.93, 3.8

 

CMYK 39 / 50 / 0 / 32

HEX #6A56AD

RGB 106 86 173

HSL 253.79, 0.35%, 0.51%

LAB 42.36, 29.12, -43.92

 

Description

Color code: HEX #AD566C | qconv.com Color code: HEX #AD566C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 86 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 86 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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