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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD678F it is the complementary color #529870. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD678F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD678F shade: #B2678A, #C3799D, #D48BB0, #E59DC3 and #F6AFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD678F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD678F shade: #AD678F, #9C557C, #8B4369, #7A3156 and #691F43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD678F shade: #AC668E, #AC667B, #AC6668 and #AC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD678F shade: #AC668E, #AC66A1, #A566AC, #9266AC and #7F66AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD678F shade matches the following richer shades: #AC668E, #BF5391, #D24094, #E52D96 and #F81A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD678F shade: #AC668E, #99798C, #868C89, #739F86 and #60B283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD678F shade: #A466AC, #AC66A2, #AC668F, #AC667C and #AC666A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD678F shade: #7D4364, #98517A, #AC668E, #BB81A2 and #C99CB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD678F shade: #AD678F, #AC9166 and #66ABAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD678F shade: #AD678F, #8FAC66 and #668FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD678F shade: #AD678F, #AC9166, #66AC83 and #6681AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD678F shade: #AD678F, #ACA766, #66AC83 and #666CAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

Complementary color

CMYK 46 / 0 / 26 / 40

HEX #529870

RGB 82 152 112

HSL 145.71, 0.3%, 0.46%

LAB 57.48, -31.57, 14.33

 

CMYK 0 / 42 / 22 / 30

HEX #B2678A

RGB 178 103 138

HSL 332, 0.33%, 0.55%

LAB 52.95, 34.69, -6.2

 

CMYK 0 / 38 / 19 / 24

HEX #C3799D

RGB 195 121 157

HSL 330.81, 0.38%, 0.62%

LAB 59.63, 33.86, -7.11

 

CMYK 0 / 34 / 17 / 17

HEX #D48BB0

RGB 212 139 176

HSL 329.59, 0.46%, 0.69%

LAB 66.21, 33.08, -7.91

 

CMYK 0 / 31 / 15 / 10

HEX #E59DC3

RGB 229 157 195

HSL 328.33, 0.58%, 0.76%

LAB 72.7, 32.34, -8.63

 

CMYK 0 / 29 / 13 / 4

HEX #F6AFD6

RGB 246 175 214

HSL 327.04, 0.8%, 0.83%

LAB 79.1, 31.66, -9.3

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 0 / 46 / 21 / 39

HEX #9C557C

RGB 156 85 124

HSL 327.04, 0.29%, 0.47%

LAB 45.66, 34.54, -9.02

 

CMYK 0 / 52 / 24 / 45

HEX #8B4369

RGB 139 67 105

HSL 328.33, 0.35%, 0.4%

LAB 38.77, 35.37, -7.93

 

CMYK 0 / 60 / 30 / 52

HEX #7A3156

RGB 122 49 86

HSL 329.59, 0.43%, 0.34%

LAB 31.82, 36.08, -6.53

 

CMYK 0 / 70 / 36 / 59

HEX #691F43

RGB 105 31 67

HSL 330.81, 0.54%, 0.27%

LAB 24.92, 36.45, -4.58

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 41 / 28 / 33

HEX #AC667B

RGB 172 102 123

HSL 342, 0.3%, 0.54%

LAB 51.5, 30.85, 0.45

 

CMYK 0 / 41 / 40 / 33

HEX #AC6668

RGB 172 102 104

HSL 358.29, 0.3%, 0.54%

LAB 51, 28.37, 11.01

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 41 / 6 / 33

HEX #AC66A1

RGB 172 102 161

HSL 309.43, 0.3%, 0.54%

LAB 52.78, 37, -20.03

 

CMYK 4 / 41 / 0 / 33

HEX #A566AC

RGB 165 102 172

HSL 294, 0.3%, 0.54%

LAB 52.38, 36.83, -27.14

 

CMYK 15 / 41 / 0 / 33

HEX #9266AC

RGB 146 102 172

HSL 277.71, 0.3%, 0.54%

LAB 50.21, 30.88, -30.68

 

CMYK 26 / 41 / 0 / 33

HEX #7F66AC

RGB 127 102 172

HSL 261.43, 0.3%, 0.54%

LAB 48.25, 25.09, -33.89

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 57 / 24 / 25

HEX #BF5391

RGB 191 83 145

HSL 325.56, 0.46%, 0.54%

LAB 51.04, 50.27, -13.01

 

CMYK 0 / 70 / 30 / 18

HEX #D24094

RGB 210 64 148

HSL 325.48, 0.62%, 0.54%

LAB 51.27, 64.11, -14.16

 

CMYK 0 / 80 / 34 / 10

HEX #E52D96

RGB 229 45 150

HSL 325.76, 0.78%, 0.54%

LAB 52.66, 74.82, -12.93

 

CMYK 0 / 90 / 38 / 3

HEX #F81A99

RGB 248 26 153

HSL 325.68, 0.94%, 0.54%

LAB 55.07, 82.88, -10.74

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 21 / 8 / 40

HEX #99798C

RGB 153 121 140

HSL 324.38, 0.14%, 0.54%

LAB 54.39, 15.72, -5.56

 

CMYK 4 / 0 / 2 / 45

HEX #868C89

RGB 134 140 137

HSL 150, 0.03%, 0.54%

LAB 57.68, -2.79, 0.83

 

CMYK 28 / 0 / 16 / 38

HEX #739F86

RGB 115 159 134

HSL 145.91, 0.19%, 0.54%

LAB 61.79, -20.3, 8.29

 

CMYK 46 / 0 / 26 / 30

HEX #60B283

RGB 96 178 131

HSL 145.61, 0.35%, 0.54%

LAB 66.49, -35.9, 16.42

 

CMYK 5 / 41 / 0 / 33

HEX #A466AC

RGB 164 102 172

HSL 293.14, 0.3%, 0.54%

LAB 52.26, 36.52, -27.34

 

CMYK 0 / 41 / 6 / 33

HEX #AC66A2

RGB 172 102 162

HSL 308.57, 0.3%, 0.54%

LAB 52.82, 37.18, -20.56

 

CMYK 0 / 41 / 17 / 33

HEX #AC668F

RGB 172 102 143

HSL 324.86, 0.3%, 0.54%

LAB 52.13, 33.91, -10.46

 

CMYK 0 / 41 / 28 / 33

HEX #AC667C

RGB 172 102 124

HSL 341.14, 0.3%, 0.54%

LAB 51.53, 31, -0.1

 

CMYK 0 / 41 / 38 / 33

HEX #AC666A

RGB 172 102 106

HSL 356.57, 0.3%, 0.54%

LAB 51.05, 28.61, 9.89

 

CMYK 0 / 46 / 20 / 51

HEX #7D4364

RGB 125 67 100

HSL 325.86, 0.3%, 0.38%

LAB 36.55, 29.57, -8.33

 

CMYK 0 / 47 / 20 / 40

HEX #98517A

RGB 152 81 122

HSL 325.35, 0.3%, 0.46%

LAB 44.18, 35, -10.09

 

CMYK 0 / 41 / 17 / 33

HEX #AC668E

RGB 172 102 142

HSL 325.71, 0.3%, 0.54%

LAB 52.09, 33.74, -9.92

 

CMYK 0 / 31 / 13 / 27

HEX #BB81A2

RGB 187 129 162

HSL 325.86, 0.3%, 0.62%

LAB 60.67, 27.45, -8.52

 

CMYK 0 / 22 / 9 / 21

HEX #C99CB6

RGB 201 156 182

HSL 325.33, 0.29%, 0.7%

LAB 69.16, 20.93, -7.01

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 0 / 16 / 41 / 33

HEX #AC9166

RGB 172 145 102

HSL 36.86, 0.3%, 0.54%

LAB 61.64, 4.03, 26.59

 

CMYK 41 / 1 / 0 / 33

HEX #66ABAC

RGB 102 171 172

HSL 180.86, 0.3%, 0.54%

LAB 65.69, -21.47, -7.37

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 17 / 0 / 41 / 33

HEX #8FAC66

RGB 143 172 102

HSL 84.86, 0.3%, 0.54%

LAB 66.75, -22.11, 32.75

 

CMYK 41 / 17 / 0 / 33

HEX #668FAC

RGB 102 143 172

HSL 204.86, 0.3%, 0.54%

LAB 57.51, -6.41, -19.7

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 0 / 16 / 41 / 33

HEX #AC9166

RGB 172 145 102

HSL 36.86, 0.3%, 0.54%

LAB 61.64, 4.03, 26.59

 

CMYK 41 / 0 / 24 / 33

HEX #66AC83

RGB 102 172 131

HSL 144.86, 0.3%, 0.54%

LAB 64.94, -31.4, 14.29

 

CMYK 41 / 25 / 0 / 33

HEX #6681AC

RGB 102 129 172

HSL 216.86, 0.3%, 0.54%

LAB 53.5, 1.64, -25.87

 

CMYK 0 / 40 / 17 / 32

HEX #AD678F

RGB 173 103 143

HSL 325.71, 0.3%, 0.54%

LAB 52.47, 33.71, -9.93

 

CMYK 0 / 3 / 41 / 33

HEX #ACA766

RGB 172 167 102

HSL 55.71, 0.3%, 0.54%

LAB 67.55, -7.9, 34.22

 

CMYK 41 / 0 / 24 / 33

HEX #66AC83

RGB 102 172 131

HSL 144.86, 0.3%, 0.54%

LAB 64.94, -31.4, 14.29

 

CMYK 41 / 37 / 0 / 33

HEX #666CAC

RGB 102 108 172

HSL 234.86, 0.3%, 0.54%

LAB 47.66, 14.26, -34.96

 

Description

Color code: HEX #AD678F | qconv.com Color code: HEX #AD678F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 103 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 103 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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