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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD678E it is the complementary color #529871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD678E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD678E shade: #B26789, #C3799C, #D48BAF, #E59DC2 and #F6AFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD678E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD678E shade: #AD678E, #9C557B, #8B4368, #7A3155 and #691F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD678E shade: #AC668D, #AC667A, #AC6667 and #AC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD678E shade: #AC668D, #AC66A0, #A666AC, #9366AC and #8066AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD678E shade matches the following richer shades: #AC668D, #BF538F, #D24092, #E52D94 and #F81A96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD678E shade: #AC668D, #99798B, #868C89, #739F87 and #60B285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD678E shade: #A566AC, #AC66A1, #AC668E, #AC667B and #AC6668

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD678E shade: #7D4363, #985179, #AC668D, #BB81A1 and #C99CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD678E shade: #AD678E, #AC9366 and #66AAAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD678E shade: #AD678E, #8EAC66 and #668EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD678E shade: #AD678E, #AC9366, #66AC85 and #6680AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD678E shade: #AD678E, #ACA866, #66AC85 and #666BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

Complementary color

CMYK 46 / 0 / 26 / 40

HEX #529871

RGB 82 152 113

HSL 146.57, 0.3%, 0.46%

LAB 57.5, -31.36, 13.8

 

CMYK 0 / 42 / 23 / 30

HEX #B26789

RGB 178 103 137

HSL 332.8, 0.33%, 0.55%

LAB 52.92, 34.54, -5.66

 

CMYK 0 / 38 / 20 / 24

HEX #C3799C

RGB 195 121 156

HSL 331.62, 0.38%, 0.62%

LAB 59.6, 33.71, -6.58

 

CMYK 0 / 34 / 17 / 17

HEX #D48BAF

RGB 212 139 175

HSL 330.41, 0.46%, 0.69%

LAB 66.18, 32.92, -7.39

 

CMYK 0 / 31 / 15 / 10

HEX #E59DC2

RGB 229 157 194

HSL 329.17, 0.58%, 0.76%

LAB 72.67, 32.18, -8.13

 

CMYK 0 / 29 / 13 / 4

HEX #F6AFD5

RGB 246 175 213

HSL 327.89, 0.8%, 0.83%

LAB 79.07, 31.49, -8.8

 

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

CMYK 0 / 46 / 21 / 39

HEX #9C557B

RGB 156 85 123

HSL 327.89, 0.29%, 0.47%

LAB 45.63, 34.38, -8.47

 

CMYK 0 / 52 / 25 / 45

HEX #8B4368

RGB 139 67 104

HSL 329.17, 0.35%, 0.4%

LAB 38.73, 35.21, -7.36

 

CMYK 0 / 60 / 30 / 52

HEX #7A3155

RGB 122 49 85

HSL 330.41, 0.43%, 0.34%

LAB 31.78, 35.94, -5.93

 

CMYK 0 / 70 / 37 / 59

HEX #691F42

RGB 105 31 66

HSL 331.62, 0.54%, 0.27%

LAB 24.88, 36.32, -3.96

 

CMYK 0 / 41 / 18 / 33

HEX #AC668D

RGB 172 102 141

HSL 326.57, 0.3%, 0.54%

LAB 52.06, 33.58, -9.38

 

CMYK 0 / 41 / 29 / 33

HEX #AC667A

RGB 172 102 122

HSL 342.86, 0.3%, 0.54%

LAB 51.47, 30.71, 1

 

CMYK 0 / 41 / 40 / 33

HEX #AC6667

RGB 172 102 103

HSL 359.14, 0.3%, 0.54%

LAB 50.98, 28.25, 11.57

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 0 / 41 / 18 / 33

HEX #AC668D

RGB 172 102 141

HSL 326.57, 0.3%, 0.54%

LAB 52.06, 33.58, -9.38

 

CMYK 0 / 41 / 7 / 33

HEX #AC66A0

RGB 172 102 160

HSL 310.29, 0.3%, 0.54%

LAB 52.74, 36.82, -19.51

 

CMYK 3 / 41 / 0 / 33

HEX #A666AC

RGB 166 102 172

HSL 294.86, 0.3%, 0.54%

LAB 52.5, 37.15, -26.95

 

CMYK 15 / 41 / 0 / 33

HEX #9366AC

RGB 147 102 172

HSL 278.57, 0.3%, 0.54%

LAB 50.32, 31.19, -30.51

 

CMYK 26 / 41 / 0 / 33

HEX #8066AC

RGB 128 102 172

HSL 262.29, 0.3%, 0.54%

LAB 48.35, 25.38, -33.73

 

CMYK 0 / 41 / 18 / 33

HEX #AC668D

RGB 172 102 141

HSL 326.57, 0.3%, 0.54%

LAB 52.06, 33.58, -9.38

 

CMYK 0 / 57 / 25 / 25

HEX #BF538F

RGB 191 83 143

HSL 326.67, 0.46%, 0.54%

LAB 50.97, 49.99, -11.93

 

CMYK 0 / 70 / 30 / 18

HEX #D24092

RGB 210 64 146

HSL 326.3, 0.62%, 0.54%

LAB 51.2, 63.87, -13.07

 

CMYK 0 / 80 / 35 / 10

HEX #E52D94

RGB 229 45 148

HSL 326.41, 0.78%, 0.54%

LAB 52.59, 74.62, -11.84

 

CMYK 0 / 90 / 40 / 3

HEX #F81A96

RGB 248 26 150

HSL 326.49, 0.94%, 0.54%

LAB 54.97, 82.61, -9.11

 

CMYK 0 / 41 / 18 / 33

HEX #AC668D

RGB 172 102 141

HSL 326.57, 0.3%, 0.54%

LAB 52.06, 33.58, -9.38

 

CMYK 0 / 21 / 9 / 40

HEX #99798B

RGB 153 121 139

HSL 326.25, 0.14%, 0.54%

LAB 54.36, 15.53, -5.02

 

CMYK 4 / 0 / 2 / 45

HEX #868C89

RGB 134 140 137

HSL 150, 0.03%, 0.54%

LAB 57.68, -2.79, 0.83

 

CMYK 28 / 0 / 15 / 38

HEX #739F87

RGB 115 159 135

HSL 147.27, 0.19%, 0.54%

LAB 61.82, -20.09, 7.76

 

CMYK 46 / 0 / 25 / 30

HEX #60B285

RGB 96 178 133

HSL 147.07, 0.35%, 0.54%

LAB 66.54, -35.49, 15.38

 

CMYK 4 / 41 / 0 / 33

HEX #A566AC

RGB 165 102 172

HSL 294, 0.3%, 0.54%

LAB 52.38, 36.83, -27.14

 

CMYK 0 / 41 / 6 / 33

HEX #AC66A1

RGB 172 102 161

HSL 309.43, 0.3%, 0.54%

LAB 52.78, 37, -20.03

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 41 / 28 / 33

HEX #AC667B

RGB 172 102 123

HSL 342, 0.3%, 0.54%

LAB 51.5, 30.85, 0.45

 

CMYK 0 / 41 / 40 / 33

HEX #AC6668

RGB 172 102 104

HSL 358.29, 0.3%, 0.54%

LAB 51, 28.37, 11.01

 

CMYK 0 / 46 / 21 / 51

HEX #7D4363

RGB 125 67 99

HSL 326.9, 0.3%, 0.38%

LAB 36.51, 29.4, -7.76

 

CMYK 0 / 47 / 20 / 40

HEX #985179

RGB 152 81 121

HSL 326.2, 0.3%, 0.46%

LAB 44.15, 34.84, -9.53

 

CMYK 0 / 41 / 18 / 33

HEX #AC668D

RGB 172 102 141

HSL 326.57, 0.3%, 0.54%

LAB 52.06, 33.58, -9.38

 

CMYK 0 / 31 / 14 / 27

HEX #BB81A1

RGB 187 129 161

HSL 326.9, 0.3%, 0.62%

LAB 60.64, 27.28, -7.99

 

CMYK 0 / 22 / 10 / 21

HEX #C99CB5

RGB 201 156 181

HSL 326.67, 0.29%, 0.7%

LAB 69.13, 20.76, -6.49

 

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

CMYK 0 / 15 / 41 / 33

HEX #AC9366

RGB 172 147 102

HSL 38.57, 0.3%, 0.54%

LAB 62.17, 2.92, 27.28

 

CMYK 41 / 1 / 0 / 33

HEX #66AAAC

RGB 102 170 172

HSL 181.71, 0.3%, 0.54%

LAB 65.4, -20.96, -7.81

 

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

CMYK 17 / 0 / 41 / 33

HEX #8EAC66

RGB 142 172 102

HSL 85.71, 0.3%, 0.54%

LAB 66.68, -22.5, 32.65

 

CMYK 41 / 17 / 0 / 33

HEX #668EAC

RGB 102 142 172

HSL 205.71, 0.3%, 0.54%

LAB 57.22, -5.85, -20.14

 

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

CMYK 0 / 15 / 41 / 33

HEX #AC9366

RGB 172 147 102

HSL 38.57, 0.3%, 0.54%

LAB 62.17, 2.92, 27.28

 

CMYK 41 / 0 / 23 / 33

HEX #66AC85

RGB 102 172 133

HSL 146.57, 0.3%, 0.54%

LAB 64.98, -31, 13.25

 

CMYK 41 / 26 / 0 / 33

HEX #6680AC

RGB 102 128 172

HSL 217.71, 0.3%, 0.54%

LAB 53.21, 2.23, -26.3

 

CMYK 0 / 40 / 18 / 32

HEX #AD678E

RGB 173 103 142

HSL 326.57, 0.3%, 0.54%

LAB 52.44, 33.55, -9.39

 

CMYK 0 / 2 / 41 / 33

HEX #ACA866

RGB 172 168 102

HSL 56.57, 0.3%, 0.54%

LAB 67.83, -8.43, 34.57

 

CMYK 41 / 0 / 23 / 33

HEX #66AC85

RGB 102 172 133

HSL 146.57, 0.3%, 0.54%

LAB 64.98, -31, 13.25

 

CMYK 41 / 38 / 0 / 33

HEX #666BAC

RGB 102 107 172

HSL 235.71, 0.3%, 0.54%

LAB 47.39, 14.87, -35.39

 

Description

Color code: HEX #AD678E | qconv.com Color code: HEX #AD678E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 103 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 103 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 18% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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