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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD53F7 it is the complementary color #52AC08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD53F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD53F7 shade: #B253F2, #C365FF, #D477FF, #E589FF and #F69BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD53F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD53F7 shade: #AD53F7, #9C41E4, #8B2FD1, #7A1DBE and #690BAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD53F7 shade: #AD54F6, #D954F6, #F654E8, #F654BC and #F65491

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD53F7 shade: #AD54F6, #8154F6, #5654F6 and #5454F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD53F7 shade matches the following richer shades: #AD54F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD53F7 shade: #AD54F6, #AC62E8, #AA71DA, #A97FCB and #A88EBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD53F7 shade: #5454F6, #7F54F6, #AB54F6, #D654F6 and #F654EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD53F7 shade: #870BED, #9A2DF5, #AD54F6, #C07BF8 and #D3A3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD53F7 shade: #AD53F7, #F6547F and #54F66A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD53F7 shade: #AD53F7, #F6AB54 and #54F6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD53F7 shade: #AD53F7, #F6547F, #A0F654 and #54F6CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD53F7 shade: #AD53F7, #F65954, #A0F654 and #54F1F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

Complementary color

CMYK 52 / 0 / 95 / 33

HEX #52AC08

RGB 82 172 8

HSL 92.93, 0.91%, 0.35%

LAB 62.77, -50.95, 62.74

 

CMYK 26 / 66 / 0 / 5

HEX #B253F2

RGB 178 83 242

HSL 275.85, 0.86%, 0.64%

LAB 54.09, 64.53, -64.23

 

CMYK 24 / 60 / 0 / 0

HEX #C365FF

RGB 195 101 255

HSL 276.62, 1%, 0.7%

LAB 60.01, 62.69, -61.83

 

CMYK 17 / 53 / 0 / 0

HEX #D477FF

RGB 212 119 255

HSL 281.03, 1%, 0.73%

LAB 65.29, 58.03, -53.29

 

CMYK 10 / 46 / 0 / 0

HEX #E589FF

RGB 229 137 255

HSL 286.78, 1%, 0.77%

LAB 70.71, 53.51, -44.61

 

CMYK 4 / 39 / 0 / 0

HEX #F69BFF

RGB 246 155 255

HSL 294.6, 1%, 0.8%

LAB 76.23, 49.18, -35.87

 

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

CMYK 32 / 71 / 0 / 11

HEX #9C41E4

RGB 156 65 228

HSL 273.5, 0.75%, 0.57%

LAB 47.56, 64.97, -67.06

 

CMYK 33 / 78 / 0 / 18

HEX #8B2FD1

RGB 139 47 209

HSL 274.07, 0.64%, 0.5%

LAB 41.41, 64.88, -66.28

 

CMYK 36 / 85 / 0 / 25

HEX #7A1DBE

RGB 122 29 190

HSL 274.66, 0.74%, 0.43%

LAB 35.47, 64.01, -65.01

 

CMYK 39 / 94 / 0 / 33

HEX #690BAB

RGB 105 11 171

HSL 275.25, 0.88%, 0.36%

LAB 29.87, 61.84, -62.98

 

CMYK 30 / 66 / 0 / 4

HEX #AD54F6

RGB 173 84 246

HSL 272.96, 0.9%, 0.65%

LAB 53.9, 63.92, -66.81

 

CMYK 12 / 66 / 0 / 4

HEX #D954F6

RGB 217 84 246

HSL 289.26, 0.9%, 0.65%

LAB 59.66, 73.22, -57.25

 

CMYK 0 / 66 / 6 / 4

HEX #F654E8

RGB 246 84 232

HSL 305.19, 0.9%, 0.65%

LAB 63.14, 77.38, -43.67

 

CMYK 0 / 66 / 24 / 4

HEX #F654BC

RGB 246 84 188

HSL 321.48, 0.9%, 0.65%

LAB 61.28, 71.22, -21.72

 

CMYK 0 / 66 / 41 / 4

HEX #F65491

RGB 246 84 145

HSL 337.41, 0.9%, 0.65%

LAB 59.87, 66.36, 1.03

 

CMYK 30 / 66 / 0 / 4

HEX #AD54F6

RGB 173 84 246

HSL 272.96, 0.9%, 0.65%

LAB 53.9, 63.92, -66.81

 

CMYK 48 / 66 / 0 / 4

HEX #8154F6

RGB 129 84 246

HSL 256.67, 0.9%, 0.65%

LAB 49.08, 55.53, -74.84

 

CMYK 65 / 66 / 0 / 4

HEX #5654F6

RGB 86 84 246

HSL 240.74, 0.9%, 0.65%

LAB 45.6, 48.95, -80.68

 

CMYK 66 / 66 / 0 / 4

HEX #5454F6

RGB 84 84 246

HSL 240, 0.9%, 0.65%

LAB 45.47, 48.7, -80.9

 

CMYK 30 / 66 / 0 / 4

HEX #AD54F6

RGB 173 84 246

HSL 272.96, 0.9%, 0.65%

LAB 53.9, 63.92, -66.81

 

CMYK 30 / 66 / 0 / 4

HEX #AD54F6

RGB 173 84 246

HSL 272.96, 0.9%, 0.65%

LAB 53.9, 63.92, -66.81

 

CMYK 26 / 58 / 0 / 9

HEX #AC62E8

RGB 172 98 232

HSL 273.13, 0.74%, 0.65%

LAB 55.41, 53.77, -56.55

 

CMYK 22 / 48 / 0 / 15

HEX #AA71DA

RGB 170 113 218

HSL 272.57, 0.59%, 0.65%

LAB 57.48, 42.12, -45.42

 

CMYK 17 / 37 / 0 / 20

HEX #A97FCB

RGB 169 127 203

HSL 273.16, 0.42%, 0.65%

LAB 59.82, 30.65, -33.3

 

CMYK 11 / 25 / 0 / 26

HEX #A88EBD

RGB 168 142 189

HSL 273.19, 0.26%, 0.65%

LAB 62.8, 18.76, -20.82

 

CMYK 66 / 66 / 0 / 4

HEX #5454F6

RGB 84 84 246

HSL 240, 0.9%, 0.65%

LAB 45.47, 48.7, -80.9

 

CMYK 48 / 66 / 0 / 4

HEX #7F54F6

RGB 127 84 246

HSL 255.93, 0.9%, 0.65%

LAB 48.89, 55.18, -75.16

 

CMYK 30 / 66 / 0 / 4

HEX #AB54F6

RGB 171 84 246

HSL 272.22, 0.9%, 0.65%

LAB 53.66, 63.52, -67.21

 

CMYK 13 / 66 / 0 / 4

HEX #D654F6

RGB 214 84 246

HSL 288.15, 0.9%, 0.65%

LAB 59.24, 72.57, -57.93

 

CMYK 0 / 66 / 4 / 4

HEX #F654EC

RGB 246 84 236

HSL 303.7, 0.9%, 0.65%

LAB 63.33, 78, -45.59

 

CMYK 43 / 95 / 0 / 7

HEX #870BED

RGB 135 11 237

HSL 272.92, 0.91%, 0.49%

LAB 40.42, 78.87, -83.95

 

CMYK 37 / 82 / 0 / 4

HEX #9A2DF5

RGB 154 45 245

HSL 272.7, 0.91%, 0.57%

LAB 46.1, 75.58, -79.04

 

CMYK 30 / 66 / 0 / 4

HEX #AD54F6

RGB 173 84 246

HSL 272.96, 0.9%, 0.65%

LAB 53.9, 63.92, -66.81

 

CMYK 23 / 50 / 0 / 3

HEX #C07BF8

RGB 192 123 248

HSL 273.12, 0.9%, 0.73%

LAB 63.47, 49.36, -52.48

 

CMYK 16 / 35 / 0 / 2

HEX #D3A3FA

RGB 211 163 250

HSL 273.1, 0.9%, 0.81%

LAB 74.15, 33.58, -36.66

 

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

CMYK 0 / 66 / 48 / 4

HEX #F6547F

RGB 246 84 127

HSL 344.07, 0.9%, 0.65%

LAB 59.4, 64.71, 10.88

 

CMYK 66 / 0 / 57 / 4

HEX #54F66A

RGB 84 246 106

HSL 128.15, 0.9%, 0.65%

LAB 86.42, -69.26, 54.36

 

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

CMYK 0 / 30 / 66 / 4

HEX #F6AB54

RGB 246 171 84

HSL 32.22, 0.9%, 0.65%

LAB 75.67, 19.4, 54.63

 

CMYK 66 / 0 / 30 / 4

HEX #54F6AB

RGB 84 246 171

HSL 152.22, 0.9%, 0.65%

LAB 87.36, -58.82, 24.04

 

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

CMYK 0 / 66 / 48 / 4

HEX #F6547F

RGB 246 84 127

HSL 344.07, 0.9%, 0.65%

LAB 59.4, 64.71, 10.88

 

CMYK 35 / 0 / 66 / 4

HEX #A0F654

RGB 160 246 84

HSL 91.85, 0.9%, 0.65%

LAB 88.93, -51.24, 67.06

 

CMYK 66 / 0 / 17 / 4

HEX #54F6CB

RGB 84 246 203

HSL 164.07, 0.9%, 0.65%

LAB 88.02, -51.88, 8.46

 

CMYK 30 / 66 / 0 / 3

HEX #AD53F7

RGB 173 83 247

HSL 272.93, 0.91%, 0.65%

LAB 53.8, 64.6, -67.52

 

CMYK 0 / 64 / 66 / 4

HEX #F65954

RGB 246 89 84

HSL 1.85, 0.9%, 0.65%

LAB 59.32, 59.7, 35.61

 

CMYK 35 / 0 / 66 / 4

HEX #A0F654

RGB 160 246 84

HSL 91.85, 0.9%, 0.65%

LAB 88.93, -51.24, 67.06

 

CMYK 66 / 2 / 0 / 4

HEX #54F1F6

RGB 84 241 246

HSL 181.85, 0.9%, 0.65%

LAB 87.7, -38.72, -14.47

 

Description

Color code: HEX #AD53F7 | qconv.com Color code: HEX #AD53F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 83 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 83 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 66 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 66% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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