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Color name
HEX #AD5B85

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD5B85 it is the complementary color #52A47A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD5B85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD5B85 shade: #B25B80, #C36D93, #D47FA6, #E591B9 and #F6A3CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD5B85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD5B85 shade: #AD5B85, #9C4972, #8B375F, #7A254C and #691339

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD5B85 shade: #AC5C85, #AC5C6F and #AC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD5B85 shade: #AC5C85, #AC5C9B, #A85CAC, #935CAC and #7D5CAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD5B85 shade matches the following richer shades: #AC5C85, #C04886, #D43486, #E82087 and #FC0C87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD5B85 shade: #AC5C85, #997085, #858384, #719784 and #5DAB83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD5B85 shade: #A85CAC, #AC5C9B, #AC5C85, #AC5C70 and #AC5D5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD5B85 shade: #793D5C, #944B70, #AC5C85, #BA779A and #C893AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD5B85 shade: #AD5B85, #AC935C and #5CA6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD5B85 shade: #AD5B85, #85AC5C and #5C85AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD5B85 shade: #AD5B85, #AC935C, #5CAC83 and #5C75AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD5B85 shade: #AD5B85, #ACAB5C, #5CAC83 and #5C5DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

Complementary color

CMYK 50 / 0 / 26 / 36

HEX #52A47A

RGB 82 164 122

HSL 149.27, 0.33%, 0.48%

LAB 61.44, -35.07, 14.25

 

CMYK 0 / 49 / 28 / 30

HEX #B25B80

RGB 178 91 128

HSL 334.48, 0.36%, 0.53%

LAB 50.1, 39.63, -4.49

 

CMYK 0 / 44 / 25 / 24

HEX #C36D93

RGB 195 109 147

HSL 333.49, 0.42%, 0.6%

LAB 56.73, 38.79, -5.62

 

CMYK 0 / 40 / 22 / 17

HEX #D47FA6

RGB 212 127 166

HSL 332.47, 0.5%, 0.66%

LAB 63.28, 37.96, -6.6

 

CMYK 0 / 37 / 19 / 10

HEX #E591B9

RGB 229 145 185

HSL 331.43, 0.62%, 0.73%

LAB 69.76, 37.16, -7.46

 

CMYK 0 / 34 / 17 / 4

HEX #F6A3CC

RGB 246 163 204

HSL 330.36, 0.82%, 0.8%

LAB 76.16, 36.4, -8.23

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 0 / 53 / 27 / 39

HEX #9C4972

RGB 156 73 114

HSL 330.36, 0.36%, 0.45%

LAB 42.84, 39.42, -7.15

 

CMYK 0 / 60 / 32 / 45

HEX #8B375F

RGB 139 55 95

HSL 331.43, 0.43%, 0.38%

LAB 36.08, 40.09, -5.65

 

CMYK 0 / 70 / 38 / 52

HEX #7A254C

RGB 122 37 76

HSL 332.47, 0.53%, 0.31%

LAB 29.37, 40.43, -3.64

 

CMYK 0 / 82 / 46 / 59

HEX #691339

RGB 105 19 57

HSL 333.49, 0.69%, 0.24%

LAB 22.88, 39.97, -0.76

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 47 / 35 / 33

HEX #AC5C6F

RGB 172 92 111

HSL 345.75, 0.33%, 0.52%

LAB 48.97, 34.69, 3.95

 

CMYK 0 / 47 / 47 / 33

HEX #AC5C5C

RGB 172 92 92

HSL 0, 0.33%, 0.52%

LAB 48.51, 32.49, 14.68

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 47 / 10 / 33

HEX #AC5C9B

RGB 172 92 155

HSL 312.75, 0.33%, 0.52%

LAB 50.44, 41.3, -20.09

 

CMYK 2 / 47 / 0 / 33

HEX #A85CAC

RGB 168 92 172

HSL 297, 0.33%, 0.52%

LAB 50.64, 43.16, -29.82

 

CMYK 15 / 47 / 0 / 33

HEX #935CAC

RGB 147 92 172

HSL 281.25, 0.33%, 0.52%

LAB 48.05, 36.87, -34.05

 

CMYK 27 / 47 / 0 / 33

HEX #7D5CAC

RGB 125 92 172

HSL 264.75, 0.33%, 0.52%

LAB 45.62, 30.43, -38.04

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 63 / 30 / 25

HEX #C04886

RGB 192 72 134

HSL 329, 0.49%, 0.52%

LAB 48.96, 54.1, -9.56

 

CMYK 0 / 75 / 37 / 17

HEX #D43486

RGB 212 52 134

HSL 329.25, 0.65%, 0.52%

LAB 49.71, 67.07, -8.09

 

CMYK 0 / 86 / 42 / 9

HEX #E82087

RGB 232 32 135

HSL 329.1, 0.81%, 0.52%

LAB 51.77, 76.79, -5.23

 

CMYK 0 / 95 / 46 / 1

HEX #FC0C87

RGB 252 12 135

HSL 329.25, 0.98%, 0.52%

LAB 54.77, 83.64, -0.37

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 27 / 13 / 40

HEX #997085

RGB 153 112 133

HSL 329.27, 0.17%, 0.52%

LAB 51.9, 19.65, -5.14

 

CMYK 0 / 2 / 1 / 48

HEX #858384

RGB 133 131 132

HSL 330, 0.01%, 0.52%

LAB 54.95, 0.95, -0.28

 

CMYK 25 / 0 / 13 / 41

HEX #719784

RGB 113 151 132

HSL 150, 0.15%, 0.52%

LAB 59.26, -17.21, 5.78

 

CMYK 46 / 0 / 23 / 33

HEX #5DAB83

RGB 93 171 131

HSL 149.23, 0.32%, 0.52%

LAB 64.24, -33.48, 13.25

 

CMYK 2 / 47 / 0 / 33

HEX #A85CAC

RGB 168 92 172

HSL 297, 0.33%, 0.52%

LAB 50.64, 43.16, -29.82

 

CMYK 0 / 47 / 10 / 33

HEX #AC5C9B

RGB 172 92 155

HSL 312.75, 0.33%, 0.52%

LAB 50.44, 41.3, -20.09

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 47 / 35 / 33

HEX #AC5C70

RGB 172 92 112

HSL 345, 0.33%, 0.52%

LAB 49, 34.82, 3.39

 

CMYK 0 / 46 / 47 / 33

HEX #AC5D5C

RGB 172 93 92

HSL 0.75, 0.33%, 0.52%

LAB 48.73, 31.95, 14.98

 

CMYK 0 / 50 / 24 / 53

HEX #793D5C

RGB 121 61 92

HSL 329, 0.33%, 0.36%

LAB 34.35, 30.19, -6.62

 

CMYK 0 / 49 / 24 / 42

HEX #944B70

RGB 148 75 112

HSL 329.59, 0.33%, 0.44%

LAB 42, 35.29, -7.3

 

CMYK 0 / 47 / 23 / 33

HEX #AC5C85

RGB 172 92 133

HSL 329.25, 0.33%, 0.52%

LAB 49.64, 37.75, -8.25

 

CMYK 0 / 36 / 17 / 27

HEX #BA779A

RGB 186 119 154

HSL 328.66, 0.33%, 0.6%

LAB 58, 31.29, -7.91

 

CMYK 0 / 27 / 13 / 22

HEX #C893AE

RGB 200 147 174

HSL 329.43, 0.33%, 0.68%

LAB 66.67, 24.16, -6.24

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 0 / 15 / 47 / 33

HEX #AC935C

RGB 172 147 92

HSL 41.25, 0.33%, 0.52%

LAB 62.01, 1.83, 32.49

 

CMYK 47 / 3 / 0 / 33

HEX #5CA6AC

RGB 92 166 172

HSL 184.5, 0.33%, 0.52%

LAB 63.78, -21.39, -10.28

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 23 / 0 / 47 / 33

HEX #85AC5C

RGB 133 172 92

HSL 89.25, 0.33%, 0.52%

LAB 65.95, -27.2, 36.78

 

CMYK 47 / 23 / 0 / 33

HEX #5C85AC

RGB 92 133 172

HSL 209.25, 0.33%, 0.52%

LAB 54.06, -3.36, -25.05

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 0 / 15 / 47 / 33

HEX #AC935C

RGB 172 147 92

HSL 41.25, 0.33%, 0.52%

LAB 62.01, 1.83, 32.49

 

CMYK 47 / 0 / 24 / 33

HEX #5CAC83

RGB 92 172 131

HSL 149.25, 0.33%, 0.52%

LAB 64.5, -34.22, 13.61

 

CMYK 47 / 32 / 0 / 33

HEX #5C75AC

RGB 92 117 172

HSL 221.25, 0.33%, 0.52%

LAB 49.47, 6.12, -32.18

 

CMYK 0 / 47 / 23 / 32

HEX #AD5B85

RGB 173 91 133

HSL 329.27, 0.33%, 0.52%

LAB 49.57, 38.62, -8.34

 

CMYK 0 / 1 / 47 / 33

HEX #ACAB5C

RGB 172 171 92

HSL 59.25, 0.33%, 0.52%

LAB 68.51, -11.06, 40.56

 

CMYK 47 / 0 / 24 / 33

HEX #5CAC83

RGB 92 172 131

HSL 149.25, 0.33%, 0.52%

LAB 64.5, -34.22, 13.61

 

CMYK 47 / 46 / 0 / 33

HEX #5C5DAC

RGB 92 93 172

HSL 239.25, 0.33%, 0.52%

LAB 42.89, 20.95, -42.57

 

Description

Color code: HEX #AD5B85 | qconv.com Color code: HEX #AD5B85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 91 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 91 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 23% 32% C M Y K

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Provide designers and agencies with accurate color values.

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