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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD59BB it is the complementary color #52A644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD59BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD59BB shade: #B259B6, #C36BC9, #D47DDC, #E58FEF and #F6A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD59BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD59BB shade: #AD59BB, #9C47A8, #8B3595, #7A2382 and #69116F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD59BB shade: #AC58BA, #BA58AE, #BA5893, #BA5879 and #BA585E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD59BB shade: #AC58BA, #9258BA, #7758BA, #5D58BA and #5858BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD59BB shade matches the following richer shades: #AC58BA, #BA45CD, #C832E0 and #D51FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD59BB shade: #AC58BA, #9F6BA7, #917E95, #849182 and #76A46F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD59BB shade: #7758BA, #9158BA, #AC58BA, #BA58AF and #BA5895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD59BB shade: #7D3788, #9843A6, #AC58BA, #BB75C6 and #C993D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD59BB shade: #AD59BB, #BA5D58 and #58BA84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD59BB shade: #AD59BB, #BAAC58 and #58BAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD59BB shade: #AD59BB, #BA5D58, #67BA58 and #58B6BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD59BB shade: #AD59BB, #BA7A58, #67BA58 and #5898BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

Complementary color

CMYK 51 / 0 / 59 / 35

HEX #52A644

RGB 82 166 68

HSL 111.43, 0.42%, 0.46%

LAB 61.21, -44.81, 42.27

 

CMYK 2 / 51 / 0 / 29

HEX #B259B6

RGB 178 89 182

HSL 297.42, 0.39%, 0.53%

LAB 51.82, 49.51, -33.69

 

CMYK 3 / 47 / 0 / 21

HEX #C36BC9

RGB 195 107 201

HSL 296.17, 0.47%, 0.6%

LAB 58.35, 48.84, -34.23

 

CMYK 4 / 43 / 0 / 14

HEX #D47DDC

RGB 212 125 220

HSL 294.95, 0.58%, 0.68%

LAB 64.83, 48.12, -34.67

 

CMYK 4 / 40 / 0 / 6

HEX #E58FEF

RGB 229 143 239

HSL 293.75, 0.75%, 0.75%

LAB 71.24, 47.38, -35.06

 

CMYK 4 / 37 / 0 / 0

HEX #F6A1FF

RGB 246 161 255

HSL 294.26, 1%, 0.82%

LAB 77.46, 46.09, -33.96

 

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

CMYK 7 / 58 / 0 / 34

HEX #9C47A8

RGB 156 71 168

HSL 292.58, 0.41%, 0.47%

LAB 44.8, 49.64, -36.73

 

CMYK 7 / 64 / 0 / 42

HEX #8B3595

RGB 139 53 149

HSL 293.75, 0.48%, 0.4%

LAB 38.21, 49.95, -35.94

 

CMYK 6 / 73 / 0 / 49

HEX #7A2382

RGB 122 35 130

HSL 294.95, 0.58%, 0.32%

LAB 31.7, 49.74, -34.76

 

CMYK 5 / 85 / 0 / 56

HEX #69116F

RGB 105 17 111

HSL 296.17, 0.73%, 0.25%

LAB 25.42, 48.49, -32.9

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 0 / 53 / 6 / 27

HEX #BA58AE

RGB 186 88 174

HSL 307.35, 0.42%, 0.54%

LAB 52.37, 50.88, -28.1

 

CMYK 0 / 53 / 21 / 27

HEX #BA5893

RGB 186 88 147

HSL 323.88, 0.42%, 0.54%

LAB 51.3, 46.56, -13.89

 

CMYK 0 / 53 / 35 / 27

HEX #BA5879

RGB 186 88 121

HSL 339.8, 0.42%, 0.54%

LAB 50.45, 43.03, 0.34

 

CMYK 0 / 53 / 49 / 27

HEX #BA585E

RGB 186 88 94

HSL 356.33, 0.42%, 0.54%

LAB 49.77, 40.08, 15.55

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 22 / 53 / 0 / 27

HEX #9258BA

RGB 146 88 186

HSL 275.51, 0.42%, 0.54%

LAB 47.8, 41.94, -42.63

 

CMYK 36 / 53 / 0 / 27

HEX #7758BA

RGB 119 88 186

HSL 258.98, 0.42%, 0.54%

LAB 44.87, 34.84, -47.47

 

CMYK 50 / 53 / 0 / 27

HEX #5D58BA

RGB 93 88 186

HSL 243.06, 0.42%, 0.54%

LAB 42.54, 28.65, -51.33

 

CMYK 53 / 53 / 0 / 27

HEX #5858BA

RGB 88 88 186

HSL 240, 0.42%, 0.54%

LAB 42.15, 27.57, -51.98

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 9 / 66 / 0 / 20

HEX #BA45CD

RGB 186 69 205

HSL 291.62, 0.58%, 0.54%

LAB 50.81, 64.86, -48.5

 

CMYK 11 / 78 / 0 / 12

HEX #C832E0

RGB 200 50 224

HSL 291.72, 0.74%, 0.54%

LAB 51.77, 77.56, -57.67

 

CMYK 12 / 87 / 0 / 5

HEX #D51FF3

RGB 213 31 243

HSL 291.51, 0.9%, 0.54%

LAB 53.6, 87.12, -65.34

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 5 / 36 / 0 / 35

HEX #9F6BA7

RGB 159 107 167

HSL 292, 0.25%, 0.54%

LAB 52.59, 31.11, -23.96

 

CMYK 3 / 15 / 0 / 42

HEX #917E95

RGB 145 126 149

HSL 289.57, 0.1%, 0.54%

LAB 55.19, 11.64, -9.68

 

CMYK 9 / 0 / 10 / 43

HEX #849182

RGB 132 145 130

HSL 112, 0.06%, 0.54%

LAB 58.76, -7.66, 6.36

 

CMYK 28 / 0 / 32 / 36

HEX #76A46F

RGB 118 164 111

HSL 112.08, 0.23%, 0.54%

LAB 62.97, -26.05, 22.68

 

CMYK 36 / 53 / 0 / 27

HEX #7758BA

RGB 119 88 186

HSL 258.98, 0.42%, 0.54%

LAB 44.87, 34.84, -47.47

 

CMYK 22 / 53 / 0 / 27

HEX #9158BA

RGB 145 88 186

HSL 274.9, 0.42%, 0.54%

LAB 47.68, 41.67, -42.82

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 0 / 53 / 6 / 27

HEX #BA58AF

RGB 186 88 175

HSL 306.73, 0.42%, 0.54%

LAB 52.41, 51.05, -28.62

 

CMYK 0 / 53 / 20 / 27

HEX #BA5895

RGB 186 88 149

HSL 322.65, 0.42%, 0.54%

LAB 51.37, 46.86, -14.96

 

CMYK 8 / 60 / 0 / 47

HEX #7D3788

RGB 125 55 136

HSL 291.85, 0.42%, 0.37%

LAB 35.73, 42.74, -32.04

 

CMYK 8 / 60 / 0 / 35

HEX #9843A6

RGB 152 67 166

HSL 291.52, 0.42%, 0.46%

LAB 43.42, 50.11, -37.76

 

CMYK 8 / 53 / 0 / 27

HEX #AC58BA

RGB 172 88 186

HSL 291.43, 0.42%, 0.54%

LAB 51.03, 49.09, -37.31

 

CMYK 6 / 41 / 0 / 22

HEX #BB75C6

RGB 187 117 198

HSL 291.85, 0.42%, 0.62%

LAB 59.31, 40.63, -31.11

 

CMYK 4 / 30 / 0 / 18

HEX #C993D2

RGB 201 147 210

HSL 291.43, 0.41%, 0.7%

LAB 67.97, 31.04, -24.36

 

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

CMYK 0 / 50 / 53 / 27

HEX #BA5D58

RGB 186 93 88

HSL 3.06, 0.42%, 0.54%

LAB 50.65, 36.96, 20.31

 

CMYK 53 / 0 / 29 / 27

HEX #58BA84

RGB 88 186 132

HSL 146.94, 0.42%, 0.54%

LAB 68.65, -41.34, 18.8

 

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

CMYK 0 / 8 / 53 / 27

HEX #BAAC58

RGB 186 172 88

HSL 51.43, 0.42%, 0.54%

LAB 69.93, -6.08, 44.54

 

CMYK 53 / 0 / 8 / 27

HEX #58BAAC

RGB 88 186 172

HSL 171.43, 0.42%, 0.54%

LAB 69.59, -32.21, -1.68

 

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

CMYK 0 / 50 / 53 / 27

HEX #BA5D58

RGB 186 93 88

HSL 3.06, 0.42%, 0.54%

LAB 50.65, 36.96, 20.31

 

CMYK 45 / 0 / 53 / 27

HEX #67BA58

RGB 103 186 88

HSL 110.82, 0.42%, 0.54%

LAB 68.54, -44.4, 41.57

 

CMYK 53 / 2 / 0 / 27

HEX #58B6BA

RGB 88 182 186

HSL 182.45, 0.42%, 0.54%

LAB 68.81, -26.57, -10.55

 

CMYK 7 / 52 / 0 / 27

HEX #AD59BB

RGB 173 89 187

HSL 291.43, 0.42%, 0.54%

LAB 51.4, 49.06, -37.3

 

CMYK 0 / 34 / 53 / 27

HEX #BA7A58

RGB 186 122 88

HSL 20.82, 0.42%, 0.54%

LAB 57.14, 21.25, 28.78

 

CMYK 45 / 0 / 53 / 27

HEX #67BA58

RGB 103 186 88

HSL 110.82, 0.42%, 0.54%

LAB 68.54, -44.4, 41.57

 

CMYK 53 / 18 / 0 / 27

HEX #5898BA

RGB 88 152 186

HSL 200.82, 0.42%, 0.54%

LAB 59.96, -10.87, -23.96

 

Description

Color code: HEX #AD59BB | qconv.com Color code: HEX #AD59BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 89 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 89 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 52 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 52% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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